Vamos Let S Cross The Bridge

Winner of the Pura Belpré Medal! A New York Times Best Illustrated Children's Book! Little Lobo and Bernabé return in ¡Vamos! Let’s Cross the Bridge, a joyful picture book follow-up to ¡Vamos! Let’s Go Eat about coming together and celebrating community from New York Times bestselling, three-time Pura Belpré Award–winning author-illustrator Raúl the Third. People are always crossing the bridge for work, to visit family, or for play. Some going this way; others going that way. Back and forth they go. With friends on foot and in bicycles, in cars and trucks, the bridge is an incredibly busy place with many different types of vehicles. Little Lobo and his dog Bernabé have a new truck and they are using it to carry party supplies over the bridge with their pals El Toro and La Oink Oink. The line is long and everyone on the bridge is stuck. How will they pass the time?

Little Lobo and Bernabé are back in this joyful story about coming together and celebrating community, a lively follow-up to ¡Vamos! Let's Go Eat, by Pura Belpré Medal-winning illustrator Raúl the Third. People are always crossing the bridge for work, to visit family, or for play. Some going this way; others going that way. Back and forth they go. With friends on foot and in bicycles, in cars and trucks, the bridge is an incredibly busy place with many different types of vehicles. Little Lobo and his dog Bernabé have a new truck and they are using it to carry party supplies over the bridge with their pals El Toro and La Oink Oink. The line is long and everyone on the bridge is stuck. How will they pass the time? Eventually everyone comes together for an epic party on the bridge between two different countries. Richard Scarry's Cars and Trucks and Things That Go gets Mexican American makeover in this joyful story about coming together.

From Newbery Medal honoree and #1 New York Times bestselling author Jason Reynolds comes the sequel to the hilarious, hopeful, and action-packed middle grade novel Stuntboy, in the Meantime about the greatest young superhero you’ve never heard of, jam-packed with illustrations by Raúl the Third! Portico Reeves is the greatest superhero a lot of people have never heard of. He likes it that way—then no one can get in the way of him from keeping other other people safe. Super safe. He’s Stuntboy. He’s got the moves. And the saves. Except. There’s been one major fail. He couldn’t save his parents from becoming Xs. Which is a word that sounds like coughing up a hairball. But don’t talk to him about the divorce, because of the hairball thing, and also, it gives Portico the frets. What’s also giving him frets is his parents living on two separate floors in their apartment building. He’s never fully with one parent or the other. He’s in-between, all the time. The in-between time. And the elevator is busted, so to get between floors means getting past the bullies who hang in the stairwells. So when Portico and new friend, Herbert, and best best friend, Zola, discover an empty apartment, unlocked, they are psyched. It’s a perfect hideout, and hangout, and it’s not half anyone’s…it’s all theirs. So they decide to make it their own…let’s say with stunts of the drawing kind. Problem is, that gives some Grown Up People the frets, which leads to double frets for Portico. And he’s not sure his arsenal of stunts can combat that.

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This glossary has been prepared in order to leave a record of the Quechua spoken by the people of Huarás and surrounding areas in the mid-20th century. Huarás, capital of the Region (Department) of Ancash, Peru, has a distinct form of Quechua. That dialect was endangered due to a massive earthquake on May 31, 1970. Tens of thousands of people died, and the city was destroyed. Many of the survivors left the area. Once rebuilt, Huarás was repopulated with people new to the area who use Spanish or a different dialect to communicate. Since then, technological influences such as the Internet also reinforce the use of Spanish, to the detriment of the local Quechua. Born in Huarás, I was raised in a bilingual environment, Spanish and Quechua. Although I left the area to attend the university, I could always feel at home upon returning, until that earthquake. Since then it seems strange to return to an unfamiliar city, due to people, language and environment. I hope this glossary will help the newer generations better understand, not only their grandparents and ancestors, but the culture from which they come. Language and culture are intimately tied, and much more than words is lost when a language dies. The Inca Empire (Tahuantinsuyo) was invaded by Spain in 1532. At that time Quechua was spoken, never written, throughout the Inca civilization, with many dialects. Since then, the Spanish language has been imposed, but in Huarás never did it replace Quechua to the extent that it did in 1970. This glossary contains words, several verb forms, and phrases. It is written with the expectation that it may help to preserve the inherited Quechua, so that Huarás may remain bilingual. It is written for huarasinos, the people of Huarás. If others find it useful, better yet. The glossary is in Quechua. To facilitate access to the Quechua, indices in Spanish and in English are included. M. Mosquera

". . . provides a valuable service of not only gathering and presenting from 5,000 song texts a wide variety of ballads with full translation but also placing them all in a succinct historical context extending from the Mexican War to the present." —Journal of American Ethnic History " . . . [a] stunning achievement, not only because it is an intelligent and comprehensive study of Mexican immigrant ballads, but because analysis gives way to, steps aside respectfully for, a multitude of immigrants who sing their experiences of crossing the border into the U.S. with astonishing clarity and historical perspicacity." —Western Folklore "Herrera-Sobek's folk-song collection is impressive, as are her English translations—crisp and unstilted." —MultiCultural Review "[Herrera-Sobek's] well-written book provides historians, ethnomusicologists, sociologists, and other scholars with a case study that demonstrates how valuable song lyrics can be in their studies. Strongly recommended to humanists and social scientists." —Choice "Supported with photographs, full documentation and other scholarly devices, this is a solid work on an unusual topic." —Sing Out! Northward Bound traces Mexican emigration to the United States from 1848 to 1991 through the lyrics of Mexican ballads (corridos) and contemporary popular songs (canciones). These autobiographical songs reflect the relationship between individual experience and the history-making process.

Little Lobo, a Mexican American, and Bernabe, his dog, deliver supplies to vendors at the Mercado, a busy border town market.

Little Lobo returns to share his love of food and wrestling in this delicious follow-up to Vamos! Let'sGo to the Market from Pura Belpré Medal-winning illustrator Raúl the Third. In this new Vamos! title, Let's Go Eat, Little Lobo is excited to take in a show with wrestling star El Toro in his bustling border town. After getting lunch orders from The Bull and his friends to help prepare for the event, Little Lobo takes readers on a tour of food trucks that sell his favorite foods, like quesadillas with red peppers and Mexican-Korean tacos. Peppered with easy-to-remember Latin-American Spanish vocabulary, this glorious celebration of food is sure to leave every reader hungry for lunch! Jam-packed with fun details and things to see, the Vamos! books are perfect for fans of Richard Scarry and Where's Waldo?