Very Far Away

Fans of Maurice Sendak's Caldecott Medal-winning Where the Wild Things Are will love Very Far Away—now back in print! First published in 1957, Very Far Away is the second book Sendak both wrote and illustrated. A young boy with a new baby sibling must learn to cope with his mother's sudden lack of attention, so he sets off to find "very far away." The Chicago Sunday Tribune praised Very Far Away, saying, "Maurice Sendak's new picture story has all the charm and originality of his other work—plus an extra dash of humor and sense of kinship with small boys." First published in 1957 and now back in print, Very Far Away is Maurice Sendak at his early best.

A slender, realistic story of a young man's coming of age, Very Far Away from Anywhere Else is one of the most inspiring novels Ursula K. Le Guin ever published. Owen is seventeen and smart. He knows what he wants to do with his life. But then he meets Natalie and he realizes he doesn't know anything much at all. “Like all Le Guin’s work, Very Far Away from Anywhere Else is about the invisible structures of society and about the challenge to live honestly. On a Sunday years ago I was lucky to encounter a book that could show me the breadth our lives have—that the discovery of what leads us on is better than the goal of perfection.” —Emily Schultz, Bustle “An engaging, well written novel.” —New York Times

The solar system unfolds before your eyes in this cheeky, myth-busting book (grounded in real math)! Quick: Picture the solar system. Do you see nine planets on tidy rings around the Sun? Then you have been lied to! It’s not without reason: We have to draw the solar system that way to fit it on a place mat, or a lunch box, or into an ordinary book. But that familiar diagram is wrong about almost everything—and so this is no ordinary book. Seven double-gatefold pages open out not once but twice, capturing our planetary neighbors at scale. At a 100,000,000,000-to-1 scale, the Sun is about the size of a dime. And five feet away from the Sun, we find . . . Earth, the size of a pinhead. A hundred-billion-to-one scale is not nearly small enough to fit our solar system into a book (or onto a soccer field)! How small do we need to go? Unfold the next three spreads to find out . . .

Award-winning author Hadley Dyer’s YA debut is smart, snarky, and emotionally gripping, about a rebellious cop’s daughter who falls in love with an older man, loses her best friend, and battles depression, all while trying to survive her last year of high school. Feisty and fearless George Warren (given name: Frances, but no one calls her that) has never let life get too serious. Now that she’s about to be a senior, her plans include partying with her tight-knit group of friends and then getting the heck out of town after graduation. But instead of owning her last year of high school, a fight with her best friend puts her on the outs of their social circle. If that weren’t bad enough, George’s family has been facing hard times since her father, a police sergeant, got injured and might not be able to return to work, which puts George’s college plans in jeopardy. So when George meets Francis, an older guy who shares her name and her affinity for sarcastic banter, she’s thrown. If she lets herself, she’ll fall recklessly, hopelessly in love. But because of Francis’s age, she tells no one—and ends up losing almost everything, including herself. This is a gorgeous, atmospheric, and gut-wrenching novel that readers won’t soon forget.

The New York Times bestselling "master" (Stephen King) of American thriller writing returns with an electrifying new novel about a mother seeking to reconnect with her children after a terrible trial tears their family apart. Nina Morgan’s bloodstained car was found a decade ago on a lonely Florida road. Forensic evidence suggested she’d been murdered, although her body was never found. Her disappearance left her infant children to the care of their father. Once a pilot, mother, wife, and witness to a gruesome crime, Nina had to flee her old life to save her family. She reinvented herself as Leah Trenton, a guide in the Allagash Wilderness in northern Maine. She never expected to see her children again, but now tragedy has returned them to her—only they have no idea that she’s their mother—and delivered all of them back into danger. “Aunt Leah” will need some help, and an old ally has a suggestion: an enigmatic young hitman named Dax Blackwell. Never Far Away is a thrilling collision between old sins and new dreams, where the wills and ingenuity of a broken family will be tested against all odds.

