Visions Of A Nomad

This book is a collection of photographs chosen by Thesiger which include images from his Asian travels, the Arab world and images of Africa.

We drown ourselves with monotony, possessions, and obligations. However, from Abraham to Jesus, the essence of faith is found in the idea that we are moving, changing, progressing as a people, and if we are faithful to this process, then we will be moving the world toward the Kingdom of God—living a dynamic faith. Holy Nomad is a deeply motivational call for readers to live a radical, relentless, and raw life of faith. Author Matt Litton explains how and why God wants to liberate so we can live a life of absolute freedom and fulfillment. Holy Nomad calls for readers to divest themselves from all the things that hold us back in order to go on this nomadic adventure, that will challenge us and reward us on this rugged road to joy.

This book looks at Neobaroque Latin American fiction, poetry, essay and performance from the 1970s to the early 2000s in order to explore the cultural hybridization and transgressive identity transformations at play in these works. It shows how the ornamental style and boldly experimental techniques are an effective strategy in presenting decentered identities in sexually ambiguous, multiethnic, interracial, transcultural, and mutant characters, as well as in metafictional narrators and authors. In this way, the book demonstrates the potential of Neobaroque works to destabilize normative, essentialist and binary categories of identity. The study focuses on Latin America as a cultural macroregion, drawing on examples from a variety of countries, including Argentina, Uruguay, Chile, Bolivia, Brazil, Cuba, Mexico, and the US-Mexican border. Drawing on gender, queer, trans and Chicana feminist theory, it argues for an alternative approach to a model of the Self, or a theory of selfhood, derived from the exuberant style and experimental techniques of the Neobaroque.

Young Christiana Morgan recorded her vision quest experiences of inner archetypal encounters in words and paintings--which Carl Jung later used as the basis for seminar work in Zurich. First time available to the public, here are transcriptions of the seminar notes combined with color reproductions of Morgan's paintings, revealing archetypal parallels with western myth and eastern yoga. 41 color and 77 line illustrations. 10 photos. in two volumes.

A remarkable and inspiring true story that "stuns with raw beauty" about one woman's resilience, her courageous journey to America, and her family's lost way of life. Winner of the 2022 Gold Nautilus Award, Multicultural & Indigenous Category Born in Somalia, a spare daughter in a large family, Shugri Said Salh was sent at age six to live with her nomadic grandmother in the desert. The last of her family to learn this once-common way of life, Salh found herself chasing warthogs, climbing termite hills, herding goats, and moving constantly in search of water and grazing lands with her nomadic family. For Salh, though the desert was a harsh place threatened by drought, predators, and enemy clans, it also held beauty, innovation, centuries of tradition, and a way for a young Sufi girl to learn courage and independence from a fearless group of relatives. Salh grew to love the freedom of roaming with her animals and the powerful feeling of community found in nomadic rituals and the oral storytelling of her ancestors. As she came of age, though, both she and her beloved Somalia were forced to confront change, violence, and instability. Salh writes with engaging frankness and a fierce feminism of trying to break free of the patriarchal beliefs of her culture, of her forced female genital mutilation, of the loss of her mother, and of her growing need for independence. Taken from the desert by her strict father and then displaced along with millions of others by the Somali Civil War, Salh fled first to a refugee camp on the Kenyan border and ultimately to North America to learn yet another way of life. Readers will fall in love with Salh on the page as she tells her inspiring story about leaving Africa, learning English, finding love, and embracing a new horizon for herself and her family. Honest and tender, The Last Nomad is a riveting coming-of-age story of resilience, survival, and the shifting definitions of home.

A unique collection of essays accompany Wilfred Thesiger’s own personal photographs of the Africa he experienced as one of the world’s most celebrated explorers.

New Arabian Studies is an international journal covering a wide spectrum of topics including geography, archaeology, history, architecture, agriculture, language, dialect, sociology, documents, literature and religion. It provides authoritative information intended to appeal to both the specialist and general reader. Both the traditional and the modern aspects of Arabia are covered, excluding contemporary controversial politics. Contributions by Hussein Abdullah al-Amri, Madawi Al-Rasheed, W. J. Donaldson, A. B. D. R. Eagle, Andrey Korotayev, Richard I. Lawless, Eric Macro, Brian Marshall, Mikhail Rodionov, Marie-Claude Simeone-Senelle, Martine Vanhove and Jerzy Zdanowski