Vagabonds Life On The Streets Of Nineteenth Century London

Dickensian London is brought to real and vivid life in this innovative, accessible social history, revealing the true character of this place and time through the stories of its street denizens—shortlisted for the Wolfson History Prize 2023 London, 1857: A pair of teenage girls holding a sign that says “Fugitive Slaves” ask for money on the corner of Blackman Street. After a constable accosts them and charges them with begging, they end up in court, where national newspapers pick up their story. Are the girls truly escaped slaves from Kentucky? Or will the city’s dystopian Mendicity Society catch them in a lie, exposing them as born-and-raised Londoners and endangering their safety? With its many accounts of people like these who lived and made their living on the streets, Vagabonds forms a moving picture of London’s most compelling period (1780–1870). Piecing together contemporary sources such as newspaper articles, letters, and journal entries, historian Oskar Jensen follows the harrowing, hopeful journeys of the city’s poor: children, immigrants, street performers, thieves, and sex workers, all diverse in gender, ethnicity, ability, and origin. For the first time, their own voices give us a radical new perspective on this moment in history, with its deep inequality that bears an astonishing resemblance to our own era’s divides.

This volume brings together new approaches to music history to reveal the interdependence of music and religion in nineteenth-century culture. As composers and performers drew inspiration from the Bible and new historical sciences called into question the historicity of Scripture, controversies raged over the performance, publication and censorship of old and new musical forms. From oratorio to opera, from parlour song to pantomime, and from hymn to broadside, nineteenth-century Britons continually encountered elements of the biblical past in song. Both elite and popular music came to play a significant role in the formation, regulation and contestation of religious and cultural identity and were used to address questions of class, nation and race, leading to the beginnings of ethnomusicology. This richly interdisciplinary volume brings together musicologists, historians, literary and art historians and theologians to reveal points of intersection between music, religion and cultural history.

From its origin as the Roman city of Londinium through to its latest incarnation as a super-diverse World City in the twenty-first century, London's history and culture has been shaped by migration. This book expresses and celebrates the plurality of the capital's cultures and affirms the importance of migration in the making of the modern city through thirty-three short essays written by academics, artists, broadcasters and curators. Subjects range from the mediaeval to the contemporary: buildings and institutions, individuals and communities, objects, visual art, street performances and literary texts. Some contributors focus on famous people and places, like Shakespeare and St Paul's, while others explore less well-known subjects, like the Free German League of Culture (1939-46) or Ignatius Sancho, the eighteenth-century musician, grocer and man-of-letters. It is not only London's cultures which are diverse, migration is also plural. This book engages with the very many human migrations from across the globe and within the British Isles that have taken place over the last two-thousand years, as well as with the movements of plants, animals, and ideologies from other countries and continents, and the movement of natural resources and manmade toxins into and through the city. Composed of a vivid collection of snapshots, the volume offers a kaleidoscopic vision of the city and provides new insights into the successive migrant communities that have come to London and made it their own.

This unparalleled exploration reveals how understandings of sound shifted and multiplied in late eighteenth- and early nineteenth-century Britain. Drawing on literary studies, musicology and history, and interrogating how writers of this period thought with and through sound, this book opens up a new chapter in the history of the senses.

In this lively social history, first published in 1988, Lionel Rose explores in detail the plight of the street poor between 1815 and 1985. He describes the Victorian ‘Rogues and Vagabonds’ who made elicit peddling, begging frauds and other petty crime their profession. He considers the relevant legislation and systems for coping with the street poor, from the 1824 Vagrancy Act and accompanying improvements in policing, through the casual ward systems of the workhouses and the role of common lodging houses, to the development of Social Services in the 1940s and local authority provision of accommodation. This title will be of interest to students of history, criminology and sociology.

A Viking tale of myth and magic. All is not well at the Viking court of Jelling. Home to the mysterious Yelling Stones (three witches turned into stone in the middle of screaming a fierce spell), it's always been a place of power and a haven for 'the old ways'. But recently certain members of King Gorm's court have been muttering about 'modernisation' - not that fourteen-year-old princess Astrid is concerned about that. She's far more worried that her family seem to want her inside sewing, or planning a marriage, rather than letting her explore the forest or ride her beautiful snow-white horse, Hestur. But Astrid is about to find herself at the heart of a battle that will change her life forever. Leif, an ambitious and talented young poet, arrives at King Gorm's court with unsettling news. Leif announces he has been sent visions from the witches of the Yelling Stones, saying a dangerous and powerful force is coming - one that will change the face of Denmark - and only Astrid and Leif can stop it. But with danger all around them, including trolls, witches and a terrifying creature called 'The Beast', can they tell who the real enemy is in time to stop them?