Vocabulario Vaquero Cowboy Talk

Spanish is an important source for terms and expressions that have made their way into the English of the southwestern United States. Vocabulario Vaquero/Cowboy Talk is the first book to list all Spanish-language terms pertaining to two important activities in the American West-ranching and cowboying-with special reference to American Indian terms that have come through Spanish. In addition to presenting the most accurate definitions available, this A-to-Z lexicon traces the etymology of words and critically reviews and assesses the specialized English sources for each entry. It is the only dictionary of its kind to reference Spanish sources. The scholarly treatment of this volume makes it an essential addition to the libraries of linguists and historians interested in Spanish/English contact in the American West. Western enthusiasts of all backgrounds will find accessible entries full of invaluable information. Robert N. Smead is Associate Professor of Linguistics in the Department of Spanish and Portuguese at Brigham Young University. Ronald Kil is a New Mexico cowboy and artist who has worked on ranches and feedlots all over the West. Richard W. Slatta is Professor of History at North Carolina State University and the author of numerous books, including Comparing Cowboys and Frontiers.

Here’s a book as big and beautiful as the West itself, dedicated to the larger-than-life figure who symbolizes the American spirit. Whether the straight-shooting hero from a John Wayne movie or the lawless gunslinger spreading mayhem, the cowboy lassos the imagination and just won’t let go. On these magnificently illustrated pages unfold cowboy life and legend, cowboys around the world, the cowboy’s ranching roots, modern-day cowboys, cowboy food and fun, and the cowboy in film and popular culture. Quotations from Western poems, songs, and novels offer contemporary perspectives, as do the old-time posters and nostalgic advertisements. An astounding variety of photos show it all. There’s also absorbing background on black cowboys, vaqueros, women who rode the range, and rodeos. Known as the "Cowboy Professor,” Richard W. Slatta, Ph.D, has earned numerous honors and awards. The International Who’s Who of Intellectuals lists him as one of the Outstanding Writers of the 20th Century as well as one of the Outstanding Intellectuals of the Twentieth Century. The American Library Association gave an "Outstanding Reference" award to his book, The Cowboy Encyclopedia. Slatta’s Cowboys of the Americas received the Western Heritage Award for Nonfiction Literature, National Cowboy Hall of Fame. His many books include Sim�n Bol�var's Quest for Glory, co-authored with Jane Lucas De Grummond; The Mythical West: An Encyclopedia of Legend, Lore and Popular Culture; and Comparing Cowboys and Frontiers.

In Raising Steaks, Betty Fussell saddles up for a spirited ride across America on the trail of our most iconic food in a celebration of, and an elegy for, a uniquely American Dream.

For fifty years, A Colorado History has provided a comprehensive and accessible panoramic history of the Centennial State. From the arrival of the Paleo-Indians to contemporary times, this enlarged edition leads readers on an extraordinary exploration of a remarkable place. "A Colorado History has been, since its first appearance in 1965, widely recognized as an exemplary work of its kind." --The Colorado Magazine Experience Colorado with this new, enlarged edition of A Colorado History. For fifty years, the authors of this preeminent resource have led readers on an extraordinary exploration of how the state has changed—and how it has stayed the same. From the arrival of Paleo-Indians in the Mesa Verde region to the fast pace of the twenty-first century, A Colorado History covers the political, economic, cultural, and environmental issues, along with the fascinating events and characters, that have shaped this dynamic state. In print for fifty years, this distinctive examination of the Centennial State is a must-read for history buffs, students, researchers—or anyone—interested in the remarkable place called Colorado.

This volume considers the interconnection of racial oppression in the U.S. South and West, presenting thirteen case studies that explore the ways in which citizens and migrants alike have been caged, detained, deported, and incarcerated, and what these practices tell us about state building, converging and coercive legal powers, and national sovereignty. As these studies depict the institutional development and state scaffolding of overlapping carceral regimes, they also consider how prisoners and immigrants resisted such oppression and violence by drawing on the transnational politics of human rights and liberation, transcending the isolation of incarceration, detention, deportation and the boundaries of domestic law. Contributors: Dan Berger, Ethan Blue, George T. Diaz, David Hernandez, Kelly Lytle Hernandez, Pippa Holloway, Volker Janssen, Talitha L. LeFlouria, Heather McCarty, Douglas K. Miller, Vivien Miller, Donna Murch, and Keramet Ann Reiter.

Der Band widmet sich den vielfältigen Globalisierungsprozessen in filmischen Genrekonfigurationen. Dieser bislang erst in Ansätzen erforschte Themenkomplex wird anhand paradigmatischer Beispiele sowohl theoretisch perspektiviert als auch filmhistorisch kontextualisiert. Neben Analysen US-amerikanischer und europäischer Produktionen liegt der Fokus vor allem auch auf Filmen aus Afrika, Asien und Lateinamerika, wobei Kategorien wie nationale Kinematografien oder abgrenzbare Genremuster in den Fallbeispielen nur noch bedingt greifen. Den transnationalen Dimensionen der Filme entsprechend, versammelt der Band auch Beiträge von internationalen Vertretern der Film- und Medienwissenschaft, darunter Tim Bergfelder, Oksana Bulgakowa, Dimitris Eleftheriotis, Barry Keith Grant, Lúcia Nagib, Ella Shohat oder Robert Stam. The volume deals with the diverse processes of globalisation in cinematic configurations of genre. Focussing on significant examples, this up to now only rudimentarily researched area is both historically analysed as well as theoretically explored. Apart from U.S. and European productions, the volume mainly addresses films from Africa, Asia and Latin America, which render conceptions of national cinema or clearly definable genre patterns especially problematic. In accordance with the transnational dimension of the films, the volume assembles contributions of internationally renowned scholars such as Tim Bergfelder, Oksana Bulgakowa, Dimitris Eleftheriotis, Barry Keith Grant, Lúcia Nagib, Ella Shohat, or Robert Stam.

This book applies Thorstein Veblen’s cultural theory to a qualitative study of the charro cowboy culture and community in Mexico. Drawing on Veblen’s arguments regarding cultural lag, the peaceable and the barbaric, predatory culture, vested interest, and pecuniary interest, it examines the comportment, clothing, mannerisms, and adherence to the norms that are unique to this subculture, while considering the cultural changes within race, class, and gender dynamics of this community in relation to mainstream Mexico. With close attention to the impact of business principles and standardization on the charro, leading to changes in practices and social interactions, the author considers generational differences and the tensions that exist between newer and older charros as a result of the developing emphasis on business. A close study of the nature of cultural adaptability and the persistence of inequality regardless of mainstream illusions of equality, this volume sheds new light on our understanding of what culture is rather than what culture does, while reintroducing the neglected ethnographic streak in Veblen’s work as an important methodological and theoretical tool in the interpretation of culture.

After the Nation proposes a series of groundbreaking new approaches to novels, essays, and short stories by Carlos Fuentes and Thomas Pynchon within the framework of a hemispheric American studies. García-Caro offers a pioneering comparativist approach to the contemporary American and Mexican literary canons and their underlying nationalist encodement through the study of a wide range of texts by Pynchon and Fuentes which question and historicize in different ways the processes of national definition and myth-making deployed in the drawing of literary borders. After the Nation looks at these literary narratives as postnational satires that aim to unravel and denounce the combined hegemonic processes of modernity and nationalism while they start to contemplate the ensuing postnational constellations. These are texts that playfully challenge the temporal and spatial designs of national themes while they point to and debase “holy” borders, international borders as well as the internal lines where narratives of nation are embodied and consecrated. !--StartFragment--