Voices From Exile

Elilal, exile, is the condition of thousands of Mayas who have fled their homelands in Guatemala to escape repression and even death at the hands of their government. In this book, Victor Montejo, who is both a Maya expatriate and an anthropologist, gives voice to those who until now have struggled in silence--but who nevertheless have found ways to reaffirm and celebrate their Mayaness. Voices from Exile is the authentic story of one group of Mayas from the Kuchumatan highlands who fled into Mexico and sought refuge there. Montejo's combination of autobiography, history, political analysis, and testimonial narrative offers a profound exploration of state terror and its inescapable human cost.

Professor Brueggemann here examines the literature and experience of an era in which Israel's prophets faced the pastoral responsibility of helping people to enter into exile, to be in exile, and to depart out of exile. He addresses three major prophetic traditions: Jeremiah (the pathos of God), Ezekiel (the holiness of God), and 2 Isaiah (the newness of God). This literature is seen to contain the theological resources for handling both brokenness and surprise with freedom, courage, and imagination. Throughout, Brueggemann demonstrates how these resources offer vitality for ministry today.

2023 marks the fiftieth anniversary of General Pinochet's coup on September 11, 1973. During the wave of mass arrests, torture, and executions that followed, people began fleeing Chile. Over the next fifteen years some two hundred thousand Chileans sought exile in countries around the world. Out of their anguish and anger come these moving and powerful testimonies of their fractured lives--the first oral history of the Chilean diaspora, now revised and updated. Many who fled had been tortured, and they clung to the principle that the dictatorship was an evil that had to be destroyed. But their zeal and solidarity with other refugees often failed to sustain families. Many marriages collapsed, and children lost interest in their native land and culture. After civilian rule returned in 1990, many returning exiles felt estranged from a homeland forever changed. This timely update of the 1998 collection continues to remind us of the fracturing legacy and enduring oppression of usurpation and authoritarian rule long after its time has passed.

Resistance brings together the voices of writers whose personal experience and testimonies of human rights abuses and conflict are transmuted into powerful poetry and memoir. The book includes the work of renowned writers and writers who have experienced torture, or prison, or loss of their homelands. Their poems and prose lay bare the realities of persecution and war and the pain of displacement. In so doing, their searing art becomes a form of protest and illumination

The songs, sermons and other materials collected in this anthology thoroughly characterize and demonstrate the distinctive language and culture that developed when African and European exiles came together on the plantations of Jamaica. Accounts of planters, slave-trading captains, and other testimonies from both the colonial and indigenous population effectively illustrate the unfolding of this unique culture.

In 1995 Ayman al-Zawahiri, a prominent terrorist figure recently associated with Al Queda and al-Jihad, issued a bounty against Dr. Nasr Abu Zaid, a respected Islamic scholar at Cairo University. What was Zaid's offense? Arguing that Islam's holy texts should be interpreted in the historical and linguistic context of their time, and that new interpretations should account for social change. His controversial claim that the Qur'an be interpreted metaphorically rather than literally further enraged fundamentalists. Labeled an apostate by the Cairo court of appeals, his life was threatened and he was forced to flee to the Netherlands with his wife. A professor of Arabic and Islamic studies at Leiden University in his adopted country, this progressive Islamic scholar insists that change is still possible and that new understandings of Islam can be accepted and advanced. Forgoing claims that Islam is a violent religion, Zaid shows us that, above all, justice and obedience lies at the heart of the Qur'an. At the outset of this book, we find Zaid growing up in Quhafa, a village in northern Egypt. Islam gives meaning and definition to his life. As he matures, we see him sorting through Egypt's various political developments and upheavals. Zaid carefully weaves such developments into the events of his own life—his father's death, raising his younger siblings, attending Cairo University, his study abroad, his marriages, the events leading to his exile, and his visit to Egypt after a seven-year absence. Through it all, we see him advancing in his academic career and applying new skills to his study and interpretation of the Qur'an. He wrestles with subjects such as polygamy, wife beating, inheritance, and the practice of usury in Islamic cultures. He asserts and illustrates that Islam must be separate from the State in order to protect the religion from political manipulation. Zaid's personal story and academic pursuits, reflecting the social reality of the broader culture, offer new perspectives on Islam and provide hope to Muslims who feel their religion has been misrepresented and misunderstood.

Ever since Bessie Smith's powerful voice conspired with the "race records" industry to make her a star in the 1920s, African American writers have memorialized the sounds and theorized the politics of black women's singing. In Black Resonance, Emily J. Lordi analyzes writings by Richard Wright, Ralph Ellison, James Baldwin, Gayl Jones, and Nikki Giovanni that engage such iconic singers as Bessie Smith, Billie Holiday, Mahalia Jackson, and Aretha Franklin. Focusing on two generations of artists from the 1920s to the 1970s, Black Resonance reveals a musical-literary tradition in which singers and writers, faced with similar challenges and harboring similar aims, developed comparable expressive techniques. Drawing together such seemingly disparate works as Bessie Smith's blues and Richard Wright's neglected film of Native Son, Mahalia Jackson's gospel music and Ralph Ellison's Invisible Man, each chapter pairs one writer with one singer to crystallize the artistic practice they share: lyricism, sincerity, understatement, haunting, and the creation of a signature voice. In the process, Lordi demonstrates that popular female singers are not passive muses with raw, natural, or ineffable talent. Rather, they are experimental artists who innovate black expressive possibilities right alongside their literary peers. The first study of black music and literature to centralize the music of black women, Black Resonance offers new ways of reading and hearing some of the twentieth century's most beloved and challenging voices.

Realms of Exile brings together authors writing on diverse themes of Eastern European exile to define the experiential and linguistic peculiarities of exiled people who share similar cultural, geographical, and mythological backgrounds and who have suffered under totalitarian rule. Interdisciplinary and cross-cultural scholarship at its best, the book casts new light on the many nuances and variations of many of the cultures and ethnic groups of Eastern Europeans.