Untitled Biography Of Czeslaw Milosz

"Czeslaw Milosz (1911-2004) was one of the great literary voices of the twentieth century, in no small part because he very much lived the events and ideologies of that century. Born into a Polish family in what was then the western fringe of the Russian Empire, and what is now Lithuania, a young man Milosz found his life upended by the First World War and his father's conscription in the Russian army. In the Second World War, he provided aid to Jews in Warsaw as a partisan and a member of the Polish socialist underground. But after the war he lived as a permanent exile, from Poland, from Soviet communism, from his early fervent Catholicism and then, later, even from the almost garish extremes and inequalities of the American society in which he chose to live. His work is a lasting legacy. His poetry remains in print, whether in Polish or English or the other languages into which it has been translated, and his two classic works of prose non-fiction, The Captive Mind, his reflection on the hypnotic effect of ideology, and Native Realm, his memoir on his life in Poland and his life away from it, have been reissued in Penguin Classics. He won the Nobel Prize in Literature in 1980. In this new volume of the Writers on Writers series, writer Eva Hoffman draws on her conversations with Milosz during their encounters and her own private engagement with his work, in order to comprehend someone whose intellectual and geographic trajectory serves as a mirror to her own, as someone who emigrated with her family from her native Poland and who has since lived and pursued a literary career in the anglophone world. Hoffman concentrates on several important themes in Milosz's life and work, such as his resistance to dogma and fanaticism, his fascination with place and geographic separation, his awareness of his own exile, his attraction to all life, his capacity for pleasure, and finally his basic humanism, which underpinned his poetry"--

To find my home in one sentence, concise, as if hammered in metal. No to enchant anybody. Not to earn a lasting name in posterity. An unnamed need for order, for rhythm, for form, which three words are opposed to chaos and nothingness. -- Czeslaw Milosz

Types and stereotypes is the fourth and last volume of a path-breaking multinational literary history that incorporates innovative features relevant to the writing of literary history in general. Instead of offering a traditional chronological narrative of the period 1800-1989, the History of the Literary Cultures of East-Central Europe approaches the region’s literatures from five complementary angles, focusing on literature’s participation in and reaction to key political events, literary periods and genres, the literatures of cities and sub-regions, literary institutions, and figures of representation. The main objective of the project is to challenge the self-enclosure of national literatures in traditional literary histories, to contextualize them in a regional perspective, and to recover individual works, writers, and minority literatures that national histories have marginalized or ignored. Types and stereotypes brings together articles that rethink the figures of National Poets, figurations of the Family, Women, Outlaws, and Others, as well as figures of Trauma and Mediation. As in the previous three volumes, the historical and imaginary figures discussed here constantly change and readjust to new political and social conditions. An Epilogue complements the basic history, focusing on the contradictory transformations of East-Central European literary cultures after 1989. This volume will be of interest to the region’s literary historians, to students and teachers of comparative literature, to cultural historians, and to the general public interested in exploring the literatures of a rich and resourceful cultural region.

An intimate portrayal of the friendship between two icons of twentieth-century poetry...highlights the paralles lives of the poets as exiles living in America and as Nobel Prize laureates in literature...Irena Grudzinska Gross draws on poems, essays, letter, interviews, speeches, lectures, and her own personal memories as a confidant of both Milosz and Brodsky. -- pub. description.

This book is a survey of Polish letters and culture from its beginnings to modern times. Czeslaw Milosz updated this edition in 1983 and added an epilogue to bring the discussion up to date.

Andrzej Franaszek’s award-winning biography of Czeslaw Milosz—winner of the Nobel Prize in Literature—recounts the poet’s odyssey through WWI, the Bolshevik revolution, the Nazi invasion of Poland, and the USSR’s postwar dominance of Eastern Europe. This edition contains a new introduction by the translators, along with maps and a chronology.

Ecstatic Pessimist is a timely book about the Central and Eastern European experience of the mid 20th century, as told through the poetry and experiences of Czeslaw Milosz, Nobel Laureate for literature, who wrote on the horrors of war and the human experience. Written by a colleague and friend of the poet, it is part literary criticism and part memoir. This biography/memoir of Czesław Miłosz is a first hand account of the poet’s life and his relationship to the author, beginning in the 1960s. Milosz was a Polish-American poet, prose writer, translator, and diplomat. Regarded as one of the great poets of the 20th century, he won the 1980 Nobel Prize in Literature. In its citation, the Swedish Academy called Miłosz a writer who "voices man's exposed condition in a world of severe conflicts". Ecstatic Pessimist expands on Czeslaw Milosz’s commitment to “unpolitical politics” – working for a revolution in culture, and above all poetry, as a necessary preparation for a revolution in politics. This is a familiar notion in Poland, which for two centuries was politically divided, but poets preserved and enhanced a lively Polish consciousness, And, as the book shows, Milosz took steps over two decades to help reunite Poles in the successful Solidarity movement, whose struggle eventually changed the regime and forced the Soviet armies to withdraw. But the book is designed to encouraged a similar development in America. Milosz’s ambition for poetry may at first sound exotic, but as the book says, it is in the spirit of what John Adams wrote late in life to Thomas Jefferson: “The [American] revolution was in the mind of the people, and in the union of the colonies, both of which were accomplished before the hostilities commenced.” Though the book is also designed for those who already know and love Milosz, it is primarily written for those looking for someone whose genius could similarly inspire Americans of both left and right to unite in restoring the badly broken politics of this country. The book argues that Czeslaw Milosz is that genius, as perhaps the only person who has been praised by intellectual leaders like Chris Hedges on the left, and has also spoken at Hillsdale College, the intellectual citadel of the American right.