Unraveling Oliver

A chilling, elegantly crafted, and psychologically astute exploration of human behavior and the nature of evil. “I expected more of a reaction the first time I hit her.” Oliver Ryan, a handsome, charismatic, and successful man, is happily married to his wife, Alice, who illustrates the award-winning children’s books he writes and devotedly cares for him in their comfortable suburban home. Their life together is one of enviable privilege and ease—until, one evening after a delightful dinner, Oliver delivers blows to Alice that render her comatose. As Alice hovers between life and death in her hospital bed, the couple’s circle of friends, neighbors, and acquaintances try to understand what could have driven Oliver to commit such an astonishing act of savagery. Oliver tells his story, peeling away the layers to reveal a life of shame, envy, breath-taking deception, and masterful manipulation. As details about his past catch up with him, even he is in for a shock. Unraveling Oliver is a complex, disturbing, and brilliantly written page-turner about how and why a human being transforms into a sociopath.

From the international bestselling author of Unraveling Oliver comes a “dark, captivating psychological thriller” (People) lauded by A.J. Finn—#1 New York Times bestselling author of The Woman in the Window—as “extraordinary…crackles and snaps like a bonfire on a winter’s night.” My husband did not mean to kill Annie Doyle, but the lying tramp deserved it. On the surface, Lydia Fitzsimons has the perfect life: married to a respected judge, mother of a beloved son, living in the beautiful house where she was raised. That beautiful house, however, holds a secret. And when Lydia’s son, Laurence, discovers its secret, wheels are set in motion that lead to an increasingly claustrophobic and devastatingly dark climax. For fans of Ruth Ware and Gillian Flynn, this is “a devastating psychological thriller...an exquisitely uncomfortable, utterly captivating reading experience” (Publishers Weekly, starred review).

'Pure genius. Absolutely brilliant' Shari Lapena 'A twisted thriller, reminiscent of Patricia Highsmith' Ian Rankin IBA Crime Fiction Book of the Year Winner 2018 ___________ WINNER of the Dead Good Books Award for the Book That You Can't Put Down! She's not who you think she is . . . 'I could probably have been an actress. It is not difficult to pretend to be somebody else. Isn't that what I've been doing for most of my life?' Cordelia Russell has been living on the French Riviera for twenty-five years, passing herself off as an English socialite. But her luck, and the kindness of strangers, have run out. The arrival of a visitor from her distant past shocks Cordelia. She reacts violently to the intrusion and flees her flat to spend a drunken night at a glittering party. As dawn breaks she stumbles home through the back streets. Even before she opens her door she can hear the flies buzzing. She did not expect the corpse inside to start decomposing quite so quickly . . . ___________ 'Bloody brilliant!' Denise Mina 'Extraordinary' A.J. Finn 'The finest psychological thriller writer currently at work' Tammy Cohen 'Dark, brutal and brilliant' Colette McBeth 'Absorbing, beautifully written' The Times, Crime Books of the Year 'Every bit as amazing as her first two [novels]' Lisa Jewell 'Dazzling . . . chilling, mesmerising and, ultimately, devastating. Pure storytelling genius' Mark Edwards

" . . . both an excellent introduction and a thoroughgoing analysis of Kristeva's writing." —Signs "The book is a brilliant combination of a recuperative and a critical reading of Kristeva's work." —Changes: An International Journal of Psychology & Psychotherapy " . . . a thorough, detailed, and critical analysis of the writings of Julia Kristeva." —Elizabeth Grosz ". . . the most involved and engaging study of Julia Kristeva's work to date . . ." —The Year's Work in Critical and Cultural Theory This first full-scale feminist interpretation of Kristeva's work situates her within the context of French feminism. Oliver guides her readers through Kristeva's intellectual formation in linguistics, Freud, Lacan, and poetics. This comprehensive introduction to Kristeva makes accessible her important contributions to philosophy, linguistics, and psychoanalytic feminism.

Hailed by New York Times bestselling author Lisa Jewell as “a force to be reckoned with,” Liz Nugent is back with a powerful and unsettling new novel that will invite comparison to the bitter relationships in HBO’s blockbuster series Succession, as it follows three brothers, bound by blood but split by fate, and delves into the many ways families can wreak emotional havoc across generations. All three of the Drumm brothers were at the funeral. But only one of them was in the coffin. William, Brian, and Luke: three boys, born a year apart, trained from birth by their wily mother to compete for her attention. They play games, as brothers do…yet even after the Drumms escape into the world beyond their windows, those games—those little cruelties—grow more sinister, more merciless, and more dangerous. And with their lives entwined like the strands of a noose, only two of the brothers will survive. Crisply written and quickly paced, perfect for fans of breathtaking suspense, Little Cruelties gazes unflinchingly into the darkness: the darkness collecting in the corners of childhood homes, hiding beneath marriage beds, clasped in the palms of two brothers shaking hands. And it confirms Liz Nugent—whose work has invited comparisons to Patricia Highsmith and Barbara Vine and has been celebrated as "captivating" (People) and "highly entertaining" (The Washington Post)—as one of the most exciting, perceptive voices in contemporary fiction.

"Serial meets Ruth Ware's In A Dark, Dark Wood in this ... psychological thriller about a mega-hit podcast that reopens a long-closed murder case and threatens to unravel the carefully constructed life of the victim's daughter"--

~Lambda Literary Award finalist for the best LGBT YA novel of 2018~ A fresh, charming rom-com perfect for fans of Simon vs. the Homo Sapiens Agenda and Boy Meets Boy about Nathan Bird, who has sworn off happy endings but is sorely tested when his former best friend, Ollie, moves back to town. Nathan Bird doesn’t believe in happy endings. Although he’s the ultimate film buff and an aspiring screenwriter, Nate’s seen the demise of too many relationships to believe that happy endings exist in real life. Playing it safe to avoid a broken heart has been his MO ever since his father died and left his mom to unravel—but this strategy is not without fault. His best-friend-turned-girlfriend-turned-best-friend-again, Florence, is set on making sure Nate finds someone else. And in a twist that is rom-com-worthy, someone does come along: Oliver James Hernández, his childhood best friend. After a painful mix-up when they were little, Nate finally has the chance to tell Ollie the truth about his feelings. But can Nate find the courage to pursue his own happily ever after?

April and Oliver are soul mates, the attraction between them has always been palpable. But as the years have passed this once inseparable couple have become strangers. Only after the sudden death of April's brother do their wildly different lives collide once again. Oliver, the responsible, newly engaged law student, finds himself drawn ever closer to the reckless, mystifying April - and cracks begin to appear in his carefully constructed life. Even as Oliver attempts to rescue his childhood friend from her grief, her menacing boyfriend, and herself, it is obvious that Oliver has some secrets of his own - secrets he has never shared with anyone. April alone knows, and her reappearance derails him. But is it April's life that is unravelling, or his own? And will their magnetic attraction for one another ever lead to happiness? Or are they better apart?