Voices And Images From The East Side

'A dazzling and joyous celebration' i-D 'Dazzling . . . East Side Voices is a thoughtful, painful reminder of the grand narratives that get buried under belittling stereotypes' Bidisha, Observer In this bold, first-of-its kind collection, East Side Voices invites us to explore a dazzling spectrum of experience from the East and Southeast Asian diaspora living in Britain today. Showcasing original essays and poetry from well-known celebrities, prize-winning literary stars and exciting new writers, East Side Voices takes us many places: from the frontlines of the NHS in the midst of the Covid pandemic, to the set of a Harry Potter film, from a bustling London restaurant to a spirit festival in Myanmar. In the process we navigate the legacies of family history, racial identity, assimilation and difference. Edited by Helena Lee, founder of the East Side Voices cultural salon and Acting Deputy Editor of Harper's Bazaar. Featuring writing from: Romalyn Ante, Tash Aw, June Bellebono, Gemma Chan, Mary Jean Chan, Catherine Cho, Tuyen Do, Will Harris, Rowan Hisayo Buchanan, Claire Kohda, Katie Leung, Amy Poon, Naomi Shimada, Anna Sulan Masing, Sharlene Teo, Zing Tsjeng and Andrew Wong. 'Invaluable and delightful' Esquire

This book is a collection of both literary and visual art produced by the students at Yerba Buena High School in San Jose, California. After working numerous hours on their own creating their pieces for the book, these students then spent countless hours working one on one with us to perfect their work. For many people this may seem an easy task. However, life is not so easy on San Jose's east side. When we came up with the idea to create a literary and visual art book, the Consortium of California Subject Matter Project at San Jose State University, the group who funded the project, did not see it as such a unique idea. We had to convince them that this was unique. First, one needs to understand that while many of our students have caring and supportive families, they still face great challenges in their daily lives. Some students are parents, some have parents who cannot read or help them with schoolwork, some face various forms of violence, some move from place to place looking for stability and security, some help raise their younger siblings and many are full of amazing talent that needs to be shared. Yerba Buena High School, where these students work to earn their diplomas, is classified as an under-performing school, but we are improving, as the work in this book will show. We are a school where we have common dress to help prevent gang violence, where 46% of our students are eligible for free lunch, where college is more often a dream than a given, where students joint teachers and staff to improve both academically and socially. Our school is a wonderful place where we are making great strides in improved students' performance. But, it is not like those schools you see on television or in the movies. In all of those schools the kids can read but just don't want to read. Here, over half of our incoming freshmen are reading 3 or more years below grade level. Here we are not just covering curriculum for grades 9-12; we are, at times, having to go back to fourth or fifth grade curricula to re-teach skills that for various reasons are lacking. Here, at Yerba Buena, our students are running up hill and still finding ways to lead the race. In this book, our students have the opportunity to show just how talented and amazing they are. Thank you and enjoy, Meghan Engle and J.A. Epstein

When ten-year-old Journey Song hears that two pandas are being held in a warehouse in her neighborhood, she worries that they may be hungry, cold and lonely. Horrified to learn that the pandas, originally destined for a zoo in Washington, might be shipped back to China because of a diplomatic spat between China and the United States, Journey rallies her friends and neighbors on the poverty-stricken Eastside. Her infectious enthusiasm for all things panda is hard to resist, and soon she's getting assistance from every corner of her tight-knit neighborhood.

The severe financial austerity imposed on New York City during the 1975 fiscal crisis resulted in a city falling apart. Broken windows, crumbling walls, and piles of bricks were everywhere. While, for many, this physical decay was a sign that the postwar welfare state had failed, for others, it represented a site of risky opportunity that could stimulate novel forms of creativity and community. In this book, Andrew Strombeck explores the legacy of this crisis for the city's literature and art, focusing on one neighborhood where changes were acutely felt—the Lower East Side. In what became a paradigmatic example of gentrification, the Lower East Side's population shifted from working-class people to Wall Street traders and ad agents. This transformation occurred, in part, because of high-profile local artists such as Jean-Michel Basquiat, Keith Haring, Jeff Koons, and Kiki Smith, but Strombeck argues that neighborhood writers also played a role. Drawing on archival research and original author interviews, he examines the innovative work of Kathy Acker, David Wojnarowicz, Miguel Piñero, Sylvère Lotringer, Lynne Tillman, and others and concludes that these writers still have much to teach us about changes in the nature of work and the emergence of a do-it-yourself ethos. DIY on the Lower East Side shows how place and politics shaped literature, and how New York City policies adopted at the time continue to shape our world.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1992. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived

In this mix of history, journalism, political analysis, and first-person accounts, former chief coroner and Vancouver mayor Larry Campbell, renowned criminologist Neil Boyd, and investigative journalist Lori Culbert, offer a portrait of one of North America’s poorest, most drug-challenged neighbourhoods: Vancouver’s Downtown Eastside. A Thousand Dreams raises provocative questions about the challenges confronting not only Vancouver’s Downtown Eastside but also all of North America’s major cities and offers concrete, urgently needed solutions, including: Continued support for Insite, the safe injection site Decriminalization of prostitution and drugs The transfer of addiction services to the Health Ministry, allowing detox into the medical system More government-funded SROs and more affordable social housing

Among The Village Voices 25 Favorite Books of 2006 Winner of the 2007 AAUP Book, Jacket, and Journal Show in the Trade Illustrated Book Design category. Sometime after Andy Warhol’s heyday but before Soho became a tourist trap, a group of poets, punk rockers, guerilla journalists, graffiti artists, writers, and activists transformed lower Manhattan into an artistic scene so diverse it became known simply as “Downtown.“ Willfully unpolished and subversively intelligent, figures such as Spalding Gray, Kathy Acker, Richard Hell, David Wojnarowicz, Lynne Tillman, Miguel Piñero, and Eric Bogosian broke free from mainstream publishing to produce a flood of fiction, poetry, experimental theater, art, and music that breathed the life of the street. The first book to capture the spontaneity of the Downtown literary scene, Up Is Up, But So Is Down collects more than 125 images and over 80 texts that encompass the most vital work produced between 1974 and 1992. Reflecting the unconventional genres that marked this period, the book includes flyers, zines, newsprint weeklies, book covers, and photographs of people and the city, many of them here made available to readers outside the scene for the first time. The book's striking and quirky design—complete with 2-color interior—brings each of these unique documents and images to life. Brandon Stosuy arranges this hugely varied material chronologically to illustrate the dynamic views at play. He takes us from poetry readings in Alphabet City to happenings at Darinka, a Lower East Side apartment and performance space, to the St. Mark's Bookshop, unofficial crossroads of the counterculture, where home-printed copies of the latest zines were sold in Ziploc bags. Often attacking the bourgeois irony epitomized by the New Yorker’s short fiction, Downtown writers played ebulliently with form and content, sex and language, producing work that depicted the underbelly of real life. With an afterword by Downtown icons Dennis Cooper and Eileen Myles, Up Is Up, But So Is Down gathers almost twenty years of New York City’s smartest and most explosive—as well as hard to find—writing, providing an indispensable archive of one of the most exciting artistic scenes in U.S. history.

The experiences of people coming to the United States from many different lands are conveyed in the words of a contemporary young girl visiting Ellis Island and of a girl who immigrated in about 1910, as well as by quotes from early twentieth century immigrants and Ellis Island officials.