Voice In Later Medieval English Literature

David Lawton approaches later medieval English vernacular culture in terms of voice, and shows how medieval texts constitute the foundation of a literary history of voice that extends to modernity. As texts and discourses shift in translation and use, antecedent texts are revoiced in ways that recreate them without effacing their history or future.

David Lawton approaches later medieval English vernacular culture in terms of voice. As texts and discourses shift in translation and in use from one language to another, antecedent texts are revoiced in ways that recreate them (as public interiorities) without effacing their history or future. The approach yields important insights into the voice work of late medieval poets, especially Langland and Chaucer, and also their fifteenth-century successors, who treat their work as they have treated their precursors. It also helps illuminate vernacular religious writing and its aspirations, and it addresses literary and cultural change, such as the effect of censorship and increasing political instability in and beyond the fifteenth century. Lawton also proposes his emphasis on voice as a literary tool of broad application, and his book has a bold and comparative sweep that encompasses the Pauline letters, Augustine's Confessions, the classical precedents of Virgil and Ovid, medieval contemporaries like Machaut and Petrarch, extra-literary artists like Monteverdi, later poets such as Wordsworth, Heaney, and Paul Valery, and moderns such as Jarry and Proust. What justifies such parallels, the author claims, is that late medieval texts constitute the foundation of a literary history of voice that extends to modernity. The book's energy is therefore devoted to the transformative reading of later medieval texts, in order to show their original and ongoing importance as voice work.

The works of four major fifteenth-century writers re-examined, showing their innovative reconceptualization of Middle English authorship and the manuscript book.

An examination of how The Book of Psalms shaped medieval thought and helped develop the medieval English literary canon.

A new history of the origins of the English Bible, revealing the complex continuities between Latin commentaries and English translations.

Susanna Fein’s long and distinguished scholarly career has helped to redefine how we understand the role of scribes and manuscripts from late medieval England. She has carried out groundbreaking research on seminal manuscripts (e.g., Harley 2253, the Thornton Manuscripts, John Audley’s autograph manuscript, and the Auchinleck Manuscript). She has written extensively on the more complex and challenging metrical forms the period produced. And she has edited foundational primary texts and collections of essays. A wide range of scholars have been influenced by Fein’s work, many of whom present original research—much of it following trails first laid down by Fein—in this volume.

What was the medieval English lyric? Moving beyond the received understanding of the genre, The Voices of Medieval English Lyric explores, through analysis, discussion, and demonstration, what the term "lyric" most meaningfully implies in a Middle English context. A critical edition of 131 poems that illustrate the range and rich variety of lyric poetry from the mid-twelfth century to the early sixteenth century, The Voices of Medieval English Lyric presents its texts - freshly edited from the manuscripts - in thirteen sections emphasizing contrasting and complementary voices and genres. As well as a selection of religious poetry, the collection includes a high proportion of secular lyrics, many on love and sexuality, both earnest and humorous. In general, major authors who have been covered thoroughly elsewhere are excluded from the edited texts, but some, especially Chaucer, are quoted or mentioned as illuminating comparisons. Charles d'Orléans and the Scots poets Robert Henryson and William Dunbar add an extra-national dimension to a single-language collection. Textual and thematic notes are provided, as well as versions of the poems in Latin or French when these exist. Adopting new perspectives, The Voices of Medieval English Lyric offers an up-to-date, accessible, and distinctive take on Middle English poetry.

The purpose of this volume is to offer a number of scholarly papers dealing with various aspects of medieval English language and literature. Voices on Medieval is organised in three main sections, according to contents: (1) medical and scientific texts and manuscripts, (2) language and linguistics, and (3) literature and culture. Bibliographic references and primary sources are given after each article, preceding the notes. We have devoted a special section to studies which portray ongoing research in the field of scientific and medical manuscripts. These essays correspond to a reflection of projects and individual work currently carried out in different European research centres and universities, such as in the Department of English of the University of Helsinki, in the Department of Modern Philology of the University of Las Palmas de Gran Canaria, and in the Department of English of the University of Málaga. This special section will represent, we hope, a further contribution to the field and, also, to the forthcoming titles by Irma Taavitsainen and Päivi Pahta Medical and Scientific Writing in Late Medieval English (OUP) and Corpus of Middle English Medical Texts (John Benjamins).