Unspeakable Horror

The story of the USS Indianapolis is well-known. After delivering crucial components of the atomic bomb that would level Hiroshima in 1945, the Indianapolis was sunk by a Japanese submarine in the South China Sea. Of the nearly 1,200 men aboard, 900 survived the torpedoing, spilling into the sea. White tip sharks began attacking the next morning and after four days only 300 sailors were alive to rescue. Less famous are the many stories of ships sinking in shark-infested waters with gruesome results. Such as the Cape San Juan, a US troop transport ship that was torpedoed by a Japanese submarine in the Pacific Ocean near the Fiji Islands; nearly 700 of the survivors were killed by sharks. Or the HMS Birkenhead, which sunk off Danger Point, South Africa, in 1852, resulting in 440 shark-related fatalities. In 1927, the luxury Italian cruise liner Principessa Maldafa sank ninety miles off the coast of Albrohos Island while heading to Porto Seguro, Brazil. Nearly 300 who survived the wreck were killed by sharks. In 1909, the French steamer La Seyne collided with British India Steamship Co. liner Onda near Singapore, twenty-six miles from land. One hundred and one people were eventually killed by sharks. In the water, human intelligence is no match for a shark’s brutal, destructive instincts. Sharks are born to kill and eat: They detect distress, smell blood—and attack. Marine disasters such as those above result in humans becoming prey, floating in inner space as shadowy sharks swim below, ready to attack. Helpless to save yourself—floating and waiting, watching the malevolent creatures circle, knowing what will happen . . . a sudden swirl of water, a cloud of blood, the searing pain . . . until there is no more. This is unspeakable horror

Published to tie in with the celebrations marking the 50th anniversary of the first Hammer Horror feature, this is a history of the studio that transformed the British horror movie into an international brand.

Desire- the feeling that accompanies an unsatisfied state. What happens when human desire twists...bends...warps...mutates? What happens when that desire is fed...or even starved? In this sequel to the Bram Stoker Award(R)-winning anthology, Editor Vince Liaguno assembles a literary pantheon from the LGBT and horror communities to explore the dark underbelly of desire. From unrequited love and repressed lust to consuming grief and the unquenchable thirst of addiction...from unfathomable sexual undergrounds to unspeakable perversions creeping into everyday suburbia, these abominations of desire will leave you gasping for breath and your taste for terror satiated. Contributors: Gemma Files, Laird Barron, Stephen Graham Jones, Lee Thomas, Helen Marshall, David Nickle, Lisa Morton, Norman Prentiss, Greg Herren, Tom Cardamone, Marshall Moore, Evan J. Peterson, Chad Helder, Brad Hodson, Michael Hacker, R.B.Payne, Martel Sardina, Martin Rose, and Erastes.

Join Harry and Kaylee, the little adventurers, as they journey to a mysterious city at the bottom of the world to enjoy a picnic. Inspired by the writings of H. P. Lovecraft, this book will delight fans of the Mythos, while introducing children to the dark joys of classic, weird literature.

There are no words... Holly Summers is deaf, but she "hears" thanks to her immense talent for lip-reading. A child welfare officer, Holly moonlights for the Portland, Oregon, police, using her unique gift to aid in criminal investigations -- including one into the case of a recent string of women who have vanished without a trace. There is no sound... Witnessing unimaginable evil in the abuse cases she handles, Holly fights every day to salvage broken young lives. But her good works spark plenty of enemies; someone has targeted this avenging angel with a supernatural vow to harm her. And the terror begins when Holly's young daughter disappears. There are no dreams as dark as the horrors some men do. Fending off the shadows of an unearthly predator and the very real threats facing a woman in a man's world, Holly must listen to her deepest instincts for survival -- to save the one person for whom she is living.

A collection of short stories.

A World of Words offers a new look at the degree to which language itself is a topic of Poe's texts. Stressing the ways his fiction reflects on the nature of its own signifying practices, Williams sheds new light on such issues as Poe's characterization of the relationship between author and reader as a struggle for authority, on his awareness of the displacement of an "authorial writing self" by a "self as it is written," and on his debunking of the redemptive properties of the romantic symbol.

Junius Wilson (1908-2001) spent seventy-six years at a state mental hospital in Goldsboro, North Carolina, including six in the criminal ward. He had never been declared insane by a medical professional or found guilty of any criminal charge. But he was deaf and black in the Jim Crow South. Unspeakable is the story of his life. Using legal records, institutional files, and extensive oral history interviews--some conducted in sign language--Susan Burch and Hannah Joyner piece together the story of a deaf man accused in 1925 of attempted rape, found insane at a lunacy hearing, committed to the criminal ward of the State Hospital for the Colored Insane, castrated, forced to labor for the institution, and held at the hospital for more than seven decades. Junius Wilson's life was shaped by some of the major developments of twentieth-century America: Jim Crow segregation, the civil rights movement, deinstitutionalization, the rise of professional social work, and the emergence of the deaf and disability rights movements. In addition to offering a bottom-up history of life in a segregated mental institution, Burch and Joyner's work also enriches the traditional interpretation of Jim Crow by highlighting the complicated intersections of race and disability as well as of community and language. This moving study expands the boundaries of what biography can and should be. There is much to learn and remember about Junius Wilson--and the countless others who have lived unspeakable histories.