Universal Empire

This book explores the aspiration to universal, imperial rule across Eurasian history from antiquity to the eighteenth century.

Winner of the 2021 William A. Douglass Prize: A new perspective on the concept of international jihad and its connection to the 1990s Balkans crisis. No contemporary figure is more demonized than the Islamist foreign fighter who wages jihad around the world. Spreading violence, disregarding national borders, and rejecting secular norms, so-called jihadists seem opposed to universalism itself. In a radical departure from conventional wisdom on the topic, The Universal Enemy argues that transnational jihadists are engaged in their own form of universalism: These fighters struggle to realize an Islamist vision directed at all of humanity, transcending racial and cultural difference. Anthropologist and attorney Darryl Li reconceptualizes jihad as armed transnational solidarity under conditions of American empire, revisiting a pivotal moment after the Cold War when ethnic cleansing in the Balkans dominated global headlines. Muslim volunteers came from distant lands to fight in Bosnia-Herzegovina alongside their co-religionists, offering themselves as an alternative to the US-led international community. Li highlights the parallels and overlaps between transnational jihads and other universalisms such as the War on Terror, United Nations peacekeeping, and socialist Non-Alignment. Developed from more than a decade of research with former fighters in a half-dozen countries, The Universal Enemy explores the relationship between jihad and American empire to shed critical light on both. “[Li] effectively confronts the demonization of jihadists in the aftermath of 9/11, particularly in the US. . . . The author’s linguistic skills and the depth of the interviews are impressive, and the case selection is intriguing. Recommended.” —Choice “This important book offers many insights for scholars and students of political thought, anthropology, and law. Li’s breadth and acumen in navigating these different fields of study is impressive.” —Political Theory

The years between 1790 and 1830 saw over a hundred and fifty million people brought under British imperial control, and one of the most momentous outbursts of British literary and artistic production, announcing a new world of social and individual traumas and possibilities. This book traces the emergence of new forms of imperialism and capitalism as part of a culture of modernisation in the late eighteenth and early nineteenth century, and looks at the ways in which they were identified with and contested in Romanticism. Saree Makdisi argues that this process has to be understood in global terms, beyond the British and European viewpoint, and that developments in India, Africa, and the Arab world (up to and including our own time) enable us to understand more fully the texts and contexts of British Romanticism. New and original readings of texts by Wordsworth, Blake, Byron, Shelley, and Scott emerge in the course of this searching analysis of the cultural process of globalisation. Choice Outstanding Academic Book of 1998.

This is a new release of the original 1925 edition.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The archaeological record demonstrates worldwide cultural diffusion that dates long before the chronological record supposes. Is the chronological record wrong? Does the archaeological record consist of forgeries? Cultural diffusion occurred in the ancient past where the required skillsets and resources were only available to a few nations. Hardly anyone who broaches this subject mentions the nation most likely responsible for it: Etruria. The early history of Rome and Greece is too legendary to be factual. For those interested in rectifying history in Europe, North Africa, and the Near East, read The Real Universal Empire.

This book examines Gibbon's interpretations of empire and the intellectual context in which he formulated them against a background of the eighteenth- and late twentieth-century knowledge of late antiquity and the Middle Ages. Gibbon's ideas of empire, his understanding of monarchy and the balance of power, his sources and working methods, the structure of the History of the Decline and Fall of the Roman Empire, his attitude towards the barbarians, the contrasting treatments of the eastern and western Empire, his appreciation of past civilizations and their material remains, his audience and their reactions - contemporary and Victorian - are considered in the light of the latest research on eighteenth-century intellectual history on the one hand and on late antiquity, Byzantium and the Middle Ages on the other. The book breaks new ground in taking the form of a dialogue between experts on the fields about which Gibbon himself wrote, and eighteenth-century intellectual historians.