Virginia Woolf And Bloomsbury

Photographs, some barely known, on the domestic lives of Virginia Woolf (1882-1941) and Vanessa Bell (1879-1961) and the historical, cultural and artistic milieux of their circle in Bloomsbury, including Vivienne Eliot, Vita Sackville-West, Lady Ottoline Morrell and Dora Carrington.

Virginia Woolf and the Bloomsbury Avant-Garde traces the dynamic emergence of Woolf's art and thought against Bloomsbury's public thinking about Europe's future in a period marked by two world wars and rising threats of totalitarianism. Educated informally in her father's library and in Bloomsbury's London extension of Cambridge, Virginia Woolf came of age in the prewar decades, when progressive political and social movements gave hope that Europe "might really be on the brink of becoming civilized," as Leonard Woolf put it. For pacifist Bloomsbury, heir to Europe's unfinished Enlightenment project of human rights, democratic self-governance, and world peace—and, in E. M. Forster's words, "the only genuine movement in English civilization"— the 1914 "civil war" exposed barbarities within Europe: belligerent nationalisms, rapacious racialized economic imperialism, oppressive class and sex/gender systems, a tragic and unnecessary war that mobilized sixty-five million and left thirty-seven million casualties. An avant-garde in the twentieth-century struggle against the violence within European civilization, Bloomsbury and Woolf contributed richly to interwar debates on Europe's future at a moment when democracy's triumph over fascism and communism was by no means assured. Woolf honed her public voice in dialogue with contemporaries in and beyond Bloomsbury— John Maynard Keynes and Roger Fry to Sigmund Freud (published by the Woolfs'Hogarth Press), Bertrand Russell, T. S. Eliot, E. M. Forster, Katherine Mansfield, and many others—and her works embody and illuminate the convergence of aesthetics and politics in post-Enlightenment thought. An ambitious history of her writings in relation to important currents in British intellectual life in the first half of the twentieth century, this book explores Virginia Woolf's narrative journey from her first novel, The Voyage Out, through her last, Between the Acts.

This book looks at Virginia Woolf's various homes in Kensington, Richmond, and Bloomsbury, and her Sussex country retreats. It explains how the buildings and streets were far more to her than a home--London was a symbol of the vitality she attempted to put into her novels. This guidebook brings to life Woolf's city by tracing the footsteps of some of her characters, while giving a flesh and blood picture of her, impossible to find elsewhere. The book is illustrated with drawings of all Woolf's homes, and walking route maps.

Extraordinary lives, tangled relationships, innovative art: the story of sisters Vanessa Bell and Virginia Woolf and their Bloomsbury Group.

In Bloomsbury Recalled, Quentin Bell has written an extraordinary memoir of the circle of intellectuals in London early in this century know as the Bloomsbury group. Bell offers remarkable judgments about and recollections of each of the notable people among whom he came of age. Here are Bell's candid portraits of his parents, Clive and Vanessa Bell - Virginia Woolf's sister - Vanessa's lover, Duncan Grant, and of Virginia Woolf, Lytton Strachey, E. M. Forster, John Maynard Keynes, Roger Fry, Ottoline Morrell, and others who frequented Gordon Square in Bloomsbury and Charleston, the Bells' country place in Sussex. The stories of this enchanting extended family, the private lives of these public figures, have all the magic and intrigue of the best novels of the day. Bloomsbury Recalled, in the expansive storytelling tradition of the early modernists, re-creates the captivating theater of events that was Bloomsbury.

The Years traces the history of the genteel Pargiter family from the 1880s to the "present day" of the mid-1930s. Spanning through fifty years, the novel focuses on the small private details of the characters' lives. Sections take place on a single day of its titular year, and each year is defined by a particular moment in the cycle of seasons.

‘Virginia Woolf was clearly one of the great writers of the past century?’ muses Anthony Curtis. He places the author of A Room of One’s Own firmly on a par with writers such as Simone de Beauvoir and therefore within the study remit of courses on feminist literature.