Voices In The Wind

When seafaring Uncle Simon Peter returns home on leave, he gives Annabell, Peter and Dennis mementos - a compass, a watch and a pair of binoculars. The children soon find that these gifts take on an unusual significance once their uncle returns to his ship, and to the dangers of life at sea in World War II.

This collection of more than one hundred tribal tales, culled from the oral tradition of the Indians of Washington and Oregon, presents the Indians' own stories, told for generations around their fires, of the mountains, lakes, and rivers, and of the creation of the world and the heavens above. Each group of stories is prefaced by a brief factual account of Indian beliefs and of storytelling customs. Indian Legends of the Pacific Northwest is a treasure, still in print after fifty years.

This classic series has inspired nearly 2 million readers. Both loyal fans and new readers will want the latest edition of this beloved series. This edition includes a foreword from the publisher, a preface from Francine Rivers and discussion questions suitable for personal and group use. #1 A Voice in the Wind: This first book in the classic best-selling Mark of the Lion series brings readers back to the first century and introduces them to a character they will never forget-Hadassah. Torn by her love for a handsome aristocrat, a young slave girl clings to her faith in the living God for deliverance from the forces of decadent Rome.

Forty years after World War II, a former Resistance fighter must revisit the past and make a decision that could shatter the lives of both the innocent and the guilty Paul Roulier comes to the quaint English village of Amdale looking for Katharine Alfurd. Born in Paris, Katharine left London at nineteen to fight for the Resistance in Occupied France during World War II. There, she joined a notorious underground network and fell in love with Jean Dulac, its charismatic leader. Now, Christian Eilenburg, the German war criminal known as the “Butcher of Marseilles,” has been extradited from Chile to stand trial in France. Roulier needs Katharine’s help bringing other monsters to justice—and they weren’t all Nazis. Now Katharine must return to the scene of a terrible crime—and an unforgivable betrayal. As she relives painful memories, she faces a threat from the past and a decision that could destroy lives and become Eilenburg’s final vindication. Will she expose the truth or will it remain buried forever, along with the innocent victims . . . the real casualties of a war that created traitors and unlikely heroes?

“Bewitched” is a short story by Edith Warton, first published in 1926 in the collection “Here and Beyond”. The stories include ghost stories, character studies and social dramas set in Brittany, New England, and Morocco. Along with “The Young Gentleman”, “Bewitched” shows clear Gothic leanings, especially in its emphasis on architecture and the gradual revealing of secrets. Edith Wharton (1862 – 1937) was an American novelist, playwright, short story writer, and designer. She is famous for using her intimate knowledge of aristocratic New York society to authentically portray life during the Gilded Age. She was the first woman ever to win the Pulitzer Prize for Literature in 1921 and was inducted into the National Women's Hall of Fame in 1996. Other notable works by this author include: “A Son at the Front” (1923), “The Mother's Recompense” (1925), and “Twilight Sleep” (1927). Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.

Rich in social history and geographical interest, Voices in the Wind contains a wide variety of short stories, poetry, memories and excerpts from emerging autobiographies. Since it is an anthology of work from 24 individual authors it contains a wonderful variation in themes and styles. There are a number of poignant non-fiction stories by World War II survivors, numerous light-hearted and humorous tales and two stories written by a woman who boarded with Emily Carr as a child.

Scholars have long provided bagpipes with a creation myth that stretches back to the ancient Near East, where they supposedly appear in the biblical Book of Daniel. It then has the Greeks playing them and Roman legions carrying them to the ends of the Empire. But Michael Peter Vereno's The Voice of the Wind calls this story into question. Using linguistic analysis, Vereno shows that the oldest 'evidence' is often dubious at best and demonstrates that supposed ancient stories of bagpipe origins- and sometimes even their names-were later scholarly creations to give them a respectable, ancient pedigree. His erudite examination calls into question many conclusions and settled 'facts' to reveal a more enlightening story of bagpipe origins. It redefines its field and represents a significant contribution to historical organology. Readers with an interest in modern bagpipes, the history of instruments, and the interpretation of ancient and more recent textual sources will all find something to engage them and complicate their beliefs.