Vathek An Arabian Tale

The novel chronicles the fall from power of the Caliph Vathek (a fictionalized version of the historical Al-Wathiq Bi'llāh), who renounces Islam and engages with his mother, Carathis, in a series of licentious and deplorable activities designed to gain him supernatural powers.

Vathek An Arabian Tale or The History of the Caliph Vathek William Beckford A Gothic Novel Translated into English by Reverend Samuel Henley Vathek (alternatively titled Vathek, an Arabian Tale or The History of the Caliph Vathek) is a Gothic novel written by William Beckford. It was composed in French beginning in 1782, and then translated into English by Reverend Samuel Henley in which form it was first published in 1786 without Beckford's name as An Arabian Tale, From an Unpublished Manuscript, claiming to be translated directly from Arabic. The first French edition, titled simply as Vathek, was published in December 1786 (postdated 1787). In the twentieth century some editions include The Episodes of Vathek (Vathek et ses episodes), three related tales intended by Beckford to be so incorporated, but omitted from the original edition and published separately long after his death. William Beckford, born in 1759, the year before the accession of King George the Third, was the son of an Alderman who became twice Lord Mayor of London. His family, originally of Gloucestershire, had thriven by the plantations in Jamaica; and his father, sent to school in England, and forming a school friendship at Westminster with Lord Mansfield, began the world in this country as a merchant, with inheritance of an enormous West India fortune. William Beckford the elder became Magistrate, Member of Parliament, Alderman. Four years before the birth of William Beckford the younger he became one of the Sheriffs of London, and three years after his son's birth he was Lord Mayor. As Mayor he gave very sumptuous dinners that made epochs in the lives of feeding men. His son's famous "History of the Caliph Vathek" looks as if it had been planned for an Alderman's dream after a very heavy dinner at the Mansion House. There is devotion in it to the senses, emphasis on heavy dining. Vathek piqued himself on being the greatest eater alive; but when the Indian dined with him, though the tables were thirty times covered, there was still want of more food for the voracious guest. There is thirst: for at one part of the dream, when Vathek's mother, his wives, and some eunuchs "assiduously employed themselves in filling bowls of rock crystal, and emulously presented them to him, it frequently happened that his avidity exceeded their zeal, insomuch that he would prostrate himself upon the ground to lap up the water, of which he could never have enough." And the nightmare incidents of the Arabian tale all culminate in a most terrible heartburn. Could the conception of Vathek have first come to the son after a City dinner?"

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About Vathek, An Arabian Tale by William Beckford Vathek is a Gothic novel written by William Beckford. It was composed in French beginning in 1782, and then translated into English by Reverend Samuel Henley in which form it was first published in 1786 without Beckford's name as An Arabian Tale, From an Unpublished Manuscript, claiming to be translated directly from Arabic. The first French edition, titled simply as Vathek, was published in December 1786 (postdated 1787). In the twentieth century some editions include The Episodes of Vathek (Vathek et ses épisodes), three related tales intended by Beckford to be so incorporated, but omitted from the original edition and published separately long after his death. Vathek capitalised on the 18th (and early 19th) century obsession with all things Oriental (see Orientalism), which was inspired by Antoine Galland's translation of The Arabian Nights (itself retranslated, into English, in 1708). Beckford was also influenced by similar works from the French writer Voltaire. His originality lay in combining the popular Oriental elements with the Gothic stylings of Horace Walpole's The Castle of Otranto (1764). The result stands alongside Walpole's novel and Mary Shelley's Frankenstein (1818) in the first rank of early Gothic fiction.