Virginio Gayda The Yugoslav Question And The Italian Irredenta

This is a study of the early writings of Virginio Gayda (1885-1944), a talented but amoral Italian journalist whose career spanned two world wars. A keen observer, prolific writer and propagandist during his stint as the newspaper La Stampa’s special correspondent in Habsburg Vienna, Gayda lent his considerable skills to promote an aggressive foreign policy. No one did more than he to poison relations between the Italian and Yugoslav peoples. His is the story of a respected journalist who chose an ultranationalist path to fascism and international fame. Not uninfluenced by rank careerism and material reward he forsook his roots to embrace the antisemitic “race” laws of 1938 and Italy’s disastrous partnership with Nazi Germany.

Anglophobia in Fascist Italy depicts how the Fascist regime disseminated its particular image of Great Britain, consistent with its own ideological imperatives, and puts to the test effectiveness of this messaging among the Italian people.

British intellectual life between the wars stood at the heart of modernity. The combination of a liberal, uncensored society and a large educated audience for new ideas made Britain a laboratory for novel ways to understand the world. The Morbid Age opens a window onto this creative but anxious era, the golden age of the public intellectual and scientist: Arnold Toynbee, Aldous and Julian Huxley, H. G. Wells, Marie Stopes and a host of others. Yet, as Richard Overy argues, a striking characteristic of so many of the ideas that emerged from this new age - from eugenics to Freud's unconscious, to modern ideas of pacifism and world government - was the fear that the West was facing a possibly terminal crisis of civilization. The modern era promised progress of a kind, but it was overshadowed by a growing fear of decay and death, an end to the civilized world and the arrival of a new Dark Age - even though the country had suffered no occupation, no civil war and none of the bitter ideological rivalries of inter-war Europe, and had an economy that survived better than most. The Morbid Age explores how this strange paradox came about. Ultimately, Overy shows, the coming of war was almost welcomed as a way to resolve the contradictions and anxieties of this period, a war in which it was believed civilization would be either saved or utterly destroyed.

Originally part of the Woolfs' personal library, the Leonard and Virginia Woolf Collection at Washington State University reveals valuable biographical information about the Woolfs themselves, as well as writers and artists associated with the Bloomsbury Group. The catalog consists of brief citations that describe all of the circa 6,000 volumes in the repository.

Traces the changing identity and ownership of the important city of Trieste in a turbulent period. The port of Trieste, standing at a crucial strategic point at the head of the Adriatic, had a turbulent history in the mid-twentieth century. With the disappearance of the Habsburg empire after the First World War, it passed intoItalian hands. During the Second World War, the Nazis reclaimed the city as part of the Reich. In 1945, Trieste slipped through Tito's fingers and was internationalised under Allied military government control, returning to Italian sovereignty in 1954. This book examines Trieste's transformation from an imperial commercial centre at the crossroads of the Italian, German and Balkan worlds to an Italian border city on the southern fringe of the iron curtain. Concentrating on local sources, the book shows how Triestines, renowned for their cosmopolitan Central European affiliations, articulated an Italian civic identity after the First World War, and traces the fitful process ofaffirming Trieste's Italianness over the course of nearly four decades of liberal, Fascist and international rule. It suggests that Italianisation resulted from complicated interactions with Rome and interference by internationalpowers attempting to strengthen western Europe at the edge of the Balkans.

The Cold War was not only about the imperial ambitions of the super powers, their military strategies, and antagonistic ideologies. It was also about conflicting worldviews and their correlates in the daily life of the societies involved. The term "Cold War Culture" is often used in a broad sense to describe media influences, social practices, and symbolic representations as they shape, and are shaped by, international relations. Yet, it remains in question whether -- or to what extent -- the Cold War Culture model can be applied to European societies, both in the East and the West. While every European country had to adapt to the constraints imposed by the Cold War, individual development was affected by specific conditions as detailed in these chapters. This volume offers an important contribution to the international debate on this issue of the Cold War impact on everyday life by providing a better understanding of its history and legacy in Eastern and Western Europe.

The Allied agreement after the Second World War did not only partition Germany, it divided the nation along the fault-lines of a new bipolar world order. This inner border made Germany a unique place to experience the Cold War, and the “German question” in this post-1945 variant remained inextricably entwined with the vicissitudes of the Cold War until its end. This volume explores how social and cultural practices in both German states between 1949 and 1989 were shaped by the existence of this inner border, putting them on opposing sides of the ideological divide between the Western and Eastern blocs, as well as stabilizing relations between them. This volume’s interdisciplinary approach addresses important intersections between history, politics, and culture, offering an important new appraisal of the German experiences of the Cold War.

Bringing together scholars from the Italian and English-speaking worlds, Bosworth and Dogliani's edited book reviews the history of the memory and representation of Fascism after 1945. Ranging in their study from patriotic monuments to sado-masochistic films, the essays here collected ask how and why and when Mussolini's dictatorship mattered after the event, and so provide a fascinating study of the relationship between a traumatic past and the changing present and future.