Voicing In Japanese

This book presents a number of studies which focus on the [voice] grammar of Japanese, paying particular attention to historical background, dialectal diversity, phonetic experiment, and phonological analysis. Both voicing processes in consonants (such as Sequential Voicing, or Rendaku) and vowels (such as vowel devoicing) are examined. A number of new analyses are presented, focusing on well-known data that have been controversial in phonological debate in the past, but also presenting new (or rediscovered) data, partly through the work of Japanese scholars that hitherto went mostly unnoticed, partly through new database research, and partly through phonetic experiment.

The papers in this tightly focused collection all report recent research on aspects of rendaku (‘sequential voicing’), the well-known morphophonemic phenomenon in Japanese that affects initial consonants of non-initial elements in complex words (mostly compounds). The papers include broad surveys of theoretical analyses and of psycholinguistic studies, meticulous assessments (some relying on a new database) of many of the factors that putatively inhibit or promote rendaku, an investigation of how learners of Japanese as foreign language deal with rendaku, in-depth examinations of rendaku in a divergent dialect of Japanese and in a Ryukyuan language, and a cross-linguistic exploration of rendaku-like compound markers in unrelated languages. Since rendaku is ubiquitous but recalcitrantly irregular, it provides a challenge for any general theory of morphophonology. This collection should serve both to restrain oversimplified accounts of rendaku and to inspire to further research.

This monograph investigates how Japanese employs different structures found in the grammatical voice, both synchronically and diachronically. The Japanese voice system, especially the passive voice, has provided much interesting data for typological comparison, and Japanese examples are often cited in various linguistic works. However, the basic structure consisting of a suffix -(r)are is taken for granted as the passive voice, but it has not been thoroughly compared with various structures with similar functions in other languages. It is argued here that various typological comparisons can reveal different interpretations of structures often analysed under a term ‘grammatical voice’ in Japanese. The main argument proposed in this book is that the Japanese passive originates from an earlier middle voice structure. As the language evolved, the middle voice lost its core function and became more like the passive voice, leaving some residues of earlier middle voice structure even in Modern Japanese. This developmental path is typologically very common, but it has not been recognised in the history of Japanese. This will make the voice continuum in Japanese more complex, i.e. from a conventional active-passive binary pair to a newly proposed active-middle-passive ternary pair. Thus, the presence of the middle voice in Japanese can provide various solutions to questions that are previously considered in relation to the passive voice. The book starts off with a description of different structures normally discussed under the passive voice in Japanese, and five structures are presented here. Following this, both syntactic and semantic features of the Japanese voice system are discussed separately. These discussions will raise some oddities that are not dealt with satisfactorily in previous analysis, and these points are analysed in historical comparison. Apart from the basic description of five structures, certain grammatical features are studied by comparing Japanese data with similar structures and functions in other languages. In addition, there is a small amount of data used for indicating frequency of structures in the basic description.

This book makes an important contribution to the expanding body of work in generative phonology which aims to reduce the number of traditionally recognized melodic categories in order to achieve a greater degree of restrictiveness. By analyzing data from a large number of different languages, Nasukawa establishes a clear affinity between nasality and voicing, and demonstrates the advantages of treating these two properties as different phonetic manifestations of a single nasal-voice category. The choice of whether to interpret this category as voicing or nasality is determined by the active or inactive status of a complement tier; when active, this complement tier enhances the acoustic image of its head category and is interpreted as voicing. This study deepens our understanding of the typological relation between nasality and voicing, and sheds new light on a number of related agreement phenomena such as nasal harmony, postnasal voicing assimilation, voiced-obstruent voicing assimilation and spontaneous prenasalisation.

The book contains a number of studies in Japanese phonology and morphology, all analyses by leading scholars in the field. It presents an overview of the work that has been done in Japan and other countries and offers new solutions to long-standing problems. In the phonology chapters, it focuses on segmental as well as suprasegmental issues, including voicing and tone, approaching these issues from a variety of perspectives, including Optimality Theory and Government Phonology. In the morphology chapters, attention is given to truncation patterns and the possibilities for compound formation.

The major task of the book is a sociophonetic exploration of voice pitch characteristics of speakers across the cultures of Japan and America. This volume makes a cogent argument for the socio-cultural role of voice pitch in the expression of emotion and politeness and how culture and gender can intersect with each other. The book tenders acoustic phonetic evidence (as well as discourse analyses) in construing how an individual's voice pitch modulation utilized in conversational speech is reflected in this intersection as it demonstrates several methodological innovations crucial for sociophonetic research. Observations of people's voice pitch commonly made impressionistically not only contributed to this prosodic feature's perceptual stereotypes, but also inform us about our attitudes towards certain voice pitch characteristics. This volume includes an extensive review of these impressionistic remarks and acoustic phonetic investigations of voice pitch initiated in the early 20th century in the two nations, the latter of which contributed to both confirming and reconsidering the former. The volume further alludes to how attitudinal differences between these cultures were found to surface in the acoustically measured voice pitch modulation patterns obtained for this volume, stressing that voice pitch is capable of revealing various socio-cultural aspects of human behaviors.

This account of the phonology of Japanese and its major dialects presents original analyses of every aspect of the Japanese sound system, including its segment inventory, prosodic units, mora and syllable, prosody, and accent.