Une Mort Qui Fait Du Bruit

Qu’est-ce qui peut inciter sept générations de Blanchet à choisir un métier triste à mourir aux yeux du commun des mortels? Quelles sont leurs motivations fondamentales? La morosité ou la vitalité? L’appât du gain ou un souci insatiable de servir le prochain? Le respect de la tradition ou le goût du risque? La routine ou le désir de variété? La facilité ou les défis? Ou encore, au-delà des perceptions, est-ce la passion pour une profession vieille comme le monde et indispensable aux êtres humains?

Professor Joseph J. Duggan, emeritus professor at the University of California (Berkeley) is an eminent scholar of Medieval Studies who has written seminal works on Romance Literatures (and Old French epics in particular). His work ranges from editions of medieval classics such as the Chanson de Roland to articles about troubadours’ lyrics and a monograph on Chrétien de Troyes. Here, fifteen contributions from his former students and colleagues offer literary, narratological, philological, and contextual studies of the texts he has taught and researched over his long and prestigious career.

The 111th issue of the magazine of Africa and the Diaspora, featuring fiction, poetry, art, and essays focused on the black world. Published three times per year by Indiana University Press for the Hutchins Center at Harvard University, Transition is a unique forum for the freshest, most compelling ideas from and about the black world. Since its founding in Uganda in 1961, the magazine has kept apace of the rapid transformation of the African Diaspora and has remained a leading forum of intellectual debate. In issue 111, Transition focuses on “New Narratives of Haiti.” Guest editors Laurent Dubois and Kaiama L. Glover have invited contributors to think about the world in ways that place Haiti at its center. Thought pieces by Madison Smartt Bell, Jonathan Katz, Gina Athena Ulysse and others, as well as translations of Franketienne, Lyonel Trouillot, and Michel-Rolph Trouillot, dispel trenchant cliches that have long plagued representations of Haiti in literature and scholarship. This issue also includes Jamaica Kincaid’s poignant memories of a brother lost to AIDS, and a scholar’s chance discovery of cultural (and genealogical?) links between Cuba and Sierra Leone. Exceptional poetry, fiction, and review essays also take us beyond Haiti to San Francisco, Rio de Janeiro, Nairobi, and Renaissance Europe.