Unshaken Navigating Jealousy In The Social Media Age

Profile Summary: Name: Onesimus Malatji Profession: Technological and Innovation Businessman, Author, Creative Writer, Ideologist Bio: Onesimus Malatji, a self-taught maestro in technology and innovation, began his entrepreneurial journey at the age of 19. His path, carved not through formal education but through relentless self-learning and a deep-seated curiosity, has made him a leading figure in his community. Onesimus's career is distinguished by a series of pioneering endeavours, demonstrating a courage to venture where others have hesitated. His inquisitive mindset has been instrumental in exploring new possibilities and opportunities. Despite his unconventional educational background, Onesimus has evolved into a mentor and thought leader, imparting his insights on emerging trends and inspiring fellow entrepreneurs. He stands as a symbol of hope and an inspiration to many in the business sector. Onesimus is also a prolific author and ideologist. His written works go beyond mere text; they are a wellspring of innovative ideas and concepts. His guiding philosophies reflect his approach to life and business: 1. People First: "First the people, and the money will follow." This principle highlights his commitment to prioritizing community and human value over immediate financial returns. 2. Vision to Reality: "If you see it in your mind, you can hold it in your hand." Onesimus exemplifies the transformative power of visualization, turning ambitious dreams into concrete achievements. 3. Limitless Possibility: "Who said, I can't?" This question underscores his defiance of conventional limits, continually challenging the status quo and pushing the boundaries of what is possible. Onesimus Malatji's story is a testament to the power of determination, creativity, and the unwavering belief in self-education. He demonstrates that being true to oneself is not only sufficient but essential in making a meaningful impact on the world.

Utopia is a work of fiction and socio-political satire by Thomas More published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.

Piper pleas with his colleagues to abandon the secularization of the pastorate and return to the primitive call of the Bible for radical ministry.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Giving Western literature and art many of its most enduring themes and archetypes, Greek mythology and the gods and goddesses at its core are a fundamental part of the popular imagination. At the heart of Greek mythology are exciting stories of drama, action, and adventure featuring gods and goddesses, who, while physically superior to humans, share many of their weaknesses. Readers will be introduced to the many figures once believed to populate Mount Olympus as well as related concepts and facts about the Greek mythological tradition.

No, Anti-Book is not a book about books. Not exactly. And yet it is a must for anyone interested in the future of the book. Presenting what he terms “a communism of textual matter,” Nicholas Thoburn explores the encounter between political thought and experimental writing and publishing, shifting the politics of text from an exclusive concern with content and meaning to the media forms and social relations by which text is produced and consumed. Taking a “post-digital” approach in considering a wide array of textual media forms, Thoburn invites us to challenge the commodity form of books—to stop imagining books as transcendent intellectual, moral, and aesthetic goods unsullied by commerce. His critique is, instead, one immersed in the many materialities of text. Anti-Book engages with an array of writing and publishing projects, including Antonin Artaud’s paper gris-gris, Valerie Solanas’s SCUM Manifesto, Guy Debord’s sandpaper-bound Mémoires, the collective novelist Wu Ming, and the digital/print hybrid of Mute magazine. Empirically grounded, it is also a major achievement in expressing a political philosophy of writing and publishing, where the materiality of text is interlaced with conceptual production. Each chapter investigates a different form of textual media in concert with a particular concept: the small-press pamphlet as “communist object,” the magazine as “diagrammatic publishing,” political books in the modes of “root” and “rhizome,” the “multiple single” of anonymous authorship, and myth as “unidentified narrative object.” An absorbingly written contribution to contemporary media theory in all its manifestations, Anti-Book will enrich current debates about radical publishing, artists’ books and other new genre and media forms in alternative media, art publishing, media studies, cultural studies, critical theory, and social and political theory.

This Companion presents lucid and exemplary critical essays, introducing readers to the major ideas and practices of world literary studies.