Uneasy Encounters

Early twentieth century China went through a tumultuous period, marked by the end of an ancient monarchy, political instability and profound cultural upheaval. The medical discourse both reflected and contributed to these transformations. Western medicine arrived in China as part of missionary, foreign imperialist and internal modernization efforts. In various ways it interacted with Chinese practices and belief systems. The contributions in this volume explore important episodes of this multi-faceted process, describing key institutions, personalities and their respective motives and interests. Collectively, the chapters reveal a complex web of interlocking dimensions, which evade simple categorizations of Western or Chinese, exploitive or supportive, traditional or modern.

The book examines the dynamic processes of the various social, political, and cultural negotiations that representatives of Christian groups engage in within authoritarian societies in Greater China, where Christianity is deemed a foreign religious system brought to China by colonial rulers. The book explores the political and social cooperation and negotiations of two particular Christian groups in their respective and distinct settings: the open sector of the Catholic Church in the communist People’s Republic on mainland China from 1945 to the present day, and the Presbyterian church of Taiwan in the Republic of China in Taiwan during the period of martial law from 1949 to 1987. Rather than simply confirm the ‘domination-resistance’ model of church–state relations, the book focuses on the various approaches adopted by religious groups during the process of negotiation. In an authoritative Chinese environment, religious specialists face two related pressures: the demands of their authoritarian rulers and social pressure requiring them to assimilate to the local culture. The book uses two case studies to support a wider theory of economic approach to religion.

From award-nominated writer John Langan comes a collection of uneasy meetings. A frustrated professor and his graduate student assistant accompany a group of soldiers to a remote Scottish island to learn what is buried there. A man plays an audiotape left for him by his late father and is initiated into a family story of monstrous deeds. A student learns frightening lessons in a surreal tutoring center. A young couple struggles to make their stand against a group of inhuman pursuers in a ravaged landscape. And, in a new story, an artist discovers a mysterious statue whose completion becomes his obsession.

Do White people bear moral responsibility for racial disparities? Are White Christians under a spiritual mandate to make racial equity a priority? Clifford Williams taught philosophy at Christian colleges for many years, including a course on race. He has journeyed alongside students as they gained insights about racism. In this book, he draws from deeply personal stories as he shows the need for White Christians to recognize the impact of racism and to cultivate key character traits which enable them to pursue racial equity. In succinct and thoughtful prose, interwoven with first-person accounts of racialized experiences by people of color, Williams describes the importance of the Golden Rule, the power and effects of racial socialization, and the harm racism does to those who harbor it. He asks the haunting question, “Why do White people react so strongly to Black power?” He explains why widespread church integration in the United States may never exist. He unpacks the concept of White identity and links police brutality to faulty moral perception. This book gently explains what White Christians need to do to make racial equity a priority.

Adored by many, appalling to some, baffling still to others, few authors defy any single critical narrative to the confounding extent that James Baldwin manages. Was he a black or queer writer? Was he a religious or secular writer? Was he a spokesman for the civil rights movement or a champion of the individual? His critics, as disparate as his readership, endlessly wrestle with paradoxes, not just in his work but also in the life of a man who described himself as "all those strangers called Jimmy Baldwin" and who declared that "all theories are suspect." Viewing Baldwin through a cultural-historical lens alongside a more traditional literary critical approach, All Those Strangers examines how his fiction and nonfiction shaped and responded to key political and cultural developments in the United States from the 1940s to the 1980s. Showing how external forces molded Baldwin's personal, political, and psychological development, Douglas Field breaks through the established critical difficulties caused by Baldwin's geographical, ideological, and artistic multiplicity by analyzing his life and work against the radically transformative politics of his time. The book explores under-researched areas in Baldwin's life and work, including his relationship to the Left, his FBI files, and the significance of Africa in his writing, while also contributing to wider discussions about postwar US culture. Field deftly navigates key twentieth-century themes-the Cold War, African American literary history, conflicts between spirituality and organized religion, and transnationalism-to bring a number of isolated subjects into dialogue with each other. By exploring the paradoxes in Baldwin's development as a writer, rather than trying to fix his life and work into a single framework, All Those Strangers contradicts the accepted critical paradigm that Baldwin's life and work are too ambiguous to make sense of. By studying him as an individual and an artist in flux, Field reveals the manifold ways in which Baldwin's work develops and coheres.

This book engages with ageing masculinities in Irish literature and visual culture, including fiction, drama, poetry, painting, and documentary. Exploring the shifting representations of older men from the early twentieth century to the present, the contributors analyse how a broad range of literary and visual texts construct, reinscribe, or challenge perceptions of older age. In doing so, they trace a shift from depictions of authority figures - often symbolising patriarchal dominance and oppression - to more nuanced, complex, and heterogeneous explorations of older men’s embodied subjectivities and vulnerabilities. Exploring artists and writers such as Seán Keating, J.M. Synge, Teresa Deevy, Marina Carr, Seamus Heaney, Paul Muldoon, Derek Mahon, Kate O’Brien, John Banville, Colm Tóibín, Bernard MacLaverty, Mike McCormack, Anne Griffin, and Claire Keegan, the chapters in this book attend to the symbolic as well as social significance of older men in Irish cultural expression.

Challenging the concept that since the discovery of the plague bacillus in 1894 the study of the disease was dominated by bacteriology, Ethnographic Plague argues for the role of ethnography as a vital contributor to the configuration of plague at the turn of the nineteenth century. With a focus on research on the Chinese-Russian frontier, where a series of pneumonic plague epidemics shook the Chinese, Russian and Japanese Empires, this book examines how native Mongols and Buryats came to be understood as holding a traditional knowledge of the disease. Exploring the forging and consequences of this alluring theory, this book seeks to understand medical fascination with culture, so as to underline the limitations of the employment of the latter as an explanatory category in the context of infectious disease epidemics, such as the recent SARS and Ebola outbreaks.

In a seedy river town on the Gulf of Honduras, Jack Rathbone believed he had found a place that would give him and his lover, the accomplished artist Vera Savage, the solitude they would need to create a body of work that would shake the art world to its core. But in a place where time lies thicker than the mangrove swamps that surround it, Jack and Vera discover an emotional frontier more fearsome, untamed, and dangerous than any wilderness.Told through the voice of Jack’s adoring sister, Gin, Port Mungo is the riveting story of this ill-fated couple, one that begins as a bohemian flight-of-fancy before unraveling into a dark, debauched and sinister tale. With Port Mungo, the incomparable Patrick McGrath, author of the acclaimed novels Spider and Asylum, delivers a spellbinding narrative to explore the obsessive pursuit of art and love.