Waiting For Callback Casting Queen

'Funny, heart-warming and just properly brilliant.' Maximum Pop ‘Glows with warmth and wit’ Jenny McLachlan ‘A witty, feel-good romp of a book. Waiting For Callback is my new favourite teen read!’ Emma Carroll When Elektra is discovered by an acting agent, she imagines Oscar glory can't be far away, but instead lurches from one cringe-worthy moment to the next! Just how many times can you be rejected for the part of 'Dead Girl Number Three' without losing hope? And who knew that actors were actually supposed to be multi-lingual, play seven instruments and be trained in a variety of circus skills? Off-stage things aren't going well either - she's fallen out with her best friend, remains firmly in the friend-zone with her crush and her parents are driving her crazy. One way or another, Elektra's life is now spent waiting for the phone to ring - waiting for callback. Can an average girl-next-door like Elektra really make it in the world of luvvies and starlets? Geek Girl meets Fame meets New Girl in this brilliantly funny new series!

‘Glows with warmth and wit’ Jenny McLachlan, author of Flirty Dancing ‘A witty, feel-good romp of a book’ Emma Carroll, author of Letters from the Lighthouse ‘So warm and funny with characters who feel like friends’ Keris Stainton, author of Starring Kitty Elektra James is back and her life is more hilariously chaotic than ever! Elektra is hoping for BIG things this year... She's finished her first feature film (even if her character was unexpectedly killed off half-way through filming), hosted the party of the year (well, before her mum arrived and threw everyone out - how embarrassing!) and managed to become Archie Mortimer's Actual Real Life girlfriend (for now anyway...), so things are most definitely moving in the right direction. But with social media to navigate (#actinggoals #instanightmare), GCSEs looming and a seemingly never-ending parade of failed casting calls, Elektra's road to acting stardom is proving to be as rocky as ever. Full of humour and warmth, this is the perfect series for fans of Holly Smale, Katy Birchill, Beth Garrod and Marianne Levy.

Producing and Directing the Short Film and Video, Fifth Edition is the definitive book on the subject for the serious film student or beginning filmmaker. Its unique two-fold approach looks at filmmaking from the perspectives of both the producer and director, and clearly explains how their separate roles must work together to create a successful short film or video. Through extensive examples from award-winning shorts and insightful interviews, you will learn about common challenges the filmmakers encountered during each step of filmmaking process—from preproduction to production, postproduction, and distribution—and the techniques they used to overcome them. In celebrating this book’s twentieth anniversary, this edition has been updated to include: Two all-new, in-depth cases studies of esteemed short films—Memory Lane and the Academy Award-winning God of Love A revised chapter progression that reinforces the significance of the actor - director relationship Interviews with the filmmakers integrated alongside the text, as well as new images and behind-the-scenes coverage of production processes Revamped sections on current financing strategies, postproduction workflows, and the wide variety of distribution platforms now available to filmmakers A "Where are They Now" appendix featuring updates on the original filmmakers covered in the first edition An expanded companion website (www.focalpress.com/cw/rea) containing useful forms and information on distributors, grants and financing sources, film and video festivals, film schools, internet sources for short works, and professional associations

'There's something in this book for every reader- bits to make you laugh, bits to make you cry and plenty of life-affirming, upbeat moments that make it the perfect tonic. More please!' Emma Carroll Elektra has finally landed a part in a film. It’s the dream. Well … until she works out that Straker is a movie so dystopian that within weeks most of the cast and all of the crew wish that the world had actually ended (preferably in scene one). And while it’s obviously great news that she’s moved from the friend-zone with Archie to become his almost-girlfriend, it would be better if he hadn’t immediately relocated to Transylvania to play a vampire hunter surrounded by ‘maidens of peerless beauty’… Full of humour and warmth, this new series is perfect for fans of Geek Girl and The It Girl. 'Waiting for Callback: Take Two fills you with so much love and laughter, it will brighten your day. It's completely catching in this book, there was so many laugh out loud, cringe worthy moment's your heart just beats that bit faster out of pure joy and happiness for this book.' Never Judge a Book by Its Cover 'A hilarious read with a fab main character. The excellent dialogue sets it above most of the other similar books in a crowded field (which includes lots of great reads!)' YA YEAH YEAH

