Veiled Intent

How were eighteenth-century dissenting women writers able to ensure their unique biblical interpretation was preserved for posterity? And how did their careful yet shrewd tactics spur early nineteenth-century women writers into vigorous theological debate? Why did the biblical engagement of such women prompt their commitment to causes such as the antislavery movement? Veiled Intent traces the pattern of tactical moves and counter-moves deployed by Anna Barbauld, Phillis Wheatley, Helen Maria Williams, Joanna Baillie, and Mary Anne Schimmelpenninck. These female poets and philosophers veiled provocative hermeneutical claims and calls for social action within aesthetic forms of discourse viewed as more acceptably feminine forms of expression. In between the lines of their published hymns, sonnets, devotional texts for children, and works of aesthetic theory, the perceptive reader finds striking theological insights shared from a particularly female perspective. These women were not only courageously interjecting their individual viewpoints into a predominantly male domain of formal study--biblical hermeneutics--but also intentionally supporting each other in doing so. Their publications reveal they were drawn to biblical imagery of embodiment and birth, to stories of the apparently weak vanquishing the tyrannical on behalf of the oppressed, and to the metaphor of Christ as strengthening rock.

Throughout its history, the Christian church has had a troubled relationship with the arts, whether literature, poetry, music, visual arts, or other forms of artistic expression. This volume is not designed to resolve the issues, but it is designed to present a number of different statements about various dimensions of the arts in their relationship to the Bible. The Bible is the document that stands behind the Christian church as an inspiration to it and to its arts. As a result, we have divided this volume into six parts: perspectives on the arts, culture and art, visual enactments, contemporary interpretations, music, and the Bible and literature. Many of the issues that the history of the interaction of the arts and the Bible within the Christian church has uncovered are insightfully and artfully addressed by this book. The wide range of contributors runs the gamut from practicing artists of various media to scholars within varied academic fields.

Can you really hear from God? Can you really overcome death? You will find the answers in this book.

The war on terror's emphasis on denying sanctuary and safe havens to terrorists has placed a premium on physical territory, from mountain caves and frontier hideouts to the bordered world of modern states. Denial of Sanctuary highlights the limits of conventional thinking on the subject, and suggests new approaches to understanding this complex and misunderstood feature of modern conflict. Critics of the war on terror have pointed to the futility of waging war on a tactic. Its emphasis on denying sanctuary and safe havens to terrorists, rooted primarily in traditional counterinsurgency theory and poorly conceptualized policy statements, has placed a premium on physical territory, from mountain caves and frontier hideouts to the bordered world of modern states. To fully understand sanctuaries is to uncover the problems and pitfalls of waging war on locations—exposing the secret lives of multiple hidden worlds, filled with extremists, criminals, soldiers, and spies, with the pious and the profane, with dangers that lie below the surface and in the margins. As this volume makes abundantly clear, such a murky underground is far more complex and varied than the conventional wisdom suggests. Terrorists have hidden in plain sight in modern cities, used advanced communications technology to build virtual refuges, crafted militant enclaves out of the disarray of failed states, flocked to distinctly unsafe insurgent battlespaces, and generally challenged the protective limits of law, citizenship, and state. Denial of Sanctuary brings together top experts in the field to expand the debate; to explore the roots, causes and consequences of the problem; and to clarify our understanding of sanctuary in terrorist thought and practice.

How were eighteenth-century dissenting women writers able to ensure their unique biblical interpretation was preserved for posterity? And how did their careful yet shrewd tactics spur early nineteenth-century women writers into vigorous theological debate? Why did the biblical engagement of such women prompt their commitment to causes such as the antislavery movement? Veiled Intent traces the pattern of tactical moves and counter-moves deployed by Anna Barbauld, Phillis Wheatley, Helen Maria Williams, Joanna Baillie, and Mary Anne Schimmelpenninck. These female poets and philosophers veiled provocative hermeneutical claims and calls for social action within aesthetic forms of discourse viewed as more acceptably feminine forms of expression. In between the lines of their published hymns, sonnets, devotional texts for children, and works of aesthetic theory, the perceptive reader finds striking theological insights shared from a particularly female perspective. These women were not only courageously interjecting their individual viewpoints into a predominantly male domain of formal study--biblical hermeneutics--but also intentionally supporting each other in doing so. Their publications reveal they were drawn to biblical imagery of embodiment and birth, to stories of the apparently weak vanquishing the tyrannical on behalf of the oppressed, and to the metaphor of Christ as strengthening rock.

"A truly extraordinary book--beautifully and modestly written, remarkably insightful, consistently compelling." --Edward Said, author of Out of Place: A Memoir