Voices In The Wilderness

'The Bible is not a sterile Book immaculately conceived in some sort of mystical, holy vacuum. Though God is the ultimate Author, He used human writers as His instruments. And to interpret properly His Word we must enter their world. The bleating of sheep on barren hills, the mournful wail of a ram's horn trumpet on the temple steps, the harsh clang of sword hitting sword in epic battle hang like tapestries in the background of every page.' - Excerpt from A Voice in the Wilderness. Life's struggles can make us feel as if we're wandering in the desert, thirsty for hope and healing. Using Isaiah 40 as a backdrop, best-selling author Charles Dyer takes us on a journey through ancient Judea for a vivid reminder that others before us have known suffering - and, just as God was present for them in their pain, He will walk with us through our wilderness.

A work of composition theory, rhetorical theory, and cultural criticism, this volume ultimately provides not only new approaches to argumentation and the teaching of rhetoric, composition, and communication but also an original perspective on the current debate over public discourse.

A powerful tragedy distilled into a small masterpiece by the Nobel Prize-winning author of Beloved and, almost like a prelude to that story, set two centuries earlier. Jacob is an Anglo-Dutch trader in 1680s United States, when the slave trade is still in its infancy. Reluctantly he takes a small slave girl in part payment from a plantation owner for a bad debt. Feeling rejected by her slave mother, 14-year-old Florens can read and write and might be useful on his farm. Florens looks for love, first from Lina, an older servant woman at her new master's house, but later from the handsome blacksmith, an African, never enslaved, who comes riding into their lives . . . At the novel's heart, like Beloved, it is the ambivalent, disturbing story of a mother and a daughter – a mother who casts off her daughter in order to save her, and a daughter who may never exorcise that abandonment.

DigiCat Publishing presents to you this special edition of "A Voice in the Wilderness" by Grace Livingston Hill. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Despite the Modernist search for new and innovative aesthetics and rejection of traditional tonality, several twentieth century composers have found their own voice while steadfastly relying on the aesthetics and techniques of Romanticism and 19th century composition principles. Musicological and reference texts have regarded these composers as isolated exceptions to modern thoughts of composition—exceptions of little importance, treated simplistically and superficially. Music critic and scholar Walter Simmons, however, believes these composers and their works should be taken seriously. They are worthy of more scholarly consideration, and deserve proper analysis, assessment, and discussion in their own regard. In Voices in the Wilderness, the first in a series of books celebrating the "Twentieth-Century Traditionalist," Simmons looks at six Neo-Romantic composers: Ernest Bloch Howard Hanson Vittorio Giannini Paul Creston Samuel Barber Nicolas Flagello Through biographical overviews and a comprehensive assessment of musical works, Simmons provides readers with a clear understanding of the significance of the composers, their bodies of work, and their placement in musicological history. The chapters delve deeply and objectively into each composer's oeuvre, addressing their origins, stylistic traits and consistencies, phases of development, strengths and weaknesses, and affinities with other composers. The composers' most representative works are identified, and each chapter concludes with a discography of essential recordings. Visit the author's website to read samples from the book and to listen to representative excerpts of each composer's work.

Jack Davidson has all the experience he needs for any survival situation—or so he thinks. As he prepares to instruct his next basic navigation course on Seeley’s Mountain, he is unaware of the evil tracking toward his wilderness destination that will change everything. His students are expecting a pleasant getaway from their high-pressure lives in the city. Their weekend will soon turn to terror and put their rudimentary survival skills to the test. Residents of this backwoods region and visitors alike are thrust together while they battle the elements, the terrain, and the malevolent force within an escalating storm. As suspicions build and lives are compromised by the pervading darkness on Seeley’s Mountain, they soon turn to and against each other and learn more than they ever expected. Who will they trust as events spiral out of control, and who will survive?

Arctic researcher, author, and photographer Norman Hallendy’s journey to the far north began in 1958, when many Inuit, who traditionally lived on the land, were moving to permanent settlements created by the Canadian government. In this unique memoir, Hallendy writes of his adventures, experiences with strange Arctic phenomena, encounters with wildlife, and deep friendships with Inuit elders. Very few have worked so closely with the Inuit to document their traditions, and, in this book, Hallendy preserves their voices and paints an incomparable portrait of a vibrant culture in a remote landscape.

The purpose of "Voices from a Wilderness Expedition" is to reawaken the now silent voices of the brave men who made the historic 1775 march through the Maine wilderness with Benedict Arnold to attack Quebec and conquer Canada. This book is not a chronological history of the expedition, but rather offers details and new information about the lives of the men who participated and, equally important, the journals that chronicaled the hardships of the march. It contains significant new information on both the men and the journals that has never been published. The book features: * First ever bibliography of all prntings of thirty journals written by participants * Three newly discovered journals found in the University of Glasgow Library * Two never before published journals written by privates on the expedition * New biographical information on seven officers * Examination of the career of Col. Roger Enos whose 3 companies left early to return to Cambridge * Identification of Capt Scott, a previously unknown company commander * Transcription of 2nd Isaac Senter journal * Comprehensive roster of names of 1124 officers and men who were on the expedition