Uncanny Fidelity

"In the field of adaptation studies today, the idea of reading an adapted text as "faithful" or "unfaithful" to its original source strikes many scholars as too simplistic, too conservative, and too moralizing. In Uncanny Fidelity: Recognizing Shakespeare in Twenty-First Century Film and Television, James Newlin broadens the scope of fidelity beyond its familiar concerns of plot and language. Drawing upon Sigmund Freud's model of the Uncanny-the sudden sensation of peculiar, discomforting familiarity-this book focuses on films and series that do not selfidentify as adaptations of Shakespeare, but which invoke lost, even troubling aspects of the original. In doing so, Newlin demonstrates how the study of Shakespeare's afterlife can clarify both the historical context of his drama and its relevance for the current political moment. Modeling his new approach to the critical category of fidelity, Newlin closely examines four twentieth-century films and tv series next to their Shakespearean counterparts within the contexts of their casting, genre, and reception. When a director of an unconventional version of The Tempest, for example, chooses to cast a white man as either Caliban or Miranda, they seemingly depart from Shakespeare's original text. Yet with these casting decisions, Newlin argues that The Master (2012) and Brigsby Bear (2017) eerily recall the realities of the early modern theater. The Master unexpectedly depicts something like the mythic "wild man" figure that informed The Tempest's early-colonial context, while Brigsby Bear invokes the exploitative, abusive treatment of boy-actors cast in female roles on the renaissance stage. Similarly, by not explicitly identifying as an adaptation of Othello, the cult comedy series Vice Principals (2016-17) frees itself to more faithfully capture the play's early modern comic context - while also illuminating the parallels between racist discourse in Shakespeare's age and our own. By reading these works as uncannily faithful adaptations, Newlin articulates something like the original response of Shakespeare's audience. Finally, Newlin demonstrates how a filmed adaptation might itself intervene in Shakespeare's critical reception. As a version of The Winter's Tale that ends tragically, the celebrated film Manchester By The Sea (2016) effectively rebuts Stanley Cavell's celebrated reading of Shakespeare's romance. Recognizing the parallels between Manchester By The Sea and The Winter's Tale, Newlin argues that Shakespeare views grief and guilt as forms of certainty - in contradistinction to Cavell's reading of the play as a portrait of skepticism. The first extended treatment of adaptation as a form of uncanny return, Uncanny Fidelity offers students and scholars of Shakespeare in film, adaptation studies, film studies, and psychoanalytic theory a critical framework to further engage the matter of personal response with deeper theoretical rigor. In redefining what constitutes adaptation, Newlin demonstrates how the study of Shakespeare's afterlife can radically challenge our own conception of what we consider to be authentically Shakespearean"--

This volume constitutes the refereed proceedings of the 8th International Conference on HCI in Virtual, Augmented and Mixed Reality, VAMR 2016, held as part of the 18th International Conference on Human-Computer Interaction, HCII 2016, which took place in Toronto, Canada, in July 2016. HCII 2016 received a total of 4354 submissions, of which 1287 papers were accepted for publication after a careful reviewing process. The 70 papers presented in this volume are organized in topical sections named: Usability, User Experience and Design in VAMR, Perception, Cognition, Psychology and Behaviour in VAMR, Multimodal Interaction in VAMR, Novel Devices and Technologies in VAMR, VAMR Applications in Aviation, Space and the Military, Medicine, Health and Well-Being Applications of VAMR, VAMR in Industry, Design and Engineering, Novel Virtual Environments.

Game Sound Technology and Player Interaction: Concepts and Developments researches both how game sound affects a player psychologically, emotionally, and physiologically, and how this relationship itself impacts the design of computer game sound and the development of technology. This compilation also applies beyond the realm of video games to other types of immersive sound, such as soundscape design, gambling machines, emotive and fantastical sound to name a few. The application for this research is wide-ranging, interdisciplinary, and of primary importance for academics and practitioners searching for the right sounds.

