Unfinished Gestures

'Unfinished Gestures' presents the social and cultural history of courtesans in South India, focusing on their encounters with colonial modernity in the 19th and early 20th centuries.

A discussion of the poetry of John Ashbery. Showing that a sense of occasion - the sense that the poem should be fit for its occasion - was a binding principle for the poets of the New York School, David Herd traces the development of Ashbery's poetry in the light of this idea. The book is a study of Ashbery's career and also a history of the period in which that career has taken shape. The development of Ashbery's poetic is set against such culturally defining issues as: the institutionalisation of literature; the rise and fall of the avant-garde; mass culture; Vietnam; the absence of a divine presence; the erosion of tradition; the growth of celebrity; and the emergence of AIDS. Ashbery's responses to such issues are set against the work of Lowell, Berryman, O'Hara, Koch, Burroughs, Ginsberg, Oppen and Larkin.

Movements of Interweaving is a rich collection of essays exploring the concept of interweaving performance cultures in the realms of movement, dance, and corporeality. Focusing on dance performances as well as on scenarios of cultural movements on a global scale, it not only challenges the concept of intercultural dance performances, but through its innovative approach also calls attention to the specific qualities of "interweaving" as a form of movement itself. Divided into four sections, this volume features an international team of scholars together developing a new critical perspective on the cultural practices of movement, travel and migration in and beyond dance.

Smart mobile systems such as microsystems, smart textiles, smart implants, and sensor-controlled medical devices, together with their related networks, have become important enablers for telemedicine and ubiquitous pervasive health to become next-generation health services. This book presents the proceedings of pHealth 2020, held as a virtual conference from 14 – 16 September 2020. This is the 17th in a series of international conferences on wearable or implantable micro and nano technologies for personalized medicine, which bring together expertise from medical, technological, political, administrative, and social domains, and cover subjects including technological and biomedical facilities, legal, ethical, social, and organizational requirements and impacts, and the research necessary to enable future-proof care paradigms. The 2020 conference also covers AI and robots in healthcare; bio-data management and analytics for personalized health; security, privacy and safety challenges; integrated care; and the intelligent management of specific diseases including the Covid-19 pandemic. Communication and cooperation with national and regional health authorities and the challenges facing health systems in developing countries were also addressed. The book includes 1 keynote, 5 invited talks, 25 oral presentations, and 8 short poster presentations from 99 international authors. All submissions were carefully and critically reviewed by at least two independent experts and at least one member of the Scientific Program Committee; a highly selective review process resulting in a full-paper rejection rate of 36%. The book will be of interest to all those involved in the design and provision of healthcare and also to patients and citizen representatives.

This monograph presents analyses of filled and unfilled pauses, cut-offs, repair, discourse markers and other phenomena often referred to as disfluencies in the context of advanced language learners' PowerPoint presentations. It adopts a multimodal perspective to demonstrate the functions of these elements in interaction. Paired with gaze shifts, pointing gestures and posture shifts, they act as facilitators of joint visual orientation, mutual understanding, and accountable actions. Therefore, this volume suggests the name cofluency to reflect their potential functionality. Cofluencies are essential elements of multimodal chunks and multimodal patterns, and these are building blocks of a multimodal turn-taking mechanism for presentations. These concepts are illustrated and discussed based on excerpts from naturally occurring classroom data.

Dancing Women: Choreographing Corporeal Histories of Hindi Cinema, an ambitious study of two of South Asia's most popular cultural forms cinema and dance historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema. It explores how the dynamic figurations of the body wrought by cinematic dance forms from the 1930s to the 1990s produce unique constructions of gender, sexuality, stardom, and spectacle. By charting discursive shifts through figurations of dancer-actresses, their publicly performed movements, private training, and the cinematic and extra-diegetic narratives woven around their dancing bodies, the book considers the "women's question" via new mobilities corpo-realized by dancing women. Some of the central figures animating this corporeal history are Azurie, Sadhona Bose, Vyjayanthimala, Helen, Waheeda Rehman, Madhuri Dixit, and Saroj Khan, whose performance histories fold and intersect with those of other dancing women, including devadasis and tawaifs, Eurasian actresses, oriental dancers, vamps, choreographers, and backup dancers. Through a material history of the labor of producing on-screen dance, theoretical frameworks that emphasize collaboration, such as the "choreomusicking body" and "dance musicalization," aesthetic approaches to embodiment drawing on treatises like the Natya Sastra and the Abhinaya Darpana, and formal analyses of cine-choreographic "techno-spectacles," Dancing Women offers a variegated, textured history of cinema, dance, and music. Tracing the gestural genealogies of film dance produces a very different narrative of Bombay cinema, and indeed of South Asian cultural modernities, by way of a corporeal history co-choreographed by a network of remarkable dancing women.

The Celestial Dancers: Manipuri Dance on Australian Stage charts the momentous journey of the popularization of Manipur’s Hindu dances in Australia. Tradition has it that the people of Manipur, a northeastern state of India, are descended from the celestial gandharvas, dance and music blessed among them as a God’s gift. The intricately symbolic Hindu dances of Manipur in their original religious forms were virtually unseen and unknown outside India until an Australian impresario, Louise Lightfoot, brought them to the stage in the 1950s. Her experimental changes through a pioneering collaboration with dancers Rajkumar Priyagopal Singh and Ibetombi Devi modernized Manipuri dance for presentation on a global stage. This partnership moved Manipur’s Hindu dances from the sphere of ritualistic temple practice to a formalized stage art abroad. Amit Sarwal chronicles how this movement, as in the case of other prominent Indian classical dances and dancers, enabled both Manipuri dance and dancers to gain recognition worldwide. This book is ideal for anyone with an interest in Hindu temple dance, Manipur dance, cross-cultural collaborations and the globalizing of Indian Classical Dance. The Celestial Dancers is a comprehensive study of how an exceptional Hindu dance form developed on the global stage.