Vietnamerica

A superb new graphic memoir in which an inspired artist/storyteller reveals the road that brought his family to where they are today: Vietnamerica GB Tran is a young Vietnamese American artist who grew up distant from (and largely indifferent to) his family’s history. Born and raised in South Carolina as a son of immigrants, he knew that his parents had fled Vietnam during the fall of Saigon. But even as they struggled to adapt to life in America, they preferred to forget the past—and to focus on their children’s future. It was only in his late twenties that GB began to learn their extraordinary story. When his last surviving grandparents die within months of each other, GB visits Vietnam for the first time and begins to learn the tragic history of his family, and of the homeland they left behind. In this family saga played out in the shadow of history, GB uncovers the root of his father’s remoteness and why his mother had remained in an often fractious marriage; why his grandfather had abandoned his own family to fight for the Viet Cong; why his grandmother had had an affair with a French soldier. GB learns that his parents had taken harrowing flight from Saigon during the final hours of the war not because they thought America was better but because they were afraid of what would happen if they stayed. They entered America—a foreign land they couldn’t even imagine—where family connections dissolved and shared history was lost within a span of a single generation. In telling his family’s story, GB finds his own place in this saga of hardship and heroism. Vietnamerica is a visually stunning portrait of survival, escape, and reinvention—and of the gift of the American immigrants’ dream, passed on to their children. Vietnamerica is an unforgettable story of family revelation and reconnection—and a new graphic-memoir classic.

Any child who could demonstrate American parentage - if only by the simple evidence of Western features - would be welcome. Relatives too. By then the children's average age was 19.

American Migrant Fictions focuses on novels of five American migrant writers of the late twentieth and early twenty first centuries, who construct spatial paradigms within their narratives to explore linguistic diversity, identities and be-longings.

Redrawing the Historical Past examines how multiethnic graphic novels portray and revise U.S. history. This is the first collection to focus exclusively on the interplay of history and memory in multiethnic graphic novels. Such interplay enables a new understanding of the past. The twelve essays explore Mat Johnson and Warren Pleece’s Incognegro, Gene Luen Yang’s Boxers and Saints, GB Tran’s Vietnamerica, Scott McCloud’s The New Adventures of Abraham Lincoln, Art Spiegelman’s post-Maus work, and G. Neri and Randy DuBurke’s Yummy: The Last Days of a Southside Shorty, among many others. The collection represents an original body of criticism about recently published works that have received scant scholarly attention. The chapters confront issues of history and memory in contemporary multiethnic graphic novels, employing diverse methodologies and approaches while adhering to three main guidelines. First, using a global lens, contributors reconsider the concept of history and how it is manifest in their chosen texts. Second, contributors consider the ways in which graphic novels, as a distinct genre, can formally renovate or intervene in notions of the historical past. Third, contributors take seriously the possibilities and limitations of these historical revisions with regard to envisioning new, different, or even more positive versions of both the present and future. As a whole, the volume demonstrates that graphic novelists use the open and flexible space of the graphic narrative page—in which readers can move not only forward but also backward, upward, downward, and in several other directions—to present history as an open realm of struggle that is continually being revised. Contributors: Frederick Luis Aldama, Julie Buckner Armstrong, Katharine Capshaw, Monica Chiu, Jennifer Glaser, Taylor Hagood, Caroline Kyungah Hong, Angela Lafien, Catherine H. Nguyen, Jeffrey Santa Ana, and Jorge Santos.

Three years after the publication of the groundbreaking Asian American comics anthology Secret Identities, the same team is back with a new volume—bigger, bolder, and more breathtaking in scope. While the first collection focused on the conventions of superhero comics, this new book expands its horizon to include edgier genres, from hard-boiled pulp to horror, adventure, fantasy, and science fiction. Using this darker range of hues, it seeks to subvert—to shatter—the hidebound stereotypes that have obscured the Asian image since the earliest days of immigration: the stoic brute, the prodigious brain, the exotic temptress, the inscrutable alien, the devious manipulator. The eclectic and impressive lineup of contributors includes leading Asian American comics creators Bernard Chang (Supergirl), Sean Chen (Iron Man), Cliff Chiang (Wonder Woman), Larry Hama (G.I. Joe), Sonny Liew (Malinky Robot), Takeshi Miyazawa (Runaways), Christine Norrie (Hopeless Savages), Greg Pak (The Hulk), G.B. Tran (Vietnamerica), Gene Yang (American Born Chinese), and many others, as well as such film and literary standouts as Tanuj Chopra (Punching at the Sun), Michael Kang (The Motel), Jamie Ford (Hotel on the Corner of Bitter and Sweet), Gary Jackson (Missing You, Metropolis), and Bao Phi (Song I Sing). Their original graphic short stories cover topics from ethnic kiddie shows, China's AIDS policy, and airline security procedures to the untold backstory of Flash Gordon's nemesis Ming the Merciless and the gritty reality of a day in the life of a young Koreatown gangster. Shattered incorporates thrills, chills, and delights while exposing the hidden issues and vital truths of the nation's fastest-growing and most dynamic community.

This volume brings together research on the forms, genres, media and histories of refugee migration. Chapters come from a range of disciplines and interdisciplinary approaches, including literature, film studies, performance studies and postcolonial studies. The goal is to bring together chapters that use the perspectives of the arts and humanities to study representations of refugee migration. The chapters of the anthology are organized around specific forms and genres: life-writing and memoir, the graphic novel, theater and music, film and documentary, coming-of-age stories, street literature, and the literary novel. Chapter(s) “Chapter 1.” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

Moving to America turns H&à's life inside out. For all the 10 years of her life, H&à has only known Saigon: the thrills of its markets, the joy of its traditions, the warmth of her friends close by, and the beauty of her very own papaya tree. But now the Vietnam War has reached her home. H&à and her family are forced to flee as Saigon falls, and they board a ship headed toward hope. In America, H&à discovers the foreign world of Alabama: the coldness of its strangers, the dullness of its food, the strange shape of its landscape, and the strength of her very own family. This is the moving story of one girl's year of change, dreams, grief, and healing as she journeys from one country to another, one life to the next.