A National Book Award Finalist An Edgar Award Finalist A California Book Award Gold Medal Winner A dark, contemporary fairy tale in the tradition of Neil Gaiman. Jeremy Johnson Johnson hears voices. Or, specifically, one voice: the ghost of Jacob Grimm, one half of The Brothers Grimm. Jacob watches over Jeremy, protecting him from an unknown dark evil whispered about in the space between this world and the next. But Jacob can't protect Jeremy from everything. When coltish, copper-haired Ginger Boultinghouse takes a bite of a cake so delicious it’s rumored to be bewitched, she falls in love with the first person she sees: Jeremy. In any other place, this would be a turn for the better for Jeremy, but not in Never Better, where the Finder of Occasions—whose identity and evil intentions nobody knows—is watching and waiting, waiting and watching. . . And as anyone familiar with the Brothers Grimm know, not all fairy tales have happy endings. Veteran writer Tom McNeal has crafted a young adult novel at once grim(m) and hopeful, full of twists, and perfect for fans of contemporary fairy tales like Neil Gaiman's The Graveyard Book and Holly Black's Doll Bones. The recipient of five starred reviews, Publishers Weekly called Far Far Away "inventive and deeply poignant."

A book about life, loss, and the secrets families keep, reminiscent of Sharon Creech's Walk Two Moons, by National Book Award nominee Lisa Graff. CJ's Aunt Nic is a psychic medium who tours the country speaking to spirits from Far Away, passing on messages from the dearly departed. And CJ knows firsthand how comforting those messages can be -- Aunt Nic's Gift is the only way CJ can talk to her mom, who died just hours after she was born. So when CJ learns that she won't be able to speak to her mother anymore, even with Aunt Nic's help, she's determined to find a work-around. She sets off on road trip with her new friend Jax to locate the one object that she believes will tether her mother's spirit back to Earth . . . but what she finds along the way challenges every truth she's ever known. Ultimately, CJ has to sort out the reality from the lies. National Book Award nominee Lisa Graff has written a poignant, heartfelt novel that explores the lengths we go to protect those we love -- and the power secrets have to change our worlds. Praise for Far Away: * "Graff nimbly crafts a credible novel from the unlikely, shaping layered characters and unforeseen plot twists while exploring issues of truth and illusion--and the emotion-infused miasma that separates the two. A genuinely moving and memorable story." --Publishers Weekly, *STARRED REVIEW* "The story is a genre blend of mystery and realistic family drama . . . Graff never shies away from difficult topics, and this is as brave as expected." --Booklist "Graff imbues CJ's story with many valuable lessons about forgiveness, respect, and honoring a variety of perspectives. A compelling coming-of-age tale that delicately approaches the complex topics of psychic mediums and grief." --School Library Journal

Thirteen-year-old Natalie Gallagher is trying to escape: from her parents' ugly divorce, and from the vicious cyber-bullying of her former best friend. Adrift, confused, she is a girl trying to find her way in a world that seems to either neglect or despise her. Her salvation arrives in an unlikely form: Bridget O'Connell, an Irish maid working for a wealthy Boston family. The catch? Bridget lives only in the pages of a dusty old 1920s diary Natalie unearthed in her mother's basement. But the life she describes is as troubling -- and mysterious -- as the one Natalie is trying to navigate herself, almost a century later. I am writing this down because this is my story. There were only ever two people who knew my secret, and both are gone before me. Who was Bridget, and what became of her? Natalie escapes into the diary, eager to unlock its secrets, and reluctantly accepts the help of library archivist Kathleen Lynch, a widow with her own painful secret: she's estranged from her only daughter. Kathleen sees in Natalie traces of the daughter she has lost, and in Bridget, another spirited young woman at risk. What could an Irish immigrant domestic servant from the 1920s teach them both? As the troubles of a very modern world close in around them, and Natalie's torments at school escalate, the faded pages of Bridget's journal unite the lonely girl and the unhappy widow . . . and might even change their lives forever.