Upper Cut

Shampoo meets You'll Never Eat Lunch In This Town Again in a rollicking and riveting memoir from the woman who for decades styled Hollywood's most celebrated players. I was living a hairdresser’s dream. I was making my mark in this all-male field. My appointment book was filled with more and more celebrities. And I was becoming competition for my heroes... Behind the scenes of every Hollywood photo shoot, TV appearance, and party in the ’60s, ’70s, and ’80s, there was Carrie White. As the “First Lady of Hairdressing,” Carrie collaborated with Richard Avedon on shoots for Vogue, partied with Jim Morrison, gave Sharon Tate her California signature style, and got high with Jimi Hendrix. She has counted Jennifer Jones, Betsy Bloomingdale, Elizabeth Taylor, Goldie Hawn, and Camille Cosby among her favorite clients. But behind the glamorous facade, Carrie’s world was in perpetual disarray and always had been. After her father abandoned the family when she was still a child, she was sexually abused by her domineering stepfather, and her alcoholic mother was unstable and unreliable. Carrie was sipping cocktails before her tenth birthday, and had had five children and three husbands before her twenty-eighth. She fueled the frenetic pace of her professional life with a steady diet of champagne and vodka, diet pills, cocaine, and heroin, until she eventually lost her home, her car, her career—and nearly her children. But she battled her way back, getting sober, rebuilding her relationships and her reputation as a hairdresser, and the name Carrie White was back on the door of one of Beverly Hills’s most respected salons. An unflinching portrayal of addiction and recovery, Upper Cut proves that even in Hollywood, sometimes you have to fight for a happy ending.

Covers defensive strategies, interferences, ways of counting the hand, extra trump tricks, falsecarding, and lead-directing doubles.

The invitation by the editors of the series "studies of brain function" to contribute a monograph on the visual cortex gives me the opportunity to present in a concentrated manner much of the work I have done on the visual cortical areas of cat and monkey. However, the field of visual cortical physi ology is so active and so diverse that the presentation of only my own work would have given a very incomplete view of visual cortical functioning. Therefore this monograph also reviews most of the studies carried out on the subject in the last two decades. Where possible I have tried not only to describe the cortical machinery but also its possible functional purpose regarding vision. In doing this I have expressed my personal views rather than just reviewing the experimental facts. Much of the work presented in this monograph has been supported by the National Research Council of Belgium and the Research Council of the Catholic University of Leuven. I express my gratitude to them. I have en joyed collaborating in these studies with P. O. Bishop, H. Kato, H. Kennedy, K. P. Hoffmann, H. Maes, J. Duysens, E. Vandenbussche, and H. van der Glas. I am much indebted to all those who have commented on earlier versions of this monograph: J. Allman, H. Barlow, J. BuBier, M. Callens, J. Duysens, O. J. Griisser, P. Heggelund, H. Kennedy, L. C. Orban and L. Palmer.

This advanced undergraduate/graduate textbook teaches students in finance and economics how to use R to analyse financial data and implement financial models. It demonstrates how to take publically available data and manipulate, implement models and generate outputs typical for particular analyses. A wide spectrum of timely and practical issues in financial modelling are covered including return and risk measurement, portfolio management, option pricing and fixed income analysis. This new edition updates and expands upon the existing material providing updated examples and new chapters on equities, simulation and trading strategies, including machine learnings techniques. Select data sets are available online.

Uppercut is book 3 and the finale of A Choke Me Out Romance trilogy! SHE PRAYED FOR AN ANGEL. SHE GOT ME INSTEAD. She ran away from an abusive home. She just wants safety. Peace. Protection. I could give her all that. I SHOULD give her all that. But I won't. Because Rose woke up something in me that I never knew existed: Dark and dangerous needs. And the closer she gets, the louder my inner demons scream for me to claim her. I don't know how much longer I can hold back…