Vi Spy Never Say Whatever Again

The second adventure in Maz Evans's laugh-out-loud funny Vi Spyseries! PRAISE FOR THE SERIES: 'Twists, turns, spies and surprises. What more do you want? Tears? Laughter? Maz Evans delivers them all.'FRANK COTTRELL BOYCE 'Vi Spy: Licence to Chillis brilliant - knockabout, laugh-a-minute, heartfelt fun'ROSS MONTGOMERY 'Wildly hilarious'THE GUARDIAN Vi is failing at top spy school Rimmington Hall - even though the school motto is 'Failure is Not an Option'. To make it worse, nearly-stepbrother Russell Sprout is an A* student. Worst of all, Vi's shadowy nemesis Umbra is still at large. Can Vi unveil the arch-villain before she gets expelled and her parents ground her for ever? She'll need the help of old friends and new, including 9-year-old super-hacker Missy Fit and BFF Tamina, who aims to save the world in a different way ... The second book in a brilliant middle-grade comedy adventure series; follows book 1, Vi Spy: Licence to Chill, which was shortlisted for the Indie Book Awards. From the bestselling author of the Who Let the Gods Out?series; book 1 shortlisted for the Waterstones Book Prize. A laugh-out-loud funny, high-octane spy story perfect for readers aged 8 and up. Perfectly combines humour and heart: addresses the realities of being caught between divorcing parents. Praise for the WHO LET THE GODS OUT? series: 'I totally fell in love with Elliot and the gods, and I think you're all going to love them too.'ROBIN STEVENS 'One of the funniest new voices in children's literature. The laughs come thick and fast'DAVID SOLOMONS '[A] relentlessly witty, fast-paced middle grade adventure'M.G. LEONARD

Divorce is tough for any kid. But while Violet's ex-secret service mum and retired bad-guy dad are distracted by each other, the real super-villains are having a field day. To save her family - and the planet - from evil domination, Vi must turn spy ...

In the tradition of Chris Grabenstein, Stuart Gibbs, and Pseudonymous Bosch, a hilarious and action-packed romp involving one ordinary boy and a crazy cast of immortals. Elliot Hooper wants nothing more than a regular life for him and his mom. Then a Constellation of the Zodiac crashes from the sky into a pile of cow dung in front of him, and that wish explodes in a spray of...well...you know.Virgo, a 1,964-year-old girl, is on a routine mission to Earth and ABSOLUTELY FORBIDDEN from interacting with mortals. So of course she takes Elliot along with her. But when an evil daemon named Thanatos escapes to wreak terrible havoc, their routine mission turns not-so-routine. For if Elliot and Virgo don't track down the retired Zeus and the rest of the Olympians and help them catch Thanatos, mortals and gods alike won't be long for this earth.Elliot Hooper's life just got a whole lot more LEGENDARY.

Divorce is tough for any kid. But while Violet’s ex-secret service mum and retired bad-guy dad are distracted by each other, the real supervillains are having a field day. To save her family—and the planet—from evil domination, Vi must turn spy…

"Nineteen Eighty-Four: A Novel", often published as "1984", is a dystopian social science fiction novel by English novelist George Orwell. It was published on 8 June 1949 by Secker & Warburg as Orwell's ninth and final book completed in his lifetime. Thematically, "Nineteen Eighty-Four" centres on the consequences of totalitarianism, mass surveillance, and repressive regimentation of persons and behaviours within society. Orwell, himself a democratic socialist, modelled the authoritarian government in the novel after Stalinist Russia. More broadly, the novel examines the role of truth and facts within politics and the ways in which they are manipulated. The story takes place in an imagined future, the year 1984, when much of the world has fallen victim to perpetual war, omnipresent government surveillance, historical negationism, and propaganda. Great Britain, known as Airstrip One, has become a province of a totalitarian superstate named Oceania that is ruled by the Party who employ the Thought Police to persecute individuality and independent thinking. Big Brother, the leader of the Party, enjoys an intense cult of personality despite the fact that he may not even exist. The protagonist, Winston Smith, is a diligent and skillful rank-and-file worker and Outer Party member who secretly hates the Party and dreams of rebellion. He enters into a forbidden relationship with a colleague, Julia, and starts to remember what life was like before the Party came to power.

A dystopian thriller follows a boy and girl on the run from a town where all thoughts can be heard – and the passage to manhood embodies a horrible secret. Todd Hewitt is the only boy in a town of men. Ever since the settlers were infected with the Noise germ, Todd can hear everything the men think, and they hear everything he thinks. Todd is just a month away from becoming a man, but in the midst of the cacophony, he knows that the town is hiding something from him -- something so awful Todd is forced to flee with only his dog, whose simple, loyal voice he hears too. With hostile men from the town in pursuit, the two stumble upon a strange and eerily silent creature: a girl. Who is she? Why wasn't she killed by the germ like all the females on New World? Propelled by Todd's gritty narration, readers are in for a white-knuckle journey in which a boy on the cusp of manhood must unlearn everything he knows in order to figure out who he truly is.

�EVERY art and every inquiry, and similarly every action and pursuit, is thought to aim at some good; and for this reason the good has rightly been declared to be that at which all things aim. But a certain difference is found among ends; some are activities, others are products apart from the activities that produce them. Where there are ends apart from the actions, it is the nature of the products to be better than the activities. Now, as there are many actions, arts, and sciences, their ends also are many; the end of the medical art is health, that of shipbuilding a vessel, that of strategy victory, that of economics wealth. But where such arts fall under a single capacity- as bridle-making and the other arts concerned with the equipment of horses fall under the art of riding, and this and every military action under strategy, in the same way other arts fall under yet others- in all of these the ends of the master arts are to be preferred to all the subordinate ends; for it is for the sake of the former that the latter are pursued. It makes no difference whether the activities themselves are the ends of the actions, or something else apart from the activities, as in the case of the sciences just mentioned.�

The fourth and final book in the hilarious bestselling WHO LET THE GODS OUT series; perfect for fans of David Solomons! 'I totally fell in love with Elliot and the gods, and I think you're all going to love them too.' ROBIN STEVENS on book 1 'One of the funniest new voices in children's literature. The laughs come thick and fast' DAVID SOLOMONS on book 1 In the series finale of Maz Evans' bestselling Who Let the Gods Out? series, Elliot faces his darkest period yet. As well as facing up to his fears, he realises that the future of mankind - and the survival of everything he holds dear - is at stake. But can a bunch of misfit gods, a lost constellation and a mortal boy stand up to the daemon hordes?