Voices Carry

Featuring two fascinating characters from her acclaimed bestseller Brown-Eyed Girl, Mariah Stewart delivers a page-turner of passion and suspense that brings the dangerous past of FBI agent Genna Snow back to life. FBI agent Genna Snow's successful career cannot fully erase the heartache of a shattered childhood. After breaking the silence surrounding the abusive acts of a summer camp counselor, young Genna was abandoned by her family even as justice was being served in the courtroom. Years later, Genna was forced to relive the pain of abandonment when the man she loved, special agent John Mancini, walked out of her life without explanation. Now, having returned from his own private hell, John is determined to win Genna back, even as she struggles to keep their relationship strictly professional. Genna is selected for a special FBI team, led by John, charged with tracking down the person behind a series of seemingly random abductions of young women across the country. As a terrifying pattern begins to emerge, Genna faces the chilling realization that someone else from her past may be on the way back into her life—and that she stands in danger of losing more than just her heart.

"Voices Carry is the moving autobiography of one of China's most prominent citizens of the twentieth century. Ying Ruocheng's lively narrative takes us from his prison cell during the Cultural Revolution back to the princely palace of his childhood. In vivid detail, he describes his unconventional education during China's revolution, which ultimately led to his theatrical work in the era of reform, ranging from a partnership with Arthur Miller on Death of a Salesman to roles in the films The Last Emperor and Little Buddha. The memoir of this internationally renowned actor, director, translator, and high-ranking government official during events in Tiananmen Square in 1989 provides a rare glimpse behind the scenes of contemporary Chinese culture and politics."--BOOK JACKET.

Voices Carry is the moving autobiography of the late Ying Ruocheng, beloved Chinese stage and screen actor, theatre director, translator, and high-ranking politician as vice minister of culture from 1986–1990. One of twentieth-century China's most prominent citizens, Ying was imprisoned during the Cultural Revolution and devised unique strategies for survival, including playing pranks on guards and keeping a clandestine notebook. Ying's memoir opens with his prison years, and then flashes back to his boyhood growing up in a prince's palace as a member of a progressive Manchu Catholic intellectual family. He also details his experiences as a university student during the heady days when the People's Republic was being founded, followed by his subsequent experiences on stage, in film, and in politics. A founding member of the Beijing People's Art Theatre, Ying Ruocheng helped open its doors to Sino-American exchange when he brought Arthur Miller to China to stage Death of a Salesman in 1983, playing the role of Willy Loman in his own translation of the play. Simultaneously a "spy" for his own government and a cultural ambassador for countless foreigners and fellow countrymen, Ying lived out his life as a bridge between China and the West, gaining a singular perspective on matters related to culture and politics. While suffering from cirrhosis of the liver during the final decade of his life, Ying Ruocheng reflected on his experiences, collaborating with coauthor Claire Conceison to tell his story. Together, they take the reader on an exhilarating journey from Manchu wrestling matches to missionary schools, from behind prison bars to behind the scenes at ground-breaking stage performances, and from public moments of international recognition to private moments of intimacy and despair.

Reclaim Your Headspace and Find Your One True Voice As a hospital chaplain, J.S. Park encountered hundreds of patients at the edge of life and death, listening as they urgently shared their stories, confessions, and final words. J.S. began to identify patterns in his patients’ lives—patterns he also saw in his own life. He began to see that the events and traumas we experience throughout life become deafening voices that remain within us, even when the events are far in the past. He was surprised to find that in hearing the voices of his patients, he began to identify his own voices and all the ways they could both harm and heal. In The Voices We Carry, J.S. draws from his experiences as a hospital chaplain to present the Voices Model. This model explores the four internal voices of self-doubt, pride, people-pleasing, and judgment, and the four external voices of trauma, guilt, grief, and family dynamics. He also draws from his Asian-American upbringing to examine the challenges of identity and feeling “other.” J.S. outlines how to wrestle with our voices, and even befriend them, how to find our authentic voice in a world of mixed messages, and how to empower those who are voiceless. Filled with evidence-based research, spiritual and psychological insights, and stories of patient encounters, The Voices We Carry is an inspiring memoir of unexpected growth, humor, and what matters most. For those wading through a world of clamor and noise, this is a guide to find your clear, steady voice.

