Under The Window

Jews, Muslims, Christians, believers, nonbelievers, residents, tourists, and so many others have ocked for millennia to the cultural richness of Jerusalem. It is one of the world's greatest crossroads, hosting the variety that is humanity. From her stunning viewpoint, Michal Safdie invites you to see what she sees every day. Perched up on a hill in the Old City of Jerusalem, along the fragile bor- der between the Jewish and Muslim Quarters, is the home of Michal Ronnen Safdie. Facing east, it overlooks the Western Wall precinct, the Dome of the Rock, and the Al-Aqsa Mosque. To the north unfolds the Muslim Quarter with Mount Scopus in the skyline; to the west, the Church of the Holy Sepulcher and the Christian Quarter. Directly under her window is a narrow alley, through which thousands of people pass every day. The alley is a conduit. It is a passage for those entering the Old City through Dung Gate on the south side-mostly Palestinians making their way to their workplaces, schools, markets. It is the route of Christians to the Holy Sepulcher and of Muslim pil- grims during Ramadan, and other holidays, on their way to the Haram al-Sharif (Temple Mount). It is also the path connecting Jews residing in the Jewish Quarter and in the western part of the city, to the Wailing Wall (Western Wall). The view from the window o ers two contrasting perspectives. Across toward the Western Wall precinct: vast ceremonial spaces, and the sil- houette of the Old City quarters. Directly below, in the alley and terraces: a great variety of people seeking the sacred as well as the morning and evening cycles of life's routines. The photographs capture personal moments alongside large-scale public events in the city of Jerusalem, where belief and ritual significantly shape day-to-day life.

A plot to steal a top-secret instrument vital to the United States space program poses a challenging case for Frank and Joe Hardy. After rescuing a South American stowaway who mutters a warning about “Footprints “ and then vanishes, Frank and Joe discover that documents belonging to their famous detective father are missing and that footprints linger under a window. The young detective’s search for the diabolical mastermind of the “Footprints” spy ring takes them on a flight to a group of islands off the coast of South America.

"Mark Lattimer is chopped by a stranger in the heat of a riot. He has been attacked because he looks white and middle class, though he is a politically committed lawyer working for the poor and the nationalist movement in Jamaica. Now he is trapped, brought to bleed his life away in a small, airless room, cut off from doctors, ambulances, police. As he dies, he talks to his companions, his black lover and a fellow party worker, and drifts into memories of his past: his privileged childhood, his time in London and the RAF, his affairs and marriage and the moment when he gives his allegiance to the poor. But now what meaning can be given to his life and death?"--BOOK JACKET.

#1 New York Times Bestseller – Soon to be a Major Motion Picture starring Amy Adams, Julianne Moore, and Gary Oldman – Available on Netflix on May 14, 2021 “Astounding. Thrilling. Amazing.” —Gillian Flynn “Unputdownable.” —Stephen King “A dark, twisty confection.” —Ruth Ware “Absolutely gripping.” —Louise Penny For readers of Gillian Flynn and Tana French comes one of the decade’s most anticipated debuts, to be published in thirty-six languages around the world and already in development as a major film from Fox: a twisty, powerful Hitchcockian thriller about an agoraphobic woman who believes she witnessed a crime in a neighboring house. It isn’t paranoia if it’s really happening . . . Anna Fox lives alone—a recluse in her New York City home, unable to venture outside. She spends her day drinking wine (maybe too much), watching old movies, recalling happier times . . . and spying on her neighbors. Then the Russells move into the house across the way: a father, a mother, their teenage son. The perfect family. But when Anna, gazing out her window one night, sees something she shouldn’t, her world begins to crumble—and its shocking secrets are laid bare. What is real? What is imagined? Who is in danger? Who is in control? In this diabolically gripping thriller, no one—and nothing—is what it seems. Twisty and powerful, ingenious and moving, The Woman in the Window is a smart, sophisticated novel of psychological suspense that recalls the best of Hitchcock.

This is the first book to challenge the broken-windows theory of crime, which argues that permitting minor misdemeanors, such as loitering and vagrancy, to go unpunished only encourages more serious crime. The theory has revolutionized policing in the United States and abroad, with its emphasis on policies that crack down on disorderly conduct and aggressively enforce misdemeanor laws. The problem, argues Bernard Harcourt, is that although the broken-windows theory has been around for nearly thirty years, it has never been empirically verified. Indeed, existing data suggest that it is false. Conceptually, it rests on unexamined categories of law abiders and disorderly people and of order and disorder, which have no intrinsic reality, independent of the techniques of punishment that we implement in our society. How did the new order-maintenance approach to criminal justice--a theory without solid empirical support, a theory that is conceptually flawed and results in aggressive detentions of tens of thousands of our fellow citizens--come to be one of the leading criminal justice theories embraced by progressive reformers, policymakers, and academics throughout the world? This book explores the reasons why. It also presents a new, more thoughtful vision of criminal justice.