Unruly Nature

Théodore Rousseau (1812–1867), arguably the most important French landscape artist of the mid-nineteenth century and a leader of the so-called Barbizon School, occupies a crucial moment of transition from the idealizing effects of academic painting to the radically modern vision of the Impressionists. He was an experimental artist who rejected the traditional historical, biblical, or literary subject matter in favor of “unruly nature,” a Romantic naturalism that confounded his contemporaries with its “bizarre” compositional and coloristic innovations. Lavishly illustrated and thoroughly documented, this volume includes five essays by experts in the field. Scott Allan and Édouard Kopp alternately examine Rousseau’s diverse techniques and working procedures as a painter and as a draftsman, as well as his art’s mixed economic and critical fortunes on the art market and at the Salon. Line Clausen Pedersen’s essay focuses on Mont Blanc Seen from La Faucille, Storm Effect, an early touchstone for the artist and a spectacular example of the Romantic sublime in the Ny Carlsberg Glyptotek’s collection. This catalogue accompanies an eponymous exhibition on view at the J. Paul Getty Museum from June 21 to September 11, 2016, and at the Ny Carlsberg Glyptotek from October 13, 2016, to January 8, 2017.

Explores the voices of current and former Catholic nuns as they share their lived experiences with Catholicism, both in accordance and in conflict with the institutional Church. Unruly Catholic Nuns explores the voices of current and former Catholic nuns and, by doing so, contributes to the global conversation about the role of women in the Catholic Church today. Through autobiography, fiction, poetry, and prose, Sisters and former nuns write about their lived experiences with Catholicism, both in accordance and in conflict with the institutional Church. Through their stories we learn how these women act out their missions of social justice, challenge cultural and governmental policies, and attempt to reconcile their unruliness with their religious orders and the strictures of the church hierarchy. At a time when questions of gender, religion, race, and sexuality are provoking intense debate within Catholicism and other Christian traditions, and when religion is frequently invoked in political rhetoric, these stories provide a vital corrective to our contemporary understanding of the role of women and nuns in the Roman Catholic Church. “I love this book! I swear I do, for though my Sister-teachers taught me not to swear, they also winked me permission to dare. In Unruly Catholic Nuns, these Sisters are unveiled: we get to hear voices long repressed by a religious hierarchy which relegated them to meek handmaidenship and silent subservience. Many stayed and fought to reform this patriarchy from within; others renounced their vows in order to pursue a more liberating spiritual path. God bless this sassy book for (finally) giving voice to an engaging chorus of lively, spirited storytellers.” — Julia Alvarez, author of In the Time of the Butterflies and, most recently, Where Do They Go? “‘They want the trappings, you want the marrow.’ This line from Ann Breslin’s essay in Unruly Catholic Nunshighlights the struggle running throughout these accounts by women fighting to uphold the values of their faith. They are radical, wild, and loving in the face of an unresponsive institution. Through this rich collection of personal reflections, these brave women show themselves to be the beating heart of the Catholic Church.” — Sonja Livingston, author of Ghostbread “Unruly Catholic Nuns would be an important book in any time but at this time it’s absolutely vital. We need models of daring women compelled to speak and live their truths. Unruly Catholic Nuns is a hand at my back saying, ‘Yes, you can do the work you’re called to do; against all odds, I have.’ This is a book for those who follow the faith and those who don’t because within these pages we can all find courage, determination and wisdom. At a time when women’s strength and leadership is going to be imperative, here are stories to gain strength from, to help us move forward in both small ways and big.” — Patrice Vecchione, author of Step into Nature: Nurturing Imagination and Spirit in Everyday Life

Covering the ideas of key theorists, this text provides an introduction to the relationship between the environment and social theory, both historically and within contemporary social theory.

Provocative essays explore how ideas about human nature inform or shape human understanding of nature and the environment.

Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more.

The ends of work -- Exhaustion and endurance in sick landscapes : cheap tea and the work of monoculture in the Dooars, India / Sarah Besky -- The concentration of killing : soy, labor, and the long green revolution / Kregg Hetherington -- Making monotony : bedsores and other signs of an overworked hog / Alex Blanchette -- Labor struggles -- The job of finding food is a joke : orangutan rehabilitation, work, subsistence, and social relations / Juno Salazar Parreñas -- The heat of work : dissipation, solidarity, and kidney disease in Nicaragua / Alex Nading -- Metabolic relations : Korean red ginseng and the ecologies of modern life / Eleana Kim -- How guinea pigs work : figurations and gastro-politics in Peru / María Elena García -- Industrial materials : labor, landscapes, and the industrial honeybee / Jake Kosek -- Futures of work -- Cultural analysis of microbial worlds / John Hartigan -- Rhapsody in the forest : wild mushrooms and the multispecies multitude / Shiho Satsuka -- Kamadhenu's last stand : on animal refusal to work / Naisargi N. Dave.

Situated opposite the mouth of the Orinoco River, western Trinidad has long been considered an entrepôt to mainland South America. Trinidad’s geographic position—seen as strategic by various imperial governments—led to many heterogeneous peoples from across the region and globe settling or being relocated there. The calm waters around the Gulf of Paria on the western fringes of Trinidad induced settlers to construct a harbour, Port of Spain, around which the modern capital has been formed. From its colonial roots into the postcolonial era, western Trinidad therefore has played an especial part in the shaping of the island’s literature. Viewed from one perspective, western Trinidad might be deemed as narrating the heart of the modern state’s national literature. Alternatively, the political threats posed around San Fernando in Trinidad’s southwest in the 1930s and from within the capital in the 1970s present a different picture of western Trinidad—one in which the fractures of Trinidad and Tobago’s projected nationalism are prevalent. While sugar remains a dominant narrative in Caribbean literary studies, this book offers a unique literary perspective on matters too often perceived as the sole preserve of sociological, anthropological or geographical studies. The legacy of the oil industry and the development of the suburban commuter belt of East-West Corridor, therefore, form considerable discursive nodes, alongside other key Trinidadian sites, such as Woodford Square, colonial houses and the urban yards of Port of Spain. This study places works by well-known authors such as V. S. Naipaul and Samuel Selvon, alongside writing by Michel Maxwell Philip, Marcella Fanny Wilkins, E. L. Joseph, Earl Lovelace, Ismith Khan, Monique Roffey, Arthur Calder-Marshall and the largely neglected novelist, Yseult Bridges, who is almost entirely forgotten today. Using fiction, calypso, history, memoir, legal accounts, poetry, essays and journalism, this study opens with an analysis of Trinidad’s nineteenth century literature and offers twentieth century and more contemporary readings of the island in successive chapters. Chapters are roughly arranged in chronological order around particular sites and topoi, while literature from a variety of authors of British, Caribbean, Irish and Jewish descent is represented.

This well-integrated group of thirteen papers addresses the intriguing and perplexing issue of whether modern government can handle the problem of technology.