Vargas Llosa And Latin American Politics

Mario Vargas Llosa is a heterogeneous writer whose positions have often not been consistent from novel to novel, between his fictional and nonfictional work, between his literary and political commentary, and as his political commentary has proceeded over the decades. This analysis of his work reveals his insights into socio-political matters.

It would have been an ardent debate: Hugo Chávez, outspoken emblem of Latin American socialism, on one side and Mario Vargas Llosa, Peruvian novelist, polemical champion of the free market, and eventual winner of a Nobel Prize for literature, on the other. Unfortunately, it was not to be. For author Juan E. De Castro, what was most remarkable about the proposed debate was not only that it was going to happen in the first place but that Chávez called it off, a move that many chalked up to trepidation on the Venezuelan president’s part. Whatever the motivation, the cancellation served to affirm Vargas Llosa’s already substantial intellectual and political stature. The idea of a sitting president debating a novelist may seem surprising to readers unfamiliar with Latin American politics, but Vargas Llosa has enjoyed considerable influence in the political arena, thanks in no small part to his run for the Peruvian presidency in 1990. Though he was awarded the Nobel Prize in 2010 for his literary achievements, he is as well known in the Spanish-speaking world for his political columns as he is for his novels. In his widely syndicated political pieces, Vargas Llosa asserts a position he calls “liberal” in the classical sense of affirming the importance of a free market and individual rights, though as De Castro argues, he has often aligned himself with groups that emphasize the former at the expense of the latter. What makes Vargas Llosa’s rise to political prominence compelling is “not only that he is still a vibrantly active writer, but that he was at the time of the beginning of his rise to literary fame, and throughout the 1960s, a staunch defender of the Cuban Revolution.” While his early literary output seemed to proclaim an allegiance with the Left, Vargas Llosa was soon to take a right turn that De Castro argues was anticipatory and representative of the Latin American embrace of the free market in the 1990s. Understanding Vargas Llosa’s political thought is thus of more than biographical interest. It is a key to understanding the social and cultural shifts that have taken place not only in Peru but throughout Latin America.

A landmark collection of essays on the Nobel laureate’s conception of Latin America, past, present, and future Throughout his career, the Nobel Prize winner Mario Vargas Llosa has grappled with the concept of Latin America on a global stage. Examining liberal claims and searching for cohesion, he continuously weighs the reality of the continent against the image it projects, and considers the political dangers and possibilities that face this diverse set of countries. Now this illuminating and versatile collection assembles these never-before-translated criticisms and meditations. Reflecting the intellectual development of the writer himself, these essays distill the great events of Latin America’s recent history, analyze political groups like FARC and Sendero Luminoso, and evaluate the legacies of infamous leaders such as Papa Doc Duvalier and Fidel Castro. Arranged by theme, they trace Vargas Llosa’s unwavering demand for freedom, his embrace of and disenchantment with revolutions, and his critique of nationalism, populism, indigenism, and corruption. From the discovery of liberal ideas to a defense of democracy, buoyed by a passionate invocation of Latin American literature and art, Sabers and Utopias is a monumental collection from one of our most important writers. Uncompromising and adamantly optimistic, these social and political essays are a paean to thoughtful engagement and a brave indictment of the discrimination and fear that can divide a society.

Latin America's Foremost Political Journalist Makes a Brilliant and Passionate Argument for Real Reform In the Economically Crippled Continent In Liberty for Latin America, Alvaro Vargas Llosa offers an incisive diagnosis of Latin America's woes--and a prescription for finally getting the region on the road to both genuine prosperity and the protection of human rights. When the economy in Argentina--at one time a model of free-market reform--collapsed in 2002, experts of all persuasions asked: What went wrong? Vargas Llosa shows that what went wrong in Argentina has in fact gone wrong all over the continent for over five hundred years. He explains how the republics of the nineteenth century and the revolutions of the twentieth-populist uprisings, Marxist coops, state takeovers, and First World-sponsored privatization-have all run up against the oligarchic legacy of statism. Illiberal elites backed by the United States and Europe have perpetuated what he calls the "five principles of oppression" in order to maintain their hold on power. The region has become "a laboratory for political and economic suicide," while comparable countries in Asia and Eastern Europe have prospered. The only way to change things in Latin America, Vargas Llosa argues, is to remove the five principles of oppression, genuinely reforming institutions and the underlying culture for the benefit of the disempowered public. In Liberty for Latin America, he explains how, offering hope as well as insight for all those who care for the future of this troubled region.

The true story of Guatemala’s political turmoil of the 1950s as only a master of fiction can tell it Guatemala, 1954. The military coup perpetrated by Carlos Castillo Armas and supported by the CIA topples the government of Jacobo Árbenz. Behind this violent act is a lie passed off as truth, which forever changes the development of Latin America: the accusation by the Eisenhower administration that Árbenz encouraged the spread of Soviet Communism in the Americas. Harsh Times is a story of international conspiracies and conflicting interests in the time of the Cold War, the echoes of which are still felt today. In this thrilling novel, Mario Vargas Llosa fuses reality with two fictions: that of the narrator, who freely re-creates characters and situations, and the one designed by those who would control the politics and the economy of a continent by manipulating its history. Harsh Times is a gripping, revealing novel that directly confronts recent history. No one is better suited to tell this riveting story than Vargas Llosa, and there is no form better for it than his deeply textured fiction. Not since The Feast of the Goat, his classic novel of the downfall of Trujillo’s regime in the Dominican Republic, has Vargas Llosa combined politics, characters, and suspense so unforgettably.

A critical analysis of Latin American writers from the 1960s to the present reveals interesting insights into the ambiguity of the fiction's break from traditional social realism to a representation of realism which is incomprehensible and paradoxical. Swanson (Hispanic studies, State U. of New York, Albany) examines the "new novel's" inconsistencies, political statements, and postmodern intertextuality through the work of Puig, Vargas Llosa, Cabrera, Infante, Fuentes, Donoso, Sainz, Lispector, and Isabel Allende. Distributed by St. Martin's Press. Annotation copyright by Book News, Inc., Portland, OR

Mario Vargas Llosa is a heterogeneous writer whose positions have often not been consistent from novel to novel, between his fictional and nonfictional work, between his literary and political commentary, and as his political commentary has proceeded over the decades. This analysis of his work reveals his insights into socio-political matters.

Three Latin American writers quote, dissect and review this character in a cultural critique that combines analysis with humor and a relentless self-criticism.