Vertigo Comics

ENIGMA is a thought-provoking post-modern tale of self-discovery and sexual identity told against the backdrop of improbable super-heroes and villains. Michael Smith lives a meaningless life of routine and boredom. But when Enigma, his favorite childhood comic book hero, inexplicably comes to life, Smith finds himself on an obsessive crusade to uncover the secret behind his improbable existence. Teaming with Enigma's comic creator, Smith encounters an insanity-inducing psychopath, a brain-eating serial killer, and a suicide-inciting clown posse as his quest uncovers hidden truths about both his idol and himself. This new edition of the Vertigo classic is written by Peter Milligan (JUSTICE LEAGUE DARK, RED LANTERNS) with kinetic art by Duncan Fegredo (SHADE THE CHANGING MAN). Collects ENIGMA #1-8.

This book explores the so-called "British Invasion" of DC Comics’ Vertigo imprint, which played an important role in redefining the mainstream comics industry in the US during the early 1990s. Focusing on British creators within Vertigo, this study traces the evolution of the line from its creation in 1993 to its demise in 2019. Through an approach grounded in cultural history, the book disentangles the imprint’s complex roots, showing how editors channelled the potential of its British writers at a time of deep-seated economic and cultural change within the comics industry, and promoted a sense of cohesion across titles that defied categories. The author also delves into lesser-known aspects of the Invasion, exploring less-canonical periods and creators that are often eclipsed by Vertigo’s early star writers. An innovative contribution on a key element of comic book history, this volume will appeal both to researchers of Vertigo scholarship and to fans of the imprint. It will also be an essential read for those interested in transatlantic collaborations and exchanges in the entertainment industry, processes of cultural legitimation and cultural hierarchies, and to anyone working on the representation of national and social identities.

Jesse and his crew hit New Orleans on a hot Saturday night. Pale bloodsuckers creep from the shadows and a butt-ugly old favorite lines up his gunsights on Reverend Custer's head. And just what is that business with the photo of Cassidy all about?

The End is nearly here. The final apocalyptic clash between Jepperd and Abbot explodes with the fate of Gus and the hybrids hanging by a thread. 'The Wild Kingdom' part 3.

The massive, multilayered city of Neopolis, built shortly after World War II, was designed as a home for the expanding population of science-heroes, heroines and villains that had ballooned into existence in the previous decade. Bringing these powered beings together solved some problems but created others, especially after the inevitable partnerships led to a surge in their numbers in the 1960s. By the 1980s, Neopolis had turned into a pressure cooker - under financed and overpopulated - that normal policing methods could never hope to contain. In 1985 the city accepted jurisdiction by a police force covering many alternate Earths, headquartered on the world known as Grand Central. Our own outpost of this network, Precinct Ten (known affectionately as Top 10), recruits its members from Neopolis and its environs, working much like Earth's other police precincts, with one major exception: Like the citizens of the city, the officers of Top 10 have the abilities needed to deal with Neopolis's exotic denizens. Rookie cop Robyn Slinger, alter ego "Toybox," hits the streets for the first time along with a colorful crew of fellow officers, each having the required training to deal with science-villains and super-crimes, as well as the common misdemeanors of city life. You'll never look at powers, or police work, the same way again!

Science-fiction author Rachel Pollack brings her unique and inventive sensibility to DC’s weirdest super-team! This massive hardcover collects her entire Doom Patrol run for the first time. Starting in 1989, Doom Patrol evolved into something truly bizarre—and brilliant—with some of the most unique ideas in fiction given shape. The book was part of a wave of unbridled creativity that helped inspire the creation of DC’s groundbreaking Vertigo imprint, and its impact is still felt today in the HBO Max Doom Patrol original series. In 1993, writer Rachel Pollack took over Doom Patrol from Grant Morrison, and quickly made the title her own—retaining its offbeat spirit while pushing its characters in new directions, and tackling important social issues in the Doom Patrol’s thoroughly unconventional way. This hardcover omnibus is the first-ever collection of Pollack’s run on Doom Patrol. In these stories, the Doom Patrol must pull themselves together yet again as they move into a bizarre new headquarters, gain two new members and try to cope with the preteen menace known as the Wild Girls! Then, artist Ted McKeever brings his surreal sensibility to the series, bringing it to a fittingly unique conclusion. This volume collects Doom Patrol #64-87, Doom Patrol Annual #2, Totems #1, and Vertigo Jam #1.

Comics and the punk movement are inextricably linked--each has a foundational do-it-yourself ethos and a nonconformist spirit defiant of authority. This collection of new essays provides for the first time a thorough analysis of the intersections between comics and punk. The contributors expand the discussion beyond the familiar U.S. and UK scenes to include the influence punk has had on comics produced in other countries, such as Spain and Turkey.

"Superman created by Jerry Siegel and Joe Shuster, by special arrangement with the Jerry Siegel family."