Voices And The Sound Of Drums

“Soldier mortals would not survive if they were not blessed with the gift of imagination and the pictures of hope,” wrote Confederate Private Henry Graves in the trenches outside Petersburg, Virginia. “The second angel of mercy is the night dream.” Providing fresh perspective on the human side of the Civil War, this book explores the dreams and imaginings of those who fought it, as recorded in their letters, journals and memoirs. Sometimes published as poems or songs or printed in newspapers, these rarely acknowledged writings reflect the personalities and experiences of their authors. Some expressions of fear, pain, loss, homesickness and disappointment are related with grim fatalism, some with glimpses of humor.

This text captures within a single volume a wide,range of themes that underline the foundations of,modern Nigeria, notably nationalismconstitutional development, politics and,government, economy, culture, ethnicity and,religion. A comprehensive compendium of,the colonial history of Nigeria, this book,combines an interdisciplinary framework of,analysis with critical discourse to produce a,unique and fresh interpretation of colonial,history as a whole.

Presents the essential elements of bop drumming demonstrated through concise exercises and containing ideas to help understand what to play and how to play it and why, as well as an explanation of how the drummer functions in a group.

In this classic book, Carl Carmer describes the social life and customs of his native New York. Wandering from Buffalo to the Adirondacks across upstate New York, he heard folk tales, tall tales, stories of religious fervor and scandal. A born storyteller himself, Carmer writes about the beautiful Genesee, the Seneca and Tuscarora, the Cardiff Giant and the Loomis Gang, and the story of the Murdered Bride of Rensselaer County.

Take a guided tour from a writer who grew up and studied on Native American reservations and join those throughout the world—from Siberia to South America, Australia to Africa—who venerate the drum for its healing and celebratory powers. Through painting, cleansing, blessing, smudging, dedicating, chanting, and performing, you’ll find your own special beat, transforming the drum into a medicinal tool. Become one with a purchased or homemade instrument. Draw on the knowledge of Native American and other cultures to drum away fear, purify, establish a sacred space, and reach into areas of the consciousness that would otherwise be inaccessible. Extra special bonus: a CD with more than an hour’s worth of music for a Sacred Directions ceremony, meditation, trance, and more.

“Much has changed in Africa and in African studies . . . but one constant has been the enduring excellence of the anthology Africa.” —International Journal of African Historical Studies Since the publication of the first edition in 1977, Africa has established itself as a leading resource for teaching, business, and scholarship. This fourth edition has been completely revised and focuses on the dynamism and diversity of today’s Africa. The latest volume emphasizes contemporary culture–civil and social issues, art, religion, and the political scene–and provides an overview of significant themes that bear on Africa’s place in the world. Historically grounded, Africa provides a comprehensive view of the ways that African women and men have constructed their lives and engaged in collective activities at the local, national, and global levels. “From all indications, the fourth edition of Africa should not only endure the test of time, but also be found exceptionally useful by a wide spectrum of scholars, including college professors and their students in general.” —Africa Today

Based on extensive research in India and Pakistan, this new study examines the ways drumming and voices interconnect over vast areas of South Asia and considers what it means for instruments to be voice-like and carry textual messages in particular contexts. Richard K. Wolf employs a hybrid, novelistic form of presentation in which the fictional protagonist Muharram Ali, a man obsessed with finding music he believes will dissolve religious and political barriers, interacts with Wolf's field consultants, to communicate ethnographic and historical realities that transcend the local details of any one person's life. The result is a daring narrative that follows Muharram Ali on a journey that explores how the themes of South Asian Muslims and their neighbors coming together, moving apart, and relating to God and spiritual intermediaries resonate across ritual and expressive forms such as drumming and dancing.