Uncle Sam And The Freedom Fighters 2006 4

After a trial by fire in the Arizona desert, the Freedom Fighters find themselves on the run from the government that created them.

Written by Jimmy Palmiotti & Justin Gray Art and cover by Daniel Acu�a Collecting the 8-issue miniseries spinning out of INFINITE CRISIS, with art by the sensational Daniel Acu�a! Meet the all-new Phantom Lady, Doll Man, Human Bomb and the Ray - members of the government task force known as SHADE, the country's first line of defense against super-powered threats and terrorists. Advance-solicited; on sale July 11 - 208 pg, FC, $14.99 US

Written by Justin Gray & Jimmy Palmiotti Art by Dan Jurgens, Gordon Purcell and Palmiotti Cover by Daniel Acu�a Collecting the acclaimed 6-issue miniseries! Bl�dhaven becomes a battlefield for Robin, Green Lantern, Cyborg, the Atomic Knights and more! This volume features the introduction of the Freedom Fighters and the new Monarch, making this a must-have for DCU fans!

Contributions by David M. Ball, Ian Gordon, Andrew Loman, Andrea A. Lunsford, James Lyons, Ana Merino, Graham J. Murphy, Chris Murray, Adam Rosenblatt, Julia Round, Joe Sutliff Sanders, Stephen Weiner, and Paul Williams Starting in the mid-1980s, a talented set of comics artists changed the American comic book industry forever by introducing adult sensibilities and aesthetic considerations into popular genres such as superhero comics and the newspaper strip. Frank Miller's Batman: The Dark Knight Returns (1986) and Alan Moore and Dave Gibbons's Watchmen (1987) revolutionized the former genre in particular. During this same period, underground and alternative genres began to garner critical acclaim and media attention beyond comics-specific outlets, as best represented by Art Spiegelman's Maus. Publishers began to collect, bind, and market comics as “graphic novels,” and these appeared in mainstream bookstores and in magazine reviews. The Rise of the American Comics Artist: Creators and Contexts brings together new scholarship surveying the production, distribution, and reception of American comics from this pivotal decade to the present. The collection specifically explores the figure of the comics creator—either as writer, as artist, or as writer and artist—in contemporary US comics, using creators as focal points to evaluate changes to the industry, its aesthetics, and its critical reception. The book also includes essays on landmark creators such as Joe Sacco, Art Spiegelman, and Chris Ware, as well as insightful interviews with Jeff Smith (Bone), Jim Woodring (Frank) and Scott McCloud (Understanding Comics). As comics have reached new audiences, through different material and electronic forms, the public's broad perception of what comics are has changed. The Rise of the American Comics Artist surveys the ways in which the figure of the creator has been at the heart of these evolutions.

The Quality Companion provides the first dedicated look at the prolific Golden Age publisher which spawned a treasure trove of beautiful art and classic characters, including the modern-day "Freedom Fighters" -- Uncle Sam, Phantom Lady, Black Condor, The Ray, Human Bomb, and Doll Man -- as well as Plastic Man, the Blackhawks, and others now under the DC Comics umbrella. It provides the first-ever A-Z, in-depth character profile of every Quality costumed hero, many of whom were superbly-produced but are now long-forgotten. It also reprints, in full-color, several 1940s key stories of these characters from such rare 1940s collector's items as Smash Comics, Police Comics, National Comics, Feature Comics, and Crack Comics, and features Golden Age art by the top artistic talents of that era, including Lou Fine, Reed Crandall, Jack Cole, Chuck Cuidera, Matt Baker, Will Eisner, and others! Creators who were instrumental in the revival of the Quality characters from the 1970s to today are also interviewed, including Roy Thomas, Len Wein, and Jimmy Palmiotti.

Taking a multifaceted approach to attitudes toward race through popular culture and the American superhero, All New, All Different? explores a topic that until now has only received more discrete examination. Considering Marvel, DC, and lesser-known texts and heroes, this illuminating work charts eighty years of evolution in the portrayal of race in comics as well as in film and on television. Beginning with World War II, the authors trace the vexed depictions in early superhero stories, considering both Asian villains and nonwhite sidekicks. While the emergence of Black Panther, Black Lightning, Luke Cage, Storm, and other heroes in the 1960s and 1970s reflected a cultural revolution, the book reveals how nonwhite superheroes nonetheless remained grounded in outdated assumptions. Multiculturalism encouraged further diversity, with 1980s superteams, the minority-run company Milestone’s new characters in the 1990s, and the arrival of Ms. Marvel, a Pakistani-American heroine, and a new Latinx Spider-Man in the 2000s. Concluding with contemporary efforts to make both a profit and a positive impact on society, All New, All Different? enriches our understanding of the complex issues of racial representation in American popular culture.

A collection of short first-person narratives by the members of a company caught in the frontline in the first World War.

A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.