Victoria Hagan Interior Portraits

The first book to survey the work of this iconic designer, known for her serene "new American classic" look. One of today’s most influential designers, Victoria Hagan exploded onto the scene in 1988 when New York magazine devoted the cover of its design issue to one of her rooms. Since then she has become renowned for her intelligent integration of architectural and interior design, her refined use of materials, her sophisticated color palette, and her strong silhouettes. Always looking to the view, Hagan effortlessly makes a close connection of interior spaces to the surrounding landscape. The houses profiled—ranging from elegant urban residences to casual weekend retreats—reveal Hagan’s unerring attention to what Proust called "the unexpected detail," which makes her interiors beautiful as well as timeless. Throughout, Hagan discourses on the spirit of cherished objects—a print of birds in flight, a vintage star-shaped mirror, or a chair with an unusual silhouette—that add soul and modernity. With stunning photography and personal insights into Hagan’s design philosophy, Victoria Hagan: Interior Portraits is an artful and inspiring collection of this design superstar’s oeuvre.

Breathtaking new interiors from this iconic designer, called “the reigning queen of restrained elegance” In her much-anticipated second book, Victoria Hagan features an exquisite selection of new interiors that embody the “soft modern” look that distinguishes her work. A major force in the design community, Hagan is the master of juxtaposing old and new, showing luxury through simplicity, and creating homes that reflect their owners’ lives. In these appealing, timeless projects—including a New York penthouse, a Nantucket beach house, and a Western ranch—formal architecture is loosened up with a generosity of spirit and an appreciation for the whimsies of style. Throughout, Hagan discourses on the spirit of the unexpected detail—a vintage mirror or a unique chair—that adds soul and modernity. After twenty-five years of running a successful business, she shares her philosophy on attaining good taste and expressing an attitude through her work. Victoria Hagan: Dream Spaces is a beautiful and inspiring collection of this design superstar’s work and a must for every interior design library.

Following an unimaginable year, esteemed designer Victoria Hagan shares her vision for the meaning and significance of home through important and beautiful new projects for homeowners. As an acclaimed interior designer and member of the AD100 and the Interior Design Hall of Fame, Victoria Hagan had achieved the highest pinnacle of success in her field. But when 2020 arrived, she found herself, like all of us, at home, seeing her life and her space with fresh eyes. The result is this book—a creative manifesto and a life-affirming look at the nature of home, and how it connects and calms us, comforts and nourishes us. Serenely paced to give the images room to breathe, the layout has the rigorous simplicity that is so important to Victoria's work Beautifully designed with a luxurious oversize package that includes gatefolds, Live Now celebrates the quiet and extraordinary beauty of the everyday. Open windows beckon, through which we glimpse the ocean, its hues echoed in the interior palette. A chair for reading waits on a patio, overlooking an expanse of hills. Fresh corn and strawberries from the farmers’ market tumble over a kitchen table. The 12 dwellings featured in Live Now may range in style, but all share the soothing, light-filled palette, serenity of mood, and aesthetic rigor for which Hagan is renowned, as well as a deep connection to their surroundings, from Sonoma to Palm Beach, Manhattan to Martha’s Vineyard.

The work of influential, award-winning interior designer Thomas Pheasant is best described as "contemporary classical" and simply serene. Celebrated interior designer Thomas Pheasant is best known for his seamless melding of tradition and the contemporary. His spaces are fresh and of the age yet also enduringly timeless. Balancing classical elements, like recessed paneling, pilasters, crown moldings, and carved plaster garlands, Pheasant introduces modern details, sometimes including such flourishes and surprising complements as a scroll coffee table and a room screen of ribbed, translucent glass. Unafraid of combining pieces from various traditions, he achieves a sense of harmony and balance. This lavish offering of his work gives the reader a sensible, artful approach to interior design, presenting models of great aesthetic subtlety and beauty. Based in Washington, D.C., Thomas Pheasant works around the globe. Recent projects include the redesign of Blair House, the President’s guest house on Pennsylvania Avenue across from the White House, and apartments in Washington, New York, Paris, and Moscow. Never a strict by-the-book traditionalist, Pheasant responds to and sees in classicism its rational order, its quietude, its serenity.

The first book on the philosophy and aesthetics of digital preservation examines the challenge posed by new media to our long-term social memory. How will our increasingly digital civilization persist beyond our lifetimes? Audio and videotapes demagnetize; CDs delaminate; Internet art links to websites that no longer exist; Amiga software doesn't run on iMacs. In Re-collection, Richard Rinehart and Jon Ippolito argue that the vulnerability of new media art illustrates a larger crisis for social memory. They describe a variable media approach to rescuing new media, distributed across producers and consumers who can choose appropriate strategies for each endangered work. New media art poses novel preservation and conservation dilemmas. Given the ephemerality of their mediums, software art, installation art, and interactive games may be heading to obsolescence and oblivion. Rinehart and Ippolito, both museum professionals, examine the preservation of new media art from both practical and theoretical perspectives, offering concrete examples that range from Nam June Paik to Danger Mouse. They investigate three threats to twenty-first-century creativity: technology, because much new media art depends on rapidly changing software or hardware; institutions, which may rely on preservation methods developed for older mediums; and law, which complicates access with intellectual property constraints such as copyright and licensing. Technology, institutions, and law, however, can be enlisted as allies rather than enemies of ephemeral artifacts and their preservation. The variable media approach that Rinehart and Ippolito propose asks to what extent works to be preserved might be medium-independent, translatable into new mediums when their original formats are obsolete.

