Understanding Rock

Amid the recent increase in scholarly attention to rock music, Understanding Rock stands out as one of the first books that subjects diverse aspects of the music itself to close and sophisticated analytical scrutiny. Written by some of the best young scholars in musicology and music theory, the essays in this volume use harmonic, melodic, rhythmic, formal, and textual approaches in order to show how and why rock music works as music. Topics of discussion include the adaptation of blues and other styles to rock; the craft of songwriting; techniques and strategies of improvisation; the reinterpretation of older songs; and the use of the recording studio as a compositional tool. A broad range of styles and groups is covered, including Yes, the Beach Boys, Cream, k.d. lang, Paul Simon, Jimi Hendrix, and the Grateful Dead.

Embark on an exhilarating journey through the heart and soul of rock music with 'Rock 101: A Comprehensive Guide to Understanding Rock Music.' From its humble beginnings rooted in blues, jazz, and folk traditions to its explosive evolution into a global phenomenon, this book offers a captivating exploration of the genre's rich history, diverse subgenres, iconic figures, and profound impact on culture and society. Delve into the roots of rock, traverse the classic rock era, dissect the anatomy of rock instruments and techniques, dissect lyrical themes, and unravel the legacies of legendary artists. With meticulous detail and passionate insight, each chapter illuminates key facets of rock music, inviting readers to discover the magic and significance of this enduring art form. Whether you're a seasoned aficionado or a curious newcomer, 'Rock 101' is your ultimate companion for unlocking the mysteries and marvels of rock music.

Elementary, conceptual, and easy to read, this book describes the methods and techniques used to estimate rock properties from seismic data, based on a sound understanding of the elastic properties of materials and rocks and how the amplitudes of seismic reflections change with those properties. By examining the recorded seismic amplitudes in some detail, we can deduce properties beyond the basic geological structure of the subsurface. We can, using AVO and other amplitude techniques, characterize rocks and the reservoirs inside them with some degree of qualitative, and even quantitative, detail. Mathematics is not ignored, but is kept to a minimum. Intended for geophysicists, seismic acquisition specialists, processors, and interpreters, even those with little previous exposure to ‘quantitative interpretation’, ‘interpretive processing’ or ‘advanced seismic analysis’, this book also would be appropriate for geologists, engineers, and technicians who are familiar with the concepts but need a methodical review as well as managers and businesspeople who would like to obtain an understanding of these concepts.

Understanding how fluids flow through though rocks is very important in a number of fields. Almost all of the world's oil and gas are produced from underground reservoirs. Knowledge of how they got where they are, what keeps them there and how they migrate through the rock is very important in the search for new resources, as well as for maximising the extraction of as much of the contained oil/gas as possible. Some contributors to this volume have been trying to understand real rocks in real situations and others have been working on computer models and laboratory simulations. Put together, these approaches have yielded very useful results, many of which are discussed in this volume.

Rock'n'roll in Britain has been written about many times, but the question of what it has meant to its young fans and imitators has usually taken second place to the description of the records and artists themselves. In this book Dick Bradley argues that to fully understand the history of rock'n'roll and related styles like skiffle, Beat music and British R'n'B, it is not enough merely to praise or criticize records. We must consider how the music was used, and what made many listeners take up singing and playing themselves. He suggests music-use formed a central practice of the emerging youth culture. Young listeners found articulations of resistance and communality in American rock'n'roll, which many of them then tried to reproduce in their own music-making. Dr. Bradley also provides a speculative theoretical framework for understanding these meanings in their wider social and historical context.

The purpose of Seeing and Knowing is to demonstrate the depth and wide geographical impact of David Lewis-Williams’ contribution to rock art research by emphasizing theory and methodology drawn from ethnography. Contributors explore what it means to understand and learn from rock art, and a contrast is drawn between those sites where it is possible to provide a modern, ethnographic context, and those sites where it is not. This is the definitive guide to the interplay between ethnography and rock art interpretation, and is an ideal resource for students and researchers alike.

This volume provides a synopsis of current research on volcanic processes, as gained through the use of palaeomagnetic and rock magnetic techniques. Thermoremanent magnetization information provides a powerful means of deciphering thermal processes in volcanic deposits, including estimating the emplacement temperature of pyroclastic deposits, which allows us to understand better the rates of cooling during eruption and transport. Anisotropy of magnetic susceptibility and anisotropy of remanence are used primarily to investigate rock fabrics and to quantify flow dynamics in dykes, lava flows, and pyroclastic deposits, as well as identify vent locations. Rock-magnetic characteristics allow correlation of volcanic deposits, but also provide means to date volcanic deposits and to understand better their cooling history. Because lava flows are typically good recorders of past magnetic fields, data from them allow understanding of changes in geomagnetic field directions and intensity, providing clues on the origin of Earth’s magnetic field.

When dealing with rock in civil engineering, mining engineering and other engineering, the process by which the rock fails under load should be understood, so that safe structures can be built on and in the rock. However, there are many ways for loading rock and rock can have a variety of idiosyncracies. This reference book provides engineers and researchers with the essential knowledge for a clear understanding of the process of rock failure under different conditions. It contains an introductory chapter explaining the role of rock failure in engineering projects plus a summary of the theories governing rock failure and an explanation of the computer simulation method. It subsquently deals in detail with explaining, simulating and illustrating rock failure in laboratory and field. The concluding chapter discusses coupled modelling and the anticipated future directions for this type of computer simulation. An appendix describing the RFPA numerical model (Rock Failure Process Analysis program) is also included. About the Authors Chun'an Tang has a PhD in Mining Engineering and is a Professor at the School of Civil & Hydraulic Engineering at Dalian University of Technology in China. He is an advisor for design and stablity problem modelling in mining and civil rock engineeringand and Chairman of the China National Group of the International Society for Rock Mechanics. John Hudson is emeritus professor at Imperial College, London and is active as an independant consultant for Rock Engineering Consultants. He has a PhD in Rock Mechanics and completed over a 130 rock engineering consulting assignments in mining and civil engineering. He is a fellow at the Royal Academy of Engineering in the UK and President of the International Society for Rock Mechanics.