Understanding Bharati Mukherjee

2021 Choice Outstanding Academic Title Bharati Mukherjee was the first major South Asian American writer and the first naturalized American citizen to win the National Book Critics Circle Award. Born in Kolkata, India, she immigrated to the United States in 1961 and went on to publish eight novels, two short story collections, two long works of nonfiction, and numerous essays, book reviews, and newspaper articles. She was professor emerita in the Department of English at the University of California, Berkeley, until her death in 2017. In Understanding Bharati Mukherjee, Ruth Maxey discusses Mukherjee's influence on younger South Asian American women writers, such as Jhumpa Lahiri and Chitra Divakaruni. Mukherjee's powerful writing also enjoyed popular appeal, with some novels achieving best-seller status and international acclaim; her 1989 novel Jasmine was translated into multiple languages. One of the earliest writers to feature South Asian Americans in literary form, Mukherjee reflected upon the influence of non-European immigrants to the United States, following passage of the Immigration and Nationality Act of 1965, which abolished the quota system. Her vision of a globalized, interconnected world has been regarded as prophetic, and when Mukherjee died, diverse North American writers—Margaret Atwood, Joyce Carol Oates, Russell Banks, Michael Ondaatje, Ann Beattie, Amy Tan, and Richard Ford—came forward to praise her work and its importance. Understanding Bharati Mukherjee is the first book to examine this pioneering author's complete oeuvre and to identify its legacy. Maxey offers new insights into widely discussed texts and recuperates overlooked works, such as Mukherjee's first and last published short stories, her neglected nonfiction, and her many essays. Critically situating both well-known and under-discussed texts, this study analyzes the aesthetic and ideological complexity of Mukherjee's writing, considering her sophisticated, erudite, multilayered use of intertextuality, especially her debt to cinema. Maxey argues that understanding the range of formal and stylistic strategies in play is crucial to grasping Mukherjee's work.

After the assassination of her husband, seventeen-year-old Jasmine leaves India to live with a middle-aged banker in a small Iowa town, only to retain some of the traditions and memories of the past.

“An amazing literary feat and a masterpiece of storytelling. Once again, Bharati Mukherjee prove she is one of our foremost writers, with the literary muscles to weave both the future and the past into a tale that is singularly intelligent and provocative.”—Amy Tan This is the remarkable story of Hannah Easton, a unique woman born in the American colonies in 1670, “a person undreamed of in Puritan society.” Inquisitive, vital and awake to her own possibilities, Hannah travels to Mughal, India, with her husband, and English trader. There, she sets her own course, “translating" herself into the Salem Bibi, the white lover of a Hindu raja. It is also the story of Beigh Masters, born in New England in the mid-twentieth century, an “asset hunter” who stumbles on the scattered record of her distant relative's life while tracking a legendary diamond. As Beigh pieces together details of Hannah's journeys, she finds herself drawn into the most intimate and spellbinding fabric of that remote life, confirming her belief that with “sufficient passion and intelligence, we can decontrsuct the barriers of time and geography....”

The first naturalized citizen to win the National Book Critics Circle Award, Bharati Mukherjee (b. 1940), born into a rigid hierarchy as a Bengali Brahmin and raised in the elite of Calcutta society, joined the American masses by choice. This journey from a privileged yet circumscribed life to one of free will and risk supplied the experiences she has turned into literature. From her first interview, originally published over three decades ago in her native tongue Bengali in the Calcutta journal Desh and appearing here for the first time in English, to an in-depth interview in 2007 granted specifically for this collection, this volume provides a candid look at the woman who has been called the grande dame of diasporic Indian literature.

"A very fine writer, funny, intelligent, versatile and, on occasion, unexpectedly profound." --The Washington Post Book World "MUKHERJEE IS FEARLESS . . . DARING AND WITTY . . . Take the wild ride with Debby DiMartino from Albany to San Francisco, from lost child to masked avenger." --The Boston Globe "POWERFULLY WRITTEN . . . Debby has no memory of her birth parents. All she knows is that she was born in a remote Indian village, the daughter of a hippie back-packing mother and a mysterious Eurasian father, both of whom have disappeared almost without a trace. . . . Her quest for her biological parents turns into an obsession. . . . Leave It to Me . . . shows Mukherjee at the peak of her craft. . . . Mixing the Greek myth of Electra with the Indian myth of Devi, she sends Devi/Debby careening down on the Bay Area like an elemental force of vengeance." --San Francisco Chronicle "DEVI IS A BRILLIANT CREATION--hilarious, horribly knowing and even more horribly oblivious--through whom Bharati Mukherjee, with characteristic and shameless ingenuity, is laying claim to speak for an America that isn't 'other' at all." --The New York Times Book Review "STUNNING . . . An astute, ironic, and merciless insight into an aberrant version of the American dream." --Publishers Weekly (starred review)

A National Book Critics Circle Award winner and New York Times Notable Book: “intelligent, versatile . . . profound” stories of migration in America (The Washington Post Book World). Illuminating a new world of people in migration that has transformed the essence of America, these collected stories are a dazzling display of the vision of this critically-acclaimed contemporary writer. An aristocratic Filipina negotiates a new life for herself with an Atlanta investment banker. A Vietnam vet returns to Florida, a place now more foreign than the Asia of his war experience. An Indian widow tries to explain her culture’s traditions of grieving to her well-intentioned friends. And in the title story, an Iraqi Jew whose travels have ended in Queens suddenly finds himself an unwitting guerrilla in a South American jungle. Passionate, comic, violent, and tender, these stories draw us into a cultural fusion in the midst of its birth pangs, expressing a “consummated romance with the American language” (The New York Times Book Review).

Taken under the wing of an expat teacher for her ambition and talent, Anjali Bose hopes to escape unfavorable prospects and falls in with a crowd of young people in Bangalore, where she endeavors to confront her past and reinvent herself.