Virtual Americas

DIVA discussion on the ways in which representations in the U.S. have been deflected from mythic to "virtual" phenomena in literary and cultural works of the modern era./div

Although the financial disaster of 2008 proved devastatingly quick, the evolution of the bad faith that drove the collapse is a more gradual story, and one that David Bosworth powerfully narrates in The Demise of Virtue in Virtual America: The Moral Origins of the Great Recession, his sweeping history of the forces driving ethical, political, and economic change over the last sixty years. Here, Bosworth traces how the commercialization of public spaces and electronic information has created a new and enclosed American place. Chapter by chapter, he then shows how the materialist values of this Virtual America have suffused our everyday lives, co-opting the themes of our narratives, the planks of our parties, the practices of our professions, and the most intimate aspects of our personal lives, including our beliefs about God, marriage, and childcare. From Ronald Reagan and Disneyland to modern pharmacology and "prosperity theology," from the phony conservatism of Wall Street to the faux rebellion of "transgressive" art, Bosworth's alternative story of American life since 1950 relentlessly challenges today's dominant narratives--narratives that, as he reveals, made both the calamitous invasion of Iraq and the economic collapse of 2008 all too likely.

This is Edward Luttwak's third and arguably fi nest collection of essays. In a challenge to the intellectual backbone of those who write about peace as something one wishes into existence through mediation and good will, Luttwak's view of warfare is bracing: "An unpleasant truth, often overlooked, is that although war is a great evil, it does have a great virtue: it can resolve political confl icts and lead to peace." Luttwak articulates positions shared by military fi gures and political heroes who have their feet on the ground rather than in the sand. He shares his thoughts in essays covering America at war and the new Bolshevism in Russia, ranging in place from the Middle East to Latin America and stops along the way to Byzantium. Luttwak examines military reform, great powers grown small, and drugs, crime and corruption as part of the common culture of the West. Th ough his message is sometimes delivered in a light tone, he is never foolish and never trivial. Luttwak develops the bracing thesis that cease fi res and armistices in states of war, while sometimes inconclusive, are lesser evils than prospects for a nuclear meltdown. Even in arenas of geopolitical antagonism, neither Americans nor Russians have been inclined to intervene competitively in wars of lesser powers. As a consequence, intermittent war persists; and greater dangers to the world are averted. It is no exaggeration to compare Luttwak to Clausewitz in the nineteenth century and Herman Kahn in the twentieth century. Th is volume deserves to be read and digested by all who would understand contemporary geopolitics.

DIVA discussion on the ways in which representations in the U.S. have been deflected from mythic to "virtual" phenomena in literary and cultural works of the modern era./div

This is Edward Luttwak's third and arguably fi nest collection of essays. In a challenge to the intellectual backbone of those who write about peace as something one wishes into existence through mediation and good will, Luttwak's view of warfare is bracing: "An unpleasant truth, often overlooked, is that although war is a great evil, it does have a great virtue: it can resolve political confl icts and lead to peace." Luttwak articulates positions shared by military fi gures and political heroes who have their feet on the ground rather than in the sand. He shares his thoughts in essays covering America at war and the new Bolshevism in Russia, ranging in place from the Middle East to Latin America and stops along the way to Byzantium. Luttwak examines military reform, great powers grown small, and drugs, crime and corruption as part of the common culture of the West. Th ough his message is sometimes delivered in a light tone, he is never foolish and never trivial. Luttwak develops the bracing thesis that cease fi res and armistices in states of war, while sometimes inconclusive, are lesser evils than prospects for a nuclear meltdown. Even in arenas of geopolitical antagonism, neither Americans nor Russians have been inclined to intervene competitively in wars of lesser powers. As a consequence, intermittent war persists; and greater dangers to the world are averted. It is no exaggeration to compare Luttwak to Clausewitz in the nineteenth century and Herman Kahn in the twentieth century. Th is volume deserves to be read and digested by all who would understand contemporary geopolitics.

Immediate, illuminating, and hopeful: this is the key set of talks given by leading Zen Buddhist teacher Larry Ward, PhD, on breaking America’s cycle of racial trauma. As an 11-year-old child, Zen Buddhist teacher Larry Ward was shot at by the police for playing baseball in the wrong spot. As an adult, he experienced the trauma of having his home firebombed by racists. At Plum Village Monastery in France—the home in exile of his teacher, Vietnamese peace activist and Zen teacher Thich Nhat Hanh—Dr. Ward found a way to heal. In these short reflective essays, he offers his insights on the effects of racial constructs and answers the question: How do we free ourselves from our repeated cycles of anger, denial, bitterness, pain, fear, violence? “I am a drop in the ocean, but I’m also the ocean,” he says. “I’m a drop in America, but I’m also America. Every pain, every confusion, every good and every bad and ugly of America is in me. And as I transform myself and heal and take care of myself, I’m very conscious that I’m healing and transforming and taking care of America. I say this for American cynics, but this is also true globally. It’s for real.” Here, Ward looks at the causes and conditions that have led us to our current state and finds, hidden in the crisis, a profound opportunity to reinvent what it means to be a human being. This is an invitation to transform America’s racial karma.

A dazzling anthology of essays by some of the best writers of the past quarter century—from Barry Lopez and Margo Jefferson to David Sedaris and Samantha Irby—selected by acclaimed essayist Phillip Lopate. The first decades of the twenty-first century have witnessed a blossoming of creative nonfiction. In this extraordinary collection, Phillip Lopate gathers essays by forty-seven of America’s best contemporary writers, mingling long-established eminences with newer voices and making room for a wide variety of perspectives and styles. The Contemporary American Essay is a monument to a remarkably adaptable form and a treat for anyone who loves fantastic writing. Hilton Als • Nicholson Baker • Thomas Beller • Sven Birkerts • Eula Biss • Mary Cappello • Anne Carson • Terry Castle • Alexander Chee • Teju Cole • Bernard Cooper • Sloane Crosley • Charles D’Ambrosio • Meghan Daum • Brian Doyle • Geoff Dyer • Lina Ferreira • Lynn Freed • Rivka Galchen • Ross Gay • Louise Glück • Emily Fox Gordon • Patricia Hampl • Aleksandar Hemon • Samantha Irby • Leslie Jamison • Margo Jefferson • Laura Kipnis • David Lazar • Yiyun Li • Phillip Lopate • Barry Lopez • Thomas Lynch • John McPhee • Ander Monson • Eileen Myles • Maggie Nelson • Meghan O’Gieblyn • Joyce Carol Oates • Darryl Pinckney • Lia Purpura • Karen Russell • David Sedaris • Shifra Sharlin • David Shields • Floyd Skloot • Rebecca Solnit • Clifford Thompson • Wesley Yang An Anchor Original.