This book constitutes the refereed post-conference proceedings of the 21st Annual Simulation Technology and Training Conference, SimTecT 2016, and the 47th International Simulation and Gaming Association Conference, ISAGA 2016, Held as Part of the First Australasian Simulation Congress, ASC 2016, held in Melbourne, VIC, Australia, in September 2016. The 28 revised full papers included in the volume were carefully reviewed and selected from 55 submissions. They are organized in the following topical sections: Making the grade; Come to think of it; From here to fidelity; The name of the game; and Ahead of the game.

This Strange Loneliness is the first comprehensive account of the poetic relationship between Seamus Heaney and William Wordsworth. Peter Mackay explores how Heaney repeatedly turns to the Romantic poet's work for inspiration, corroboration, and amplification, and as a model for the fortifying power of poetry itself, which offers the fundamental lesson that "it is on this earth 'we find our happiness, or not at all.'" Through an in-depth look at archival materials, and at uncollected poems and prose by Heaney, Mackay traces the evolution of Heaney's readings of Wordsworth throughout his career, revealing their shared interest in the connections between poetry and education, the possibility of a beneficial understanding of poetic influence, the complexities of place and displacement, ideas of transcendence, and ultimately the importance of "late style": later poems by Wordsworth might prove a cautionary tale, as well as example, for any poet. Placing Heaney's readings within their political, historical, and poetic contexts the book also explores how he negotiated the complex relationship between Irish and British culture and identity to claim a persistent form of kinship, and forge a strange community, with the Romantic poet. With illuminating readings that reveal new contexts to and currents in Heaney's work, This Strange Loneliness is a powerful evocation of the Irish poet's sense of the "uplift" that poetry can provide.

Rather than limiting the cinema, as certain French New Wave critics feared, adaptation has encouraged new inspiration to explore the possibilities of the intersection of text and film. This collection of essays covers various aspects of adaptation studies--questions of genre and myth, race and gender, readaptation, and pedagogical and practical approaches.

An extraordinary, strange, and startlingly beautiful exploration of smell, the least understood of our five senses The nose on your face is the Buckingham Palace Guard of your body, the maitre d' of all taste, as well as the seducer of your imagination, and memory—and Jude Stewart has charmed them all into a wicked, poetic and illuminating tour of their mysterious domains. —Jack Hitt, author of Bunch of Amateurs Overlapping with taste yet larger in scope, smell is the sense that comes closest to pure perception. Smell can collapse space and time, unlocking memories and transporting us to worlds both new and familiar. Yet as clearly as each of us can recognize different smells--the bright tang of citrus, freshly sharpened pencils, parched earth after rain--few of us understand how and why we smell. In Revelations in Air, Jude Stewart takes us on a fascinating journey into the weird and wonderful world of smell. Beginning with lessons on the incredible biology and history of how our noses work, Stewart teaches us how to use our noses like experts. Once we're properly equipped and ready to sniff, Stewart explores a range of smells—from lavender, cut grass and hot chocolate to cannabis and old books—using smell as a lens into art, history, science, and more. With an engaging colorful design and exercises for readers to refine their own skills, Revelations in Air goes beyond science or history or chemistry--it's a doorway into the surprising, pleasurable, and unfamiliar landscape of smell.

With fresh insight and contemporary relevance, Radium of the Word argues that a study of the form of language yields meanings otherwise inaccessible through ordinary reading strategies. Attending to the forms of words rather than to their denotations, Craig Dworkin traces hidden networks across the surface of texts, examining how typography, and even individual letters and marks of punctuation, can reveal patterns that are significant without being symbolic—fully meaningful without communicating any preordained message. Radium of the Word takes its title from Mina Loy’s poem for Gertrude Stein, which hails her as the Madame “Curie / of the laboratory / of vocabulary.” In this spirit, Dworkin considers prose as a dynamic literary form, characterized by experimentation. Dworkin draws on examples from writers as diverse as Lyn Hejinian, William Faulkner, and Joseph Roth. He takes up the status of the proper name in Modernism, with examples from Stein, Loy, and Guillaume Apollinaire, and he offers in-depth analyses of individual authors from the counter-canon of the avant-garde, including P. Inman, Russell Atkins, N. H. Pritchard, and Andy Warhol. The result is an inspiring intervention in contemporary poetics.