With one hundred essays from one hundred interior designers, spanning stylistic genres from classic to modern, on subjects as varied as "Collecting," "White," "Portals," and "Layering", this book highlights the knowledge, experience, expertise, insight, and work of established design legends, as well as members of the new guard, spanning over four decades of work. Unique in the quality of its contributors, this book will be a landmark publication in the field, helpful and inspirational for the home decorator, as well as students of design and design professionals. Poised to become the essential book on design, Interior Design Master Class collects the expertise and knowledge of the best interior designers working today. Opening Interior Design Master Class is like sitting down to the best dinner party you’ve ever attended. A classic in the making, the book features one hundred essays by America’s top designers—from established design legends to members of the new guard—that explore in detail the process of designing a home, from the fundamentals to the finishing touches. Grouped by theme, the subjects range from practical considerations (Bunny Williams on "Comfort," Etienne Coffinier and Ed Ku on "Floor Plans") and details (Victoria Hagan on "Light," Rose Tarlow on "Books") to inspiration (Jeffrey Bilhuber on "America" and Charlotte Moss on "Couture") and style (Kelly Wearstler on "Glamour," Thomas O’Brien on "Vintage Modern"). Each piece is paired with images of the designer’s work to illustrate the principles being discussed, annotated with informative captions.Unique in the quality of its contributors, this is a book that readers will refer to again and again for advice and inspiration, an invaluable resource for practical tips and thought-provoking design. Select Contributors and their Topics: Vicente Wolf on Teachers; Barry Dixon on Relationships; Barbara Barry on Awareness; Amanda Nisbet on Intuition; Madeline Stuart on Trends; Suzanne Tucker on Archaeology; Bobby McAlpine on Intimacy; Stephen Sills on Aspirations; Mark Cunningham on Symmetry; Richard Mishaan on Portals; Campion Platt on Proportion; Cindy Smith and Jane Schwab on Editing; Juan Montoya on Scale; Amy Lau on Commissions; Suzanne Kasler on Style; Thomas O’Brien on Vintage Modern; Alan Wanzenberg on Modernity; Alexa Hampton on Tradition; Kelly Wearstler on Glamour; Anthony Baratta on Exuberance; Tom Scheerer on Luxury; Suzanne Rheinstein on Nuance; Timothy Corrigan on Welcoming Spaces; Bunny Williams on Comfort; Miles Redd on Reinvention; Martyn Lawrence Bullard on Sex; Mario Buatta on Color; Darryl Carter on White; Alessandra Branca on Red; Alex Papachristidis on Layering; Victoria Hagan on Light; Thad Hayes on Quality; Kathryn Ireland on Textiles; Windsor Smith on Communication; Nancy Braithwaite on Collecting; Kathryn Scott on Patina; Timothy Whealon on Antiques; Rose Tarlow on Books; Thomas Jayne on Provenance; Emily Summers on Sourcing Furniture; Thomas Pheasant on Inspiration; Sandra Nunnerley on Jazz; Penny Drue Baird on Paris; Jeffrey Bilhuber on America; Robert Couturier on Fashion; Ann Pyne on Poetry; Alan Tanksley on Destinations; Charlotte Moss on Couture

This book consists of over 30 profiles: half of which are favourites from his web site, the other half are never-before-seen shots selected exclusively for the book. Australian content.

Clean and simple design coupled with an embrace of color, beautifully crafted millwork, and environmentally friendly materials are hallmarks of the work of Campion Platt. Every project is firmly rooted in the belief that handcrafting a home of one’s own should be a pleasure, and that an individualized, intensely personal interior can be achieved on any budget when an honest conversation is opened with a designer, or yourself, about what is most important in a home, and that this process will yield achievable, comfortable results. To that end, his firm creates spaces that are bespoke on many levels—each residence and all of its furnishings are literally made to order. This lavish color presentation of over 200 images showcases the results of this unique approach in eighteen projects that range in size and location from demure city pied-à-terres to chic lofts and grand country estates. Conversational, engaging commentary and original sketches from the designer’s portfolio reveal his creative process, explain the inspiration from which each space’s theme is derived, disclose his most valuable tips, and explain how his experience has informed the creation of his own custom furniture, fabric, and carpet lines. I discovered that Campion was almost obsessively concerned with fabrics and finishes, which resulted in a very visually rich environment. —Jay McInerney