Ferris Bueller’s Day Off meets Nick and Norah’s Infinite Playlist in this romp through the city that never sleeps from the New York Times bestselling author of Since You’ve Been Gone. Two girls. One night. Zero phones. Kat and Stevie—best friends, theater kids, polar opposites—have snuck away from the suburbs to spend a night in New York City. They have it all planned out. They’ll see a play, eat at the city’s hottest restaurant, and have the best. Night. Ever. What could go wrong? Well. Kind of a lot? They’re barely off the train before they’re dealing with destroyed phones, family drama, and unexpected Pomeranians. Over the next few hours, they’ll have to grapple with old flames, terrible theater, and unhelpful cab drivers. But there are also cute boys to kiss, parties to crash, dry cleaning to deliver (don’t ask), and the world’s best museum to explore. Over the course of a wild night, both Kat and Stevie will get a wake-up call about their friendship, their choices…and finally discover what they really want for their future. That is, assuming they can make it to Grand Central before the clock strikes midnight.

Helen Thomas has just moved in with her dad's family - who happen to be the ancient Greek gods, living incognito in London! Between keeping her family's true identities secret, and dealing with school drama (i.e., boys), is Helen fated for an epic embarrassment?

What do Natalie Portman, Robert Downey, Jr., Zach Braff, and Mandy Moore have in common? Before they were stars, they were campers at Stagedoor Manor, the premier summer theater camp for children and teenagers. Founded in 1975, Stagedoor continues to attract scores of young performers eager to find kindred spirits, to sing out loud, to become working actors—or maybe even stars. Every summer for the past thirty-five years, a new crop of campers has come to the Catskills for an intense, often wrenching introduction to professional theater. (The camp produces thirteen full-scale productions during each of its three sessions.) These kids come from varying backgrounds—the offspring of Hollywood players from Nora Ephron to Bruce Willis work alongside kids on scholarship. Some campers have agents, others are seeking representation. When Mickey Rapkin, a senior editor at GQ and self-proclaimed theater fanatic, learned about this place, he fled Manhattan for an escape to upstate New York. At Stagedoor, he tracked a trio of especially talented and determined teen actors through their final session at camp. Enter Rachael Singer, Brian Muller, and Harry Katzman, three high school seniors closing out their sometimes sheltered Stagedoor experiences and graduating into the real world of industry competition and rejection. These veteran campers—still battling childhood insecurities, but simultaneously searching for that professional gig that will catapult them to fame—pour their souls into what might be their last amateur shows. Their riveting stories are told in Theater Geek, an eye-opening, laugh-out-loud chronicle full of drama and heart, but also about the business of training kids to be professional thespians and, in some cases, child stars. (The camp has long acted as a farm system for Broadway and Hollywood, attracting visits from studio executives and casting directors.) Via original interviews with former and current campers and staff—including Mandy Moore, Zach Braff, and Jon Cryer—Rapkin also recounts Stagedoor Manor’s colorful, star-studded history: What was Natalie Portman’s breakout role as a camper? What big-time Hollywood director, then barely a teenager, dated a much older Stagedoor staff member? Why did Courtney Love (at Stagedoor visiting her daughter) get into an argument with a hot dog vendor who had set up shop at the camp? Theater Geek leads readers through the triumphs and tragedies of the three senior campers’ final summer in an absorbing, thought-provoking narrative that reveals the dynamic and inspiring human beings who populate this world. It also explores what the proliferation of theater camps says about our celebrity-obsessed youth and our most basic but vital need to fit in. Through the rivalry, heartbreak, and joy of one summer at Stagedoor Manor, Rapkin offers theater geeks of all ages a dishy, illuminating romp through the lives of serious child actors. Rich, insightful, and thoroughly entertaining, Theater Geek pulls back the curtain on an elite and intriguing world to reveal what’s really at its core: children who simply love to perform.

Anne Frank and Martin Luther King Jr. were born the same year a world apart. Both faced ugly prejudices and violence, which both answered with words of love and faith in humanity. This is the story of their parallel journeys to find hope in darkness and to follow their dreams.