Wagering On An Ironic God

Pascal thus wagers all on the irony of a God who both startles and astonishes wisdom's true lovers.

A compelling exploration of how our pursuit of happiness makes us unhappy We live in an age of unprecedented prosperity, yet everywhere we see signs that our pursuit of happiness has proven fruitless. Dissatisfied, we seek change for the sake of change—even if it means undermining the foundations of our common life. In Why We Are Restless, Benjamin and Jenna Storey offer a profound and beautiful reflection on the roots of this malaise and examine how we might begin to cure ourselves. Drawing on the insights of Montaigne, Pascal, Rousseau, and Tocqueville, Why We Are Restless explores the modern vision of happiness that leads us on, and the disquiet that follows it like a lengthening shadow. In the sixteenth century, Montaigne articulated an original vision of human life that inspired people to see themselves as individuals dedicated to seeking contentment in the here and now, but Pascal argued that we cannot find happiness through pleasant self-seeking, only anguished God-seeking. Rousseau later tried and failed to rescue Montaigne’s worldliness from Pascal’s attack. Steeped in these debates, Tocqueville visited the United States in 1831 and, observing a people “restless in the midst of their well-being,” discovered what happens when an entire nation seeks worldly contentment—and finds mostly discontent. Arguing that the philosophy we have inherited, despite pretending to let us live as we please, produces remarkably homogenous and unhappy lives, Why We Are Restless makes the case that finding true contentment requires rethinking our most basic assumptions about happiness.

Hester appears to have it all - marriage, a nice home, three children and a stimulating job. But it is not enough. For no matter how much she and her husband earn, she spends more. Driven by a desire to be loved by his mother, young Paul starts betting on the horses with the family's gardener. He wins, wins and just keeps winning. But, as quickly as he hands her the money, Hester has splurged it away. Then, as Derby day approaches, the spooky secret of Paul's endless run of luck is revealed. As tragedy beckons, will Paul win his mother's love? This book is perfect for fans of Edgar Allan Poe and Ernest Hemingway. It was made into the 1949 fantasy film 'The Rocking Horse Winner', starring John Howard Davies, Valerie Hobson and John Mills. DH Lawrence (1885-1930) was an English writer and poet. He was at the centre of a great deal of controversy during and after his life, with the explicit nature of some of his novels leading to censorship and protests. Many critics admired his imaginative and deeply descriptive style, though. Among his best-known novels are 'Sons and Lovers', 'Lady Chatterley's Lover', 'The Rainbow' and 'Women in Love'.

WORLD Magazine’s Best Books of 2016 Short List Christianity Today's 2017 Book of the Year Award of Merit - Apologetics/Evangelism Since we can't know with absolute certainty that God exists, each of us in a sense makes a bet. If we believe in God and are right, the benefits include eternal life. If we are wrong, the downside is limited. On the other hand, we might not believe in God. If we are right, then we will have lived in line with reality. If we are wrong, however, the consequences could be eternally disastrous. This was the challenge posed by the French philosopher Blaise Pascal over three hundred years ago. But Michael Rota contends that Pascal's argument is still compelling today. Since there is much to gain (for ourselves as well as for others) and relatively little to lose, the wise decision is to seek a relationship with God and live a Christian life. Rota considers Pascal's wager and the roles of uncertainty, evidence and faith in making a commitment to God. By engaging with themes such as decision theory, the fine-tuning of the universe, divine hiddenness, the problem of evil, the historicity of the resurrection and the nature of miracles, he probes the many dynamics at work in embracing the Christian faith. In addition, Rota takes a turn not found in many books of philosophy. He looks at the actual effects of such a commitment in three recent, vivid, gripping examples—Dietrich Bonhoeffer, Jean Vanier and Immaculée Ilibagiza. Like Pascal, Rota leaves us with a question: What wager will we make?

Vaught identifies the place where religion and philosophy meet--and he does so in constant conversation with Augustine, Hegel, Heidegger and Jaspers. Vaught argues that both religious and philosophical discourse assume one of four modes: figurative, analytical, systematic, and analogical. Any real innovation occurs by moving from one mode of discourse to another. Vaught also explores the relationship among "space," "time," and "place" as well as "mystery," "power," and "structure." Remarkably, Vaught shows how the category of "place" serves as the intersection of both triads. In the end, "place" is the orientation that guides the discussions of Being and God, where philosophy and religion are joined.

The dynamic relationship between art and theology continues to fascinate and to challenge, especially when theology addresses art in all of its variety. In Architecture and Theology: The Art of Place, author Murray Rae turns to the spatial arts, especially architecture, to investigate how the art forms engaged in the construction of our built environment relate to Christian faith. Rae does not offer a theology of the spatial arts, but instead engages in a sustained theological conversation with the spatial arts. Because the spatial arts are public, visual, and communal, they wield an immense but easily overlooked influence. Architecture and Theology overcomes this inattention by offering new ways of thinking about the theological importance of space and place in our experience of God, the relation between freedom and law in Christian life, the transformation involved in God's promised new creation, biblical anticipation of the heavenly city, divine presence and absence, the architecture of repentance and remorse, and the relation between space and time. In doing so, Rae finds an ample place for theology amidst the architectural arts.

Time is central to all that humans do. Time structures days, provides goals, shapes dreams--and limits lives. Time appears to be tangible, real, and progressive, but, in the end, time proves illusory. Though mercurial, time can be deadly for those with disabilities. To participate fully in human society has come to mean yielding to the criterion of the clock. The absence of thinking rapidly, living punctually, and biographical narration leaves persons with disabilities vulnerable. A worldview driven by the demands the clock makes on the lives of those with dementia or profound neurological and intellectual disabilities seems pointless. And yet, Jesus comes to the world to transform time. Jesus calls us to slow down, take time, and learn to recognize the strangeness of living within God's time. He calls us to be gentle, patient, kind; to walk slowly and timefully with those whom society desires to leave behind. In Becoming Friends of Time, John Swinton crafts a theology of time that draws us toward a perspective wherein time is a gift and a calling. Time is not a commodity nor is time to be mastered. Time is a gift of God to humans, but is also a gift given back to God by humans. Swinton wrestles with critical questions that emerge from theological reflection on time and disability: rethinking doctrine for those who can never grasp Jesus with their intellects; reimagining discipleship and vocation for those who have forgotten who Jesus is; reconsidering salvation for those who, due to neurological damage, can be one person at one time and then be someone else in an instant. In the end, Swinton invites the reader to spend time with the experiences of people with profound neurological disability, people who can change our perceptions of time, enable us to grasp the fruitful rhythms of God's time, and help us learn to live in ways that are unimaginable within the boundaries of the time of the clock.