V S Naipaul Man And Writer

An introduction to the uncompromising artistic vision of the internationally acclaimed writer A survey of the life and work of the 2001 Nobel Laureate for Literature, V. S. Naipaul, Man and Writer introduces readers to the writer widely viewed as a curmudgeonly novelist who finds special satisfaction in overturning the vogue presuppositions of his peers. Gillian Dooley takes an expansive look at Naipaul's literary career, from Miguel Street to Magic Seeds. From readings of his fiction, nonfiction, travel books, and volumes of letters, she elucidates the connections between Naipaul's personal experiences as a Hindu Indian from Trinidad living an expatriate life and the precise, euphonious prose with which he is synonymous. Dooley assesses each of Naipaul's major publications in light of his stated intentions and beliefs, and she traces the development of his writing style over a forty-year career. Devoting separate chapters to three of his chief works, A House for Mr. Biswas, In a Free State, and The Enigma of Arrival, she analyzes their critical reception and the primacy of Naipaul's specific narrative style and voice. Dooley emphasizes that it is, above all, Naipaul's refusal to compromise his vision in order to flatter or appease that has made him a controversial writer. At the same time she sees the integrity with which he reports his subjective response to the world as essential to the lasting success of his work.

Traditional Chinese edition of A House for Mr. Biswas by V. S. Naipaul. It is a story of Mr. Biswas's struggle for independence, but more importantly, it is his fight for dignity and a life with meaning. A House for Mr. Biswas is touted as Naipaul's finest novel. In Traditional Chinese. Distributed by Tsai Fong Books, Inc.

For the first time: the Nobel Prize-winning author’s stunning short fiction collected in one volume, with an introduction by the author. • “Naipaul is the world’s writer, a master of language and perception.” —The New York Times Book Review Over the course of his distinguished career, V. S. Naipaul has written a remarkable array of short fiction that moves from Trinidad to London to Africa. Here are the stories from his Somerset Maugham Award–winning Miguel Street, in which he takes us into a derelict corner of Trinidad’s capital to meet, among others, Man-Man, who goes from running for public office to staging his own crucifixion. The tales in A Flag on the Island, meanwhile, roam from a Chinese bakery in Trinidad to a rooming house in London. And in the celebrated title story from the Booker Prize– winning In a Free State, an English couple traveling in an unnamed African country discover, under a veneer of civilization, a landscape of squalor and ethnic bloodletting. No writer has rendered our postcolonial world more acutely or prophetically than V. S. Naipaul, or given its upheavals such a hauntingly human face.

The Nobel Prize-winning author delivers an eloquent, candid, wide-ranging narrative that delves into the sometimes inadvertent process of creative and intellectual assimilation. “Bracing, surprising.... A meditation on art and life.” —The New York Review of Books V. S. Naipaul has always faced the challenges of "fitting one civilization to another." In A Writer's People, he takes us into this process that has shaped both his writing and his life. Naipaul discusses the writers to whom he was exposed early on—Derek Walcott, Gustave Flaubert, and his father, among them—and his first encounters with literary culture. He illuminates the ways in which the writings of Gandhi, Nehru, and other Indian writers both reveal and conceal the authors themselves and their nation. And he brings the same scrutiny to bear on his own life: his early years in Trinidad; the empty spaces in his family history; his ever-evolving reactions to the more complicated India he would encounter for the first time at age thirty.

To the residents of Miguel Street, a derelict corner of Trinidad’s capital, their neighbourhood is a complete world, where everybody is quite different from everybody else. There’s Popo the carpenter, who neglects his livelihood to build “the thing without a name;” Man-man, who goes from running for public office to staging his own crucifixion; Big Foot, the dreaded bully with glass tear ducts; and the lovely Mrs. Hereira, in thrall to her monstrous husband. Their lives (and the legends their neighbours construct around them) are rendered by V. S. Naipaul with Dickensian verve and Chekhovian compassion in this tender, funny novel.

One of the finest living writers in the English language, V. S. Naipaul gives us a tale as wholly unexpected as it is affecting, his first novel since the exultantly acclaimed A Way in the World, published seven years ago. Half a Life is the story of Willie Chandran, whose father, heeding the call of Mahatma Gandhi, turned his back on his brahmin heritage and married a woman of low caste—a disastrous union he would live to regret, as he would the children that issued from it. When Willie reaches manhood, his flight from the travails of his mixed birth takes him from India to London, where, in the shabby haunts of immigrants and literary bohemians of the 1950s, he contrives a new identity. This is what happens as he tries to defeat self-doubt in sexual adventures and in the struggle to become a writer—strivings that bring him to the brink of exhaustion, from which he is rescued, to his amazement, only by the love of a good woman. And this is what happens when he returns with her—carried along, really—to her home in Africa, to live, until the last doomed days of colonialism, yet another life not his own. In a luminous narrative that takes us across three continents, Naipaul explores his great theme of inheritance with an intimacy and directness unsurpassed in his extraordinary body of work. And even as he lays bare the bitter comical ironies of assumed identities, he gives us a poignant spectacle of the enervation peculiar to a borrowed life. In one man’s determined refusal of what he has been given to be, Naipaul reveals the way of all our experience. As Willie comes to see, “Everything goes on a bias. The world should stop, but it goes on.” A masterpiece of economy and emotional nuance, Half a Life is an indelible feat of the imagination.

The Nobel Prize-winning author distills his wide experience of countries and peoples into a moving account of the rites of passage endured by all people and all communities undergoing change or decay. • "Naipaul's finest work." —Chicago Tribune "A subtly incisive self-reckoning." —The Washington Post Book World The story of a writer’s singular journey – from one place to another, and from one state of mind to another. At the midpoint of the century, the narrator leaves the British colony of Trinidad and comes to the ancient countryside of England. And from within the story of this journey – of departure and arrival, alienation and familiarity, home and homelessness – the writer reveals how, cut off from his “first” life in Trinidad, he enters a “second childhood of seeing and learning.” Clearly autobiographical, yet woven through with remarkable invention, The Enigma of Arrival is as rich and complex as any novel we have had from this exceptional writer. "The conclusion is both heart-breaking and bracing: the only antidote to destruction—of dreams, of reality—is remembering. As eloquently as anyone now writing, Naipaul remembers." —Time "Far and away the most curious novel I've read in a long time, and maybe the most hypnotic book I've ever read." —St. Petersburg Times

A rich collection of essays on reading, writing, and identity from our finest writer in English, V. S. Naipaul. Literary Occasions charts more than half a century of personal enquiry into the mysteries of written expression, and of fiction in particular. Literary Occasions brings together some true gems of literary criticism and personal reflection. Reflecting on the full scope of his career, V. S. Naipaul takes us through his beginnings as a writer: his boyhood experiences of reading books and his first efforts at writing them; the early glimmers and evolution of ideas about the proper relations of particular literary forms to particular cultures and identities; and his father’s influence, revealed in an intriguing preface to the only book he ever published. These moving and thoughtful pieces are accompanied by Naipaul’s profound and severe discussions of other authors, including his signal essay on Conrad, and the classic “Indian Autobiographies.” The collection is completed by “Two Worlds,” the magnificent Nobel Address, in which Naipaul considers the indivisibility of the literary and the personal. Sustained by extraordinary powers of expression and thought, Literary Occasions is both a subtle recollection of Naipaul’s past, and the only available organized statement of his literary ideas. A valuable companion to last year’s The Writer and the World, this is an essential volume from a man who has devoted his life to the written word.