Vultures Picnic

The bestselling author of The Best Democracy Money Can Buy offers a globetrotting, Sam Spade-style investigation that blows the lid off the oil industry, the banking industry, and the governmental agencies that aren't regulating either. This is the story of the corporate vultures that feed on the weak and ruin our planet in the process-a story that spans the globe and decades. For Vultures' Picnic, investigative journalist Greg Palast has spent his career uncovering the connection between the world of energy (read: oil) and finance. He's built a team that reads like a casting call for a Hollywood thriller-a Swiss multilingual investigator, a punk journalist, and a gonzo cameraman-to reveal how environmental disasters like the Gulf oil spill, the Exxon Valdez, and lesser-known tragedies such as Tatitlek and Torrey Canyon are caused by corporate corruption, failed legislation, and, most interestingly, veiled connections between the financial industry and energy titans. Palast shows how the International Monetary Fund, World Bank, World Trade Organization, and Central Banks act as puppets for Big Oil. With Palast at the center of an investigation that takes us from the Arctic to Africa to the Amazon, Vultures' Picnic shows how the big powers in the money and oil game slip the bonds of regulation over and over again, and simply destroy the rules that they themselves can't write-and take advantage of nations and everyday people in the process.

An enhanced eBook featuring fifteen videos from investigative reporter Greg Palast’s globetrotting, Sam Spade-style investigation—including extraordinary footage of pre-dawn stake-outs of billionaire financial vultures, narrowly avoiding prison in Azerbaijan (shot with a spy-pen camera), exploring the inside a whale carcass in the Arctic and trekking deep in the Amazon rainforest. Watch as Palast connects the dots of corruption between the oil industry, the financial sector, and the government. On April 20, 2010, BP’s Deepwater Horizon exploded in the Gulf of Mexico, killing eleven men and spilling million of barrels of crude oil into the water. Days later, a confidential cable arrives on investigative reporter Greg Palast’s desk from a terrified insider. He has the real, hushed-up facts of the disaster––facts that can only be found buried in the files of a Central Asian dictatorship. Taking him and his team of journalist-detectives from the streets of Baku, where Palast searches for a brown valise full of millions, to a small Eskimo village where he hears first hand of the depth of deceit and heartbreaking environmental devastation, to a burnt out nuclear reactor in Japan to Chevron's operations in the Amazon jungle, Vultures’ Picnic charts the course of Palast’s quest to bring the truth of the BP disaster to light. Along the way, we see the many other crimes perpetrated by the energy giants of the worlds, the banks that fund their lies, and the governments that turn a blind eye. Like a page-turning spy thriller, full of mystery, intrigue, and featuring a reporter with the guts to get arrested, chase down insiders, or stakeout a Vulture in the still of a winter morning, Vultures’ Picnic is pulp non-fiction at its best. It’s a journey into the corrupt heart of Big Oil, and behind it, Bigger Finance, exposing once and for all the corporate vultures that feed on the weak, and poison our planet.

As much personal journal as investigative journalism, this second edition traces the worsening developments at Fukushima Daiichi during the first year following the nuclear disaster. Often poetic in tone and philosophic in scope, this day-to-day reportage is peppered with the author's reflections and dramatic monologues as she investigates the public's willing blindness toward the nuclear power industry's disregard for public safety in the pursuit of profit. The book offers a unique perspective and attempts to come to terms with Fukushima's catastrophic consequences on the planet.

Featuring 15 explosive new chapters, this new edition of the New York Times bestseller brings the story of Economic Hit Men up-to-date and, chillingly, home to the U.S.―but it also gives us hope and the tools to fight back. Former economic hit man John Perkins shares new details about the ways he and others cheated countries around the globe out of trillions of dollars. Then he reveals how the deadly EHM cancer he helped create has spread far more widely and deeply than ever in the US and everywhere else—to become the dominant system of business, government, and society today. Finally, he gives an insider view of what we each can do to change it. Economic hit men are the shock troops of what Perkins calls the corporatocracy, a vast network of corporations, banks, colluding governments, and the rich and powerful people tied to them. If the EHMs can't maintain the corrupt status quo through nonviolent coercion, the jackal assassins swoop in. The heart of this book is a completely new section, over 100 pages long, that exposes the fact that all the EHM and jackal tools—false economics, false promises, threats, bribes, extortion, debt, deception, coups, assassinations, unbridled military power—are used around the world today exponentially more than during the era Perkins exposed over a decade ago. As dark as the story gets, this reformed EHM also provides hope. Perkins offers specific actions each of us can take to transform what he calls a failing Death Economy into a Life Economy that provides sustainable abundance for all.

