W A G S Tale

Learn to communicate with your dog—using their language “Good reading for dog lovers and an immensely useful manual for dog owners.”—The Washington Post An Applied Animal Behaviorist and dog trainer with more than twenty years’ experience, Dr. Patricia McConnell reveals a revolutionary new perspective on our relationship with dogs—sharing insights on how “man’s best friend” might interpret our behavior, as well as essential advice on how to interact with our four-legged friends in ways that bring out the best in them. After all, humans and dogs are two entirely different species, each shaped by its individual evolutionary heritage. Quite simply, humans are primates and dogs are canids (as are wolves, coyotes, and foxes). Since we each speak a different native tongue, a lot gets lost in the translation. This marvelous guide demonstrates how even the slightest changes in our voices and in the ways we stand can help dogs understand what we want. Inside you will discover: • How you can get your dog to come when called by acting less like a primate and more like a dog • Why the advice to “get dominance” over your dog can cause problems • Why “rough and tumble primate play” can lead to trouble—and how to play with your dog in ways that are fun and keep him out of mischief • How dogs and humans share personality types—and why most dogs want to live with benevolent leaders rather than “alpha wanna-bes!” Fascinating, insightful, and compelling, The Other End of the Leash is a book that strives to help you connect with your dog in a completely new way—so as to enrich that most rewarding of relationships.

The Mission of the Organization is to provide the community with an animal assisted program that will help to promote health and well-being through positive interactions with animals. The stories in TALES THAT WAG are the stories of our pets who have become therapy dogs through the training, efforts, and generous sharing of time and talents of their community-volunteer owners. They all care deeply about the children they strive to help.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

The fifth edition of this innovative textbook introduces students to the main theories in International Relations. It explains and analyzes each theory, allowing students to understand and critically engage with the myths and assumptions behind them. Each theory is illustrated using the example of a popular film. Key features of this textbook include: Discussion of all the main theories: realism and neorealism, idealism and neoidealism, liberalism, constructivism, postmodernism, gender, globalization, neo-Marxism, modernization and development theory, environmentalism, anarchism, and queer theory. A new chapter focused on global LGBT (lesbian, gay, bisexual, and trans) theory and queer theory, Hillary Clinton’s policy myth that "gay rights are human rights and human rights are gay rights," and the film Love is Strange. Innovative use of narrative from films that students will be familiar with: Lord of the Flies, Independence Day, Wag the Dog, Fatal Attraction, The Truman Show, East Is East, Memento, WALL-E, The Hunger Games, and Love is Strange. An accessible and exciting writing style, boxed key concepts, and guides for further reading. A comprehensive Companion Website featuring a complete set of lectures for every major theory and film covered in the textbook, additional workshop and seminar exercises, slides to accompany each lecture, and an extensive bank of multiple-choice, short-answer, and essay questions and answers for every chapter. This breakthrough textbook has been designed to unravel the complexities of international relations theory in a way that gives students a clearer idea of how the theories work, and of the myths associated with them.

If you have been leading God’s people for any length of time, you know how difficult—sometimes even impossible—it can be.

After Ransom awakens in a hazy room with his hands and legs bound, he knows the voodoo witch he just met in New Orleans is now in control of his life. As he loudly proclaims he is ready to be her voodoo man, Patricia warns him to be careful what he wishes for. Moments later, the life is drained from his soul and Patricia has created her first zombie. In a collection of terrifying tales, Charles Keith Hardman once again invites others to step inside the minds of a diverse band of characters facing bizarre encounters. Lawrence knows he should be dead. The stainless steel table he lies on in the morgue is cold. All he remembers is shooting a bullet into his head. As he removes his toe tag and searches for clothes to wear, Lawrence realizes something strange is happening to him. But what will transpire once he opens the door to the morgue? After an alien spaceship crash lands in the New Mexico desert, weapons experts race to the site where they discover an alien has died. After rushing the corpse to a laboratory, the scientists take DNA samples. But what they do next is top secret. Let Me Tell You Another Story shares short tales that lead others down a frightening path lined with aliens, zombies, voodoo, and things that go bump in the night.

Wag the Dog is a film that became a media event and a cultural icon because it inadvertently short-circuited the distance that is supposed to separate reality and fiction. The film's narration challenges the established boundaries between the fiction and nonfiction tradition, as Barry Levinson, the director, embeds his interest in documentary filmmaking and complicates the issue of narrative agency in the way he frames the story. The examination of the historical and social context in which it was produced, exhibited and received worldwide enables the author to illuminate a series of changes in the way a fiction film reflects and interacts with reality, urging us to reconsider some of our central and long-standing concepts or even paradigms in film theory. Eleftheria Thanouli provides new insights into a series of issues from both classical and contemporary film theory, like the conceptual and ontological stakes in the use of digital technology, the impact of mass media on public memory and the political role of cinema in a globalized and conglomerated world.