Vanishing Cornwall

'There was a smell in the air of tar and rope and rusted chain, a smell of tidal water. Down harbour, around the point, was the open sea. Here was the freedom I desired, long sought-for, not yet known. Freedom to write, to walk, to wander, freedom to climb hills, to pull a boat, to be alone . . . I for this, and this for me.' Daphne du Maurier lived in Cornwall for most of her life. Its rugged coastline, wild terrain and tumultuous weather inspired her imagination, and many of her works are set there, including Rebecca, Jamaica Inn and Frenchman's Creek. In Vanishing Cornwall she celebrates the land she loved, exploring its legends, its history and its people, eloquently making a powerful plea for Cornwall's preservation.

Inspired by a haunting true story, a gorgeous and atmospheric novel about the mysterious disappearance of three lighthouse keepers from a remote tower miles from the Cornish coast—and about the wives left behind On New Year’s Eve, 1972, a boat pulls up to the Maiden Rock lighthouse with relief for the keepers. But no one greets the boat. When the entrance door, locked from the inside, is battered down, rescuers find an empty tower. A table is laid for a meal not eaten. The Principal Keeper’s weather log describes a storm raging round the tower, but the skies have been clear all week. And the clocks have all stopped at 8:45. What strange fate befell the doomed men? The heavy sea whispers their names. Black rocks roll beneath the surface, drowning ghosts. And out of the swell like a finger of light, the salt-scratched tower stands lonely and magnificent. Two decades later, a writer determined to find out the truth about the men’s disappearance visits the wives who were left behind. Moving between the women’s stories and the men’s last weeks together in the lighthouse, we see long-held secrets surface and truths twist into lies as we try to piece together what happened, why and who to believe. In her riveting and suspenseful novel, Emma Stonex writes a story about isolation and obsession, reality and illusion, and what it takes to keep the light burning when all else is swallowed by darkness.

Sea Narratives: Cultural Responses to the Sea, 1600-Present explores the relationship between the sea and culture from the early modern period to the present. The collection uses the concept of the ‘sea narrative’ as a lens through which to consider the multiple ways in which the sea has shaped, challenged, and expanded modes of cultural representation to produce varied, contested and provocative chronicles of the sea across a variety of cultural forms within diverse socio-cultural moments. Sea Narratives provides a unique perspective on the relationship between the sea and cultural production: it reveals the sea to be more than simply a source of creative inspiration, instead showing how the sea has had a demonstrable effect on new modes and forms of narration across the cultural sphere, and in turn, how these forms have been essential in shaping socio-cultural understandings of the sea. The result is an incisive exploration of the sea’s force as a cultural presence.

The epic, middle grade fantasy continues in Book Two of the Songs of Magic trilogy! Having upset the Hamelyn Piper's dastardly plan to build an army through songs of mind control, 13-year-old Piper, Patch Brightwater, must foil the escaped villain's next sinister plot: assembling a suit of immortal armor. Accompanied by Wren, a girl cursed to live as a rat, and Barver, a fire-breathing dracogriff, Patch seeks the aid of old friends, legendary heroes, and a near-dead sorcerer. Embark on another adventure with the motley trio as they clash with pirates of the Eastern Seas, uncover secrets of the griffins, and dabble with magic to undo past wrongs and forge their own offense before it's too late. S. A. Patrick’s Songs of Magic trilogy is a brilliant retelling of one of the darkest legends of all time, "The Piper of Hamelyn." Combining folklore with the very best of modern storytelling, the books will delight young fantasy fans who are hungry for perilous quests, friendships forged on the road, and an inventive magic system that thrills the imagination.

Focussing on written and visual culture that is made in or made about Cornwall, this book argues that Cornwall and the Scilly Isles (known as ‘Kernow’ in the Cornish language) have a special relationship with Gothic, one that has been overlooked in the literature on regional Gothic.