Vampiro

When the last outbreak of human vampirism occurred in the narrow oasis of New Mexico’s lower Rio Grande Valley, the oral tradition that had been passed on for centuries had yet again been sadly reconfirmed. Every two decades or so, one or more bloodthirsty ghouls appears and preys upon the vulnerable members of this small but tightly knit community. As a young curandera, or healer, Lorena Pastore was only twenty-five years old when the last outbreak occurred, and she remembers the shocking horror that spread throughout her beloved community at the time. She erroneously predicted that she would be well into her middle years of life for the next outbreak, but sadly, that is not the case. After a foolish man commits an egregious violation during a spiritual cleansing ritual, the seven years of peace is shattered. The malignant disease of human vampirism is re-incarnated, and Lorena is forced to flee across the Mexican border with a five-year-old in peril. Nathan’s father is becoming a lethal vampire, and the boy is now hunted—as is Lorena as she takes the child into her care and fights the outbreak destined to destroy her home and people.

The fights still rage on in the third installation of Max's Lucha Libre Adventures series. Max seems like any other nerdy kid until he's asked to join the Lucha Libre Club. The super-secret club admits only the offspring of wrestling royalty. And Max is a prince, descended through his mother from royal blood, his uncle the very king of lucha libre: The Guardian Angel. Trouble is, the club is so secret that Max can't tell his best friend or girlfriend what he is up to. Just that vexing girl, Paloma. Xavier Garza lives in San Antonio, Texas.

Zoologist David Brown has sifted through the mythology of the vampyre to present a picture of the vampire bat in true-life form. For both bat-specialists and non-biologists alike.

Yikes, it's a vampire bat! Find out if vampire bats are really the stuff of legends or just another creature of the night in this carefully leveled text. High-quality photographs get readers up close and personal with these furry flying creatures, while critical thinking questions and a photo glossary introduce kids to nonfiction texts.

Giuseppe Tartini è un giovane violinista che come tanti, per realizzare i propri sogni, è posto davanti al dilemma se seguire la via più giusta per raggiungerli o affidarsi a percorsi più rapidi, ma oscuri. All'inizio del XVIII secolo egli si impossessa, con l'inganno, di alcuni spartiti musicali, dando così inizio ad una vita di grandi successi, ma travagliata. L'intelligenza e l'intraprendenza gli consentiranno di progredire negli studi della più varia natura, tra cui la Magia e la Teurgia, e quindi di scoprire il segreto per non morire. Molti anni dopo, la vita del conte decaduto, Andrè D'Aguilles, attento studioso di antropologia del Sud-est europeo, viene sconvolta dalle Guerre Napoleoniche. Audace ufficiale di cavalleria verrà involontariamente risucchiato nella terribile Crisi di Vampirismo che sconvolgeva l'area carpato-balcanico-danubiana. Fra Moravia, Regno d'Ungheria e Balkan selvaggio, fra indovinelli, saggi ebrei sefarditi, duelli, dolore, morte, sangue e folklore si sviluppa la caccia al misterioso Signore dei Vampiri. Tartini, Paganini e Andrè simboleggiano il Male e il Bene, e le scelte che fin da giovani si è chiamati a fare.

Thanks in large part to an exploitation film producer and distributor named K. Gordon Murray, a unique collection of horror films from Mexico began to appear on American late-night television and drive-in screens in the 1960s. Ranging from monster movies clearly owing to the heyday of Universal Studios to the lucha libre horror films featuring El Santo and the "Wrestling Women," these low-budget "Mexploitation" films offer plenty of campy fun and still inspire cult devotion, yet they also reward close study in surprising ways. This work places Mexploitation films in their historical and cultural context and provides close textual readings of a representative sample, showing how they can be seen as important documents in the cultural debate over Mexico's past, present and future. Stills accompany the text, and a selected filmography and bibliography complete the volume.

Demonstrates how and why the transnational figure of the vampire was appropriated by Italian genre filmmakers between 1956 and 1975.