NOW A NEW YORK TIMES BESTSELLER! A close presidential election in November could well come down to contested states or even districts--an election decided by vote theft? It could happen this year. Based on Greg Palast and Robert F. Kennedy, Jr.'s investigative reporting for Rolling Stone and BBC television, Billionaires & Ballot Bandits: How to Steal an Election in 9 Easy Steps might be the most important book published this year--one that could save the election. Last week Billionaires & Ballot Bandits debuted on the NYT Bestseller list at #10 in paperback nonfiction. Billionaires & Ballot Bandits names the filthy-rich sugar-daddies who are super-funding the Super-PACs of both parties--billionaires with nicknames like "The Ice Man," "The Vulture" and, of course, The Brothers Koch. Told with Palast's no-holds-barred, reporter-on-the-beat style, the facts as he lays them out are staggering. What emerges in Billionaires & Ballot Bandits is the never-before-told-story of the epic battle being fought behind the scenes between the old money banking sector that still supports Obama, and the new hedge fund billionaires like Paul Singer who not only support Romney but also are among his key economic advisors. Although it has not been reported, Obama has shown some backbone in standing up to the financial excesses of the men behind Romney. Billionaires & Ballot Bandits exposes the previously unreported details on how operatives plan to use the hundreds of millions in Super-PAC money pouring into this election. We know the money is pouring in, but Palast shows us the convoluted ways the money will be used to suppress your vote. The story of the billionaires and why they want to buy an election is matched with the nine ways they can steal the election. His story of the sophisticated new trickery will pick up on Palast's giant New York Times bestseller, The Best Democracy Money Can Buy.

In the fateful month of March 2000, shortly after opening a hugely successful show in New York that unveiled the more nefarious financial connections of Presidential candidate George W. Bush, the hugely ambitious Conceptual artist Mark Lombardi was found hanged in his studio, an apparent suicide. With museums lining up to buy his work, and the fame he had sought relentlessly at last within his reach, speculation about whether his death was suicide or murder has titillated the art world ever since. Lombardi was an enigma who was at once a compulsive truth–teller and a cunning player of the art game, a political operative and a stubborn independent, a serious artist and a Merry Prankster, a metaphysicist if not a scientist. Lombardi's spidery, elusive diagrams describing the evolution of the shadow–banking industry from a decades–old alliances between intelligence agencies, banking, government and organized crime, may have made him unique in art history as the only artist whose primary subject, the CIA, has turned around and studied him and his art work. Exhaustively researched, this is the first comprehensive biography of this immensely contradictory and brilliantly original artist whose pervasive influence in not only the art world, but also in the world of computer science and cyber–security is only now coming to light.

It seems like pretty much everybody – homeowners, students, those who are ill and without health insurance, and, of course, credit card holders – is up to their neck in debt that can never be repaid. 77% of US households are seriously indebted and one in seven Americans has been pursued by debt collectors. The major banks are bigger and more profitable than before the 2008 crash, and legislators are all but powerless to bring them to heel. In this forceful, eye-opening survey, Andrew Ross contends that we are in the cruel grip of a creditocracy – where the finance industry commandeers our elected governments and where the citizenry have to take out loans to meet their basic needs. The implications of mass indebtedness for any democracy are profound, and history shows that whenever a creditor class becomes as powerful as Wall Street, the result has been debt bondage for the bulk of the population. Following in the ancient tradition of the jubilee, activists have had some success in repudiating the debts of developing countries. The time is ripe, Ross argues, for a debtors’ movement to use the same kinds of moral and legal arguments to bring relief to household debtors in the North. After examining the varieties of lending that have contributed to the crisis, Ross suggests ways of lifting the burden of illegitimate debts from our backs. Just as important, Creditocracy outlines the kind of alternative economy we need to replace a predatory debt-money system that only benefits the 1%.

Danny Schechter the "News Dissector," a veteran journalist, filmmaker, and participant in many social movements, began covering Occupy Wall Street for Al Jazeera and other leading websites, international TV News programs, and Progressive Radio Network shows. Occupy collects his essays, blog reports, and movement documents. As the filmmaker behind "In Debt We Trust" (2006) and "Plunder: The Crime of Our Time" (2010), Danny Schechter has specialized in exposing Wall Street crime in three books and many reports. He says, "This is the movement we have been waiting for to 'fight the power.' Even as debt strangled millions, and unemployment rose alongside foreclosures, economic issues only remained fodder for boring pundits and self-styled experts. There was no activist response. Until now." Schechter explains, "Occupy Wall Street has a way of touching you personally with its gutsy honesty and democratic spirit. Yet, I was not always uncritical. I want it to succeed, but I'm also aware of its many contradictions and internal conflicts." *Occupy* provides the News Dissector's in-depth assessment of a global revolt in the making. DANNY SCHECHTER is a writer, television producer, and independent filmmaker who also speaks about media and financial issues. He is the editor of Mediachannel1.org and blogs daily as the News Dissector at NewsDissector.net. Schechter is the author of fourteen books and has produced and directed more than thirty documentaries and television specials. His blog was named the 2009 "Blog of the Year" by the Hunter College Media Department of the City University of New York.