Walking In Mud

During his first few weeks as a Navy SEAL, Steve Giblin found a simple, typewritten document left behind in an old desk drawer by the Team commanding officer, entitled “THE TEN ESSENTIAL QUALITIES OF AN UNDERWATER DEMOLITION MAN.” That single page, and the maxims it contained, followed Steve wherever he was based during his twenty-six-year career with the SEALs—fourteen of those as part of the legendary strike force that took down Osama bin Laden. Steve still lives by those tenets today, coming to realize how it laid out a regimen not just for elite warriors, but also for the rest of us in our day-to-day lives. Now Steve has applied them to this post-COVID-19 world we find ourselves living in, a new normal that will test both our resolve and our psyches as we’re challenged as we’ve never been before. Applying his own experiences as a Navy SEAL to these everyday rigors, Steve provides a prescription for both healing and thriving, a guide map to get to the other side better and stronger than we were at the beginning of a journey none of us signed up for. We’re all walking in mud; thankfully, this book offers the best and surest strategy to lift ourselves from it.

For Shared Reading and Writing. Features rhyme, rhythm and repetition. Storylines are full of humour that children will love. Age range: 4-9. Provides thorough coverage of the Literacy Strategy requirements for Foundation (P1), Year 1 (P2), and Year 2 (P3).

WINNER OF THE 2020/2021 ALCUIN SOCIETY BOOK DESIGN AWARD FOR POETRY WINNER OF THE ROBERT KROETSCH CITY OF EDMONTON BOOK PRIZE WINNER OF THE 2023 STEPHAN G. STEPHANSSON AWARD FOR POETRY WINNER OF THE GERALD LAMPERT MEMORIAL AWARD SHORTLISTED FOR THE DAYNE OGILVIE PRIZE FOR LGBTQ2S+ EMERGING WRITERS LONGLISTED FOR THE RAYMOND SOUSTER AWARD WINNER OF THE INDIGENOUS VOICES AWARD FOR PUBLISHED POETRY IN ENGLISH An Indigenous resistance historiography, poetry that interrogates the colonial violence of the archive Whitemud Walking is about the land Matthew Weigel was born on and the institutions that occupy that land. It is about the interrelatedness of his own story with that of the colonial history of Canada, which considers the numbered treaties of the North-West to be historical and completed events. But they are eternal agreements that entail complex reciprocity and obligations. The state and archival institutions work together to sequester documents and knowledge in ways that resonate violently in people’s lives, including the dispossession and extinguishment of Indigenous title to land. Using photos, documents, and recordings that are about or involve his ancestors, but are kept in archives, Weigel examines the consequences of this erasure and sequestration. Memories cling to documents and sometimes this palimpsest can be read, other times the margins must be centered to gain a fuller picture. Whitemud Walking is a genre-bending work of visual and lyric poetry, non-fiction prose, photography, and digital art and design. "Whitemud Walking is so smart and so ceaselessly innovative. It represents for me a fully assured instantiation of the Indigenous literary project: a confrontation of history's terrors head on and an articulation in the present of our beauty and indomitability. Weigel refuses the archive's efforts to flatten Indigenous subjectivity and, in so doing, opens up a kind of boundless space to remember and grieve but also to hope and imagine otherwise. A deeply felt accomplishment." –Billy-Ray Belcourt, author of A History of My Brief Body "Whitemud Walking is a testament to the power of grief and outrage that so much theft has been allowed to bulldoze Indigenous land rights. Matthew James Weigel's passion for research both honours and mourns what has been trampled and lied about. This is a devastating read but one to learn from. Mahsi cho, Matthew. Your grief is our call to action to learn our own histories and build upon our own Indigenous testimonies of what really happened and when and who was there to witness it. Mahsi cho." –Richard Van Camp, Tlicho Dene author of The Lesser Blessed and Moccasin Square Gardens "Whitemud Walking is a textual ecology, that through archival troubling, sampling, and reframing, allows the material, human, truly cellular historicity of treaty to enter as a living presence in our contemporary moment. Weigel writes, 'Here treaty means reciprocity and obligation. Here, treaty lasts forever'. This book is not the document you may hold in your hands but the shift in consciousness it foments within you. It is a gift." –Liz Howard, author of Infinite Citizen of the Shaking Tent "Echoing the caw and grackle of magpies, Matthew James Weigel’s Whitemud Walking lives the sound of Treaty 6. Voices whisper sanctuary in creekbeds, papers rustle precedence in archives; there’s a buzz in your ear, a catch in your throat – listen." –Derek Beaulieu, Banff Poet Laureate

After facing a life-changing cancer diagnosis, Phil Volker started walking a circuitous route around his ten-acre backyard. It was a chance to exercise, which his doctors had encouraged, but also created a sacred space to think and pray. Realizing that he was covering quite a distance, he found a map of the Camino de Santiago pilgrimage route and began to map his progress, calculating that 909 laps would get him from St. Jean Pied-de-Port to the Cathedral of St. James. Volker completed five caminos, five hundred miles each, without leaving his backyard, and many visitors have found healing, solace, and consolation in walking with him. Phil’s life was transformed by what he calls his three Cs—Camino, Catholicism, and Cancer. Part spiritual autobiography, part pilgrimage journal, and part Old Farmer’s Almanac, this book is the story of his journey.

Do you want healing for your broken relationship and marital breakdown? In this book, the author says that as you walk out of your room in torn cloth, shriveled hair, and in mud, with black eyes and bruises all over you, your broken relationship, separation, and divorce will be restored and healed by a miracle of reconciliation. The author addresses today’s social disease of marital divorces and separation. Whether you