Undiscovered Country

‘One is struck by its mordant wit and fierce intelligence’ Martin W. Sandler, National Book Award-winning author and historian 1920, the Irish War of Independence. Amid the turmoil of an emerging nation, two young IRA members assigned to police a rural village discover the body of a young boy, apparently drowned. One of them, a veteran of the First World War, recognises violence when he sees it – but does one more corpse really matter in this time of bitter conflict? The reluctant detectives must navigate the vicious bloodshed, murky allegiances and savage complexities of a land defining itself to find justice for the murdered boy. Neither of them realises just how dangerous their task will become.

Unaware that his life is about to change in ways he can't imagine, seventeen-year-old Jesse Matson ventures into the northern Minnesota woods with his father on a cold November afternoon. Perched on individual hunting stands a quarter-mile apart, they wait with their rifles for white-tailed deer. When the muffled crack of a gunshot rings out, Jesse unaccountably knows something is wrong-and he races through the trees to find his dad dead of a rifle wound, apparently self-inflicted. But would easygoing Harold Matson really kill himself? If so, why? Haunted by the ghost of his father, Jesse delves into family secrets, wrestles with questions of justice and retribution, and confronts the nature of his own responsibility. And just when he's decided that he alone must shoulder his family's burden, the beautiful and troubled Christine Montez enters his life, forcing him to reconsider his plans. In spare, elegant prose, Lin Enger tells the story of a young man trying to hold his family together in a world tipped suddenly upside down. Set among pristine lakes and beneath towering pines, Undiscovered Country is at once a bold reinvention of Shakespeare's Hamlet and a hair-bristling story of betrayal, revenge, and the possibilities of forgiveness.

In this sequence of essays, Ian Angus engages with themes of identity, power, and the nation as they emerge in contemporary English Canadian philosophical thought, seeking to prepare the groundwork for a critical theory of neoliberal globalization. The essays are organized into three parts. The opening part offers a nuanced critique of the Hegelian confidence and progressivism that has come to dominate Canadian intellectual life. Through an analysis of the work of several prominent Canadian thinkers, among them Charles Taylor and C. B. Macpherson, Angus suggests that Hegelian frames of reference are inadequate, failing as they do to accommodate the fact of English Canada's continuing indebtedness to empire. The second part focuses on national identity and political culture, including the role of Canadian studies as a discipline, adapting its critical method to Canadian political culture. The first two parts culminate in the positive articulation, in Part 3, of author's own conception, one that is at once more utopian and more tragic than that of the first two parts. Here, Angus develops the concept of locative thought--the thinking of a people who have undergone dispossession, "of a people seeking its place and therefore of a people that has not yet found its place."Ian Angus is currently professor of humanities at Simon Fraser University. He has written several books on contemporary philosophy and communication, as well as on English Canadian social and political thought, among them A Border Within: National Identity, Cultural Plurality and Wilderness and Identity and Justic e. He is also the author of the more popularly oriented Emergent Publics: An Essay on Social Movements and Democracy and Love the Questions: University Education and Enlightenment. He lives in East Vancouver with his wife and daughter.

This book reads like a cross between a literary detective novel and a personal conversation with a passionate Shakespeare scholar, unpacking the play that Roth calls the seminal text of the humanist religion. It unveils new realities about the playsome of which have have lain hidden since Shakespeares dayuntangles centuries of commentary and criticism, and delivers the punch lines for a whole raft of Shakespeares remarkably involved in-jokes. Roths scholarship tackles old arguments like Hamlets age (hes sixteen), lays out the intricate time structure thats embedded in the play, and unravels several of the plays endless allusions that so puzzle the will. He depicts a dense, ironic, and multivalent web of political and dramatic tension in Elsinore (plus a great deal of humor), and delivers one ahamoment after another for lovers of the Bards greatest tragedy.

You can run from grief, but it will follow… Cat’s life is divided. There is the time Before her mom died, and After. When her mom got sick, Cat still did her homework and got accepted into college, while her father slowly shut down. Now, everything seems meaningless. Before, Cat was happy and had momentum. After, she feels stuck. And angry. There might be five stages of grief, but Cat can’t get past stage two. She’s so filled with rage, her doctor tries to medicate her. A pill to make her feel like a zombie? No thanks. When Cat finds a brochure for Students Without Boundaries – a volunteer program that will send her to South America – she grabs it. It’s her escape from the memories of her mother and the reality of her absence. But life as a “voluntourist” is not an escape. The new people and places Cat meets bring new perspectives and challenges she never expected. Life may still have meaning after all.

An extraordinary novel portraying one of the greatest untold love stories in American politics. In 1932, New York City, top reporter Lorena “Hick” Hickok starts each day with a front page byline—and finishes it swigging bourbon and planning her next big scoop. But an assignment to cover FDR’s campaign—and write a feature on his wife, Eleanor—turns Hick’s hard-won independent life on its ear. Soon her work, and the secret entanglement with the new first lady, will take her from New York and Washington to Scotts Run, West Virginia, where impoverished coal miners’ families wait in fear that the New Deal’s promised hope will pass them by. Together, Eleanor and Hick imagine how the new town of Arthurdale could change the fate of hundreds of lives. But doing what is right does not come cheap, and Hick will pay in ways she never could have imagined. Undiscovered Country artfully mixes fact and fiction to portray the intense relationship between this unlikely pair. Inspired by the historical record, including the more than three thousand letters Hick and Eleanor exchanged over a span of thirty years, McNees tells this story through Hick’s tough, tender, and unforgettable voice. A remarkable portrait of Depression-era America, this novel tells the poignant story of how a love that was forced to remain hidden nevertheless changed history.

Why do most contemporary Christians pull a blank when it comes to imagining a life with God after death? Although the Bible is largely silent on the issue, our world is completely riveted by the up-to-date visions of heaven and hell that stock bookstore shelves and are found everywhere on the Internet. But what are believers to think and to say about the “undiscovered country” that is the life to come—from the pulpit, at the hospital, or in our daily lives? Peter Hawkins offers a fresh way to pose these questions, along with an imaginative framework for answering them. He challenges all of us, not just preachers, to think of Dante’s drama of the afterlife—heaven, hell and purgatory—as a true story describing the lives we are living now. To this end Hawkins uses the Divine Comedy to help us imagine what happens when we die as he works his way through Christian tradition, contemporary culture, a rich array of literature, and his own personal experience.

Venezuela, 1953. The war is over and people are trying to rebuild their lives. For the privileged expat community around the Maracaibo oilfields life is still a hedonistic round of cocktail parties, salacious gossip, and illicit liaisons. At the centre of this glamorous, hard-drinking 'set' is Texan oilman, Jack Lindberg, and his beautiful English wife, Vivienne. But the war has changed every- thing. Observing the shifts and subterfuges of their world is Tony - Vivienne's eleven year-old daughter. As the cracks begin to show in her parents' marriage, and as the facade of colonial society starts to disintegrate, a tragic drama unfolds that will change her life forever.