The Chair Volume IV, Punt, Pass, & Kick tells of a gala retirement ceremony for an employee held on a railroad trestle, a fishing expedition under the Idlewood Arch & Aqueduct, the bravery, battles, and bastions of the Texas Revolution, a quinceañera celebration near Matamoros, a standoff gun-boat battle on the Rio Grande between the Armada de Marina de México and Americans, an all-girl rock band from Topeka, a Thanksgiving dinner in 1971 Beverly Hills, a brunch with mimosas at the Pierre Hotel on 5th Avenue, a lunch at The Horse tavern in Baltimore, a docu-drama about a high-school football team in East Texas, intimate mother and daughter correspondence, an English suffragette who becomes an ocean-liner titan, four brothers from Italy creating a family olive-oil and wine-exporting company, the creator of synonym, antonym, and hyponym awareness for women entrepreneurs, a courageous cattle drive from South Texas to Wyoming, a seascape watercolor painter, and a teenage writer whose unpublished manuscript is found and read by Lana McCracken, the prime character in The Chair pentalogy, a story that can only be found in an old trunk between the real and imagined, a story for all times.

Any consideration of the songwriting craft would be incomplete without the inclusion of American singer/songwriter Aimee Mann. From her first steps as singer and bass player with 1980s synth pop band ‘Til Tuesday, who scored a massive MTV hit with ‘Voices Carry’ in 1985, she has continually produced starkly autobiographical songs, with a sense of melody that cuts through the emotional detail. With a career now spanning almost forty years, she has built a catalogue of nine studio albums, from debut Whatever to 2017’s Mental Illness, since going solo in the early 1990s. Via a series of record label frustrations, Aimee has developed into a fiercely independent recording artist, flying outside the mainstream. Her critical acclaim has never wavered, however, and while happy to continue working in a niche market, her soundtrack for the film Magnolia and the accompanying Oscar nomination raised her profile considerably, adding to her stalwart army of fans. This book gives an overview of Aimee Mann’s career from her earliest days when she ‘made it big’ with ‘Til Tuesday, through her solo career, investigating every recorded track. It is a comprehensive guide for fans and new listeners keen to investigate a double Grammy winner who is also a true original and whose work deserves to be much more widely recognised. A music fan for as long as he can remember, Jez Rowden worked in record shops for many years, absorbing music of all kinds. He enjoys many genres and has been involved in writing album and concert reviews, mostly within the progressive rock field, for nearly 15 years, also acting as editor for the ‘Dutch Progressive Rock Pages’ (DPRP) website and currently ‘The Progressive Aspect’ (TPA) which he helped found in 2013. His previous book for Sonicbond covered the music of Steely Dan’s Walter Becker and Donald Fagen. An avid gig goer, he lives in Swansea.

"'Raise your voice!' and 'Speak up!' are familiar refrains that assume, all too easily, that all who speak do so for themselves, and that doing so will lead to empowerment, healing, and reconciliation. Marlene Schäfers's Voices that Matter reveals where such assumptions fall short, demonstrating that "raising one's voice" is, in some contexts, an endeavor full of anxieties, struggles, and discontents. In its attention to the voice as form, this book examines not only what voices say, but also how they do so. By focusing on the social labor that voices carry out as they travel, vibrate, and produce sound, Schäfers shows that where new vocal practices arise, they can produce new selves and practices of social relations. Few examples bring this into relief as effectively as the Kurdish context. Written texts have existed mostly on the margins of Kurdish popular culture, whereas oral genres have a long, rich legacy. As Kurdish voices gain increasing moral and political value as metaphors of empowerment, representation, and resistance, these genres are rapidly changing. As she traces the transformations in how Kurdish women relate to and employ their voices, Schäfers illustrates that "gaining voice" is no straightforward path to liberation, especially when one's voice can be selectively appropriated in empty displays of pluralist representation"--

Now it is possible for the first time to trace in a systematic way the language patterns of one of the greatest poets who have written in English, W. B. Yeats. Like A Concordance to the Poems of Matthew Arnold, the first of the Cornell Concordances that are under the general editorship of Professor Parrish, this volume was produced on an IBM 704 electronic data-processing machine. Computer technique has so advanced that the Yeats concordance includes punctuation and gives cross references for the second parts of hyphenated words. The frequency of every word in Yeats's poems is given, and an appendix lists all indexed words in order of frequency. The body of this book consists of an index of all significant words in Yeats, each word listed in the line or lines in which it occurs. The concordance is based on the variorum text of Yeats, edited by Alspach and Allt, and includes all variants that occur in printed versions of Yeats's poems.