V Clav Havel Or Living In Truth

Designed as an introduction to emergency management, this book includes pieces on: social, political, and fiscal aspects of risk management; land-use planning and building code enforcement regulations; insurance issues; emergency management systems; and managing natural and manmade disasters.

Business schools are placing more emphasis on the role of business in society. Top business school accreditors are shifting to mandating that schools teach their students about the social impact of business, including AACSB standards to require the incorporation of business impact on society into all elements of accredited institutions. Researchers are also increasingly focused on issues related to sustainability, but in particular to business and peace as a field. A strong strain of scholarship argues that ethics is nurtured by emotions and through aesthetic quests for moral excellence. The arts (and music as shown specifically in this book) can be a resource to nudge positive emotions in the direction toward ethical behavior and, logically, then toward peace. Business provides a model for positive interactions that not only foster long-term successful business but also incrementally influences society. This book provides an opportunity for integration and recognition of how music (and other art forms) can further encourage business toward the direction of peace while business provides a platform for the dissemination and modeling of the positive capabilities of music toward the aims of peace in the world today. The primary market for this book is the academic audience. Unlike many other academic books, however, the interdisciplinary nature of the book allows for multiple academic audiences. Thus, this book reaches into schools of music, business, political science, film studies, sports and society studies, the humanities, ethics and, of course, peace studies.

The “definitive biography” of the poet and political dissident who became the last president of Czechoslovakia—and first president of the Czech Republic (Walter Isaacson). This portrait of Vaclav Havel, iconoclast and intellectual, renowned playwright turned political dissident, president of a united then divided nation, and dedicated human rights activist, is written by his former press secretary, advisor, and longtime friend—and recounts the turbulent twentieth-century era through which he prevailed. Havel’s lifelong perspective as an outsider began with his privileged childhood in Prague and his family’s blacklisted status following the Communist coup of 1948. This feeling of being outcast fueled his career as an essayist and a dramatist writing absurdist plays as social commentary. His involvement during the Prague Spring and his leadership of Charter 77, his unflagging belief in the power of the powerless, and his galvanizing personality catapulted Havel into a pivotal role as the leader of the Velvet Revolution in 1989. Although Havel was a courageous visionary, he was also a man of great contradictions, wracked with doubt and self-criticism. But he always remained true to himself. This “smart and exciting” biography is “both inspiring and filled with lessons for our time” (Walter Isaacson). “Havel was one of the most important intellectual-troublemaking statesmen of his time—a nonconformist, determined to live in truth, who questioned the system, his countrymen and himself constantly. No one is better suited than Michael Zantovsky to describe, interpret, and analyze this moral giant . . . A brilliantly informed intellectual and political history.” —Madeleine Albright “Entertaining, intimate, and moving . . . Zantovsky’s voice—that of a natural storyteller with an eye for the memorable anecdote, a mischievous wit, an easy intelligence, and keen sense of balance and fairness—is so engaging.” —Paul Wilson, The New York Review of Books

There is no shortage of politicians who make a habit of shooting from the hip, but it is much rarer to find one who speaks from the heart. Vaclav Havel knows no other way to speak, or to write. Both as a dissident and as a playwright it was his sworn purpose for many years to combat evil with nothing but truth. As president of Czechoslovakia, and now of the Czech Republic, he has clung to that habit, refusing to turn over either his conscience or his voice to political handlers and professional speechwriters. Instead he assumes the additional burden--for him, it is a distinct pleasure--of composing all of his oratory. Audiences from New York to New Delhi, Oslo to Tokyo, have been the luckier for his decision. This volume consists of thirty-five of these essays, written between the years 1990 and 1996, that manage to be both profoundly personal and profoundly political. Havel writes of totalitarianism, its miseries and the nonetheless difficult emergence from it. He describes how his country and the other postcommunist countries are learning democracy from scratch and are encountering obstacles from inside and out. He marvels at the single technology-driven civilization that envelops the globe, and the challenges this presents to multicultural realities. He invokes the duty of every person alive to prevent hatred and fear from derailing history ever again. He acknowledges "the advantage it is for doing a good job as president to know that I do not belong in the position and that I can at any moment, and justifiably, be removed from it." And he reminds us that--contrary to all appearances--common sense, moderation, responsibility, good taste, feeling, instinct, and conscience arenot alien to politics, but are the very key to its long-term success.

The Czech philosopher Jan Patocka not only witnessed some of the most turbulent politics of twentieth-century Central Europe, but shaped his philosophy in response to that tumult. One of the last students of Edmund Husserl and Martin Heidegger, he inspired Václav Havel and other dissidents who confronted the Communist regime before 1989, as well as being actively involved in authoring and enacting Charter 77. He died in 1977 from medical complications resulting from interrogations of the secret police. Confronting Totalitarian Minds examines his legacy along with several contemporary applications of his ideas about dissidence, solidarity, and the human being’s existential confrontation with unjust politics. Expanding the current possibilities of comparative political theory, the author puts Patocka’s ideas about dissidence, citizen mobilization, and civic responsibility into conversation with notable world historical figures like Mahatma Gandhi, Vaclav Havel, Dietrich Bonhoeffer, and other contemporary activists. In adding a fresh voice to contemporary conversations on transcending injustice, Confronting Totalitarian Minds seeks to educate a wider audience about this philosopher’s continued relevance to political dissidents across the world.

Selected contributions to the Ninth World Shakespeare Congress, which took place in July 2011 in Prague, represent the contemporary state of Shakespeare studies in thirty-eight countries worldwide. Apart from readings of Shakespeare’s plays and poems, more than forty chapters map Renaissance contexts of his art in politics, theater, law, or material culture and discuss numerous cases of the impact of his works in global culture from the Americas to the Far East, including stage productions, book culture, translations, film and television adaptations, festivals, and national heritage. The last section of the book focuses on the afterlife of Shakespeare in the work of the leading British dramatist Tom Stoppard. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.

Keith Tester examines modernity through the prism of the two sovereigns - of the individual and the collectivity. It is a stimulating meditation on the difficult and contradictory experiences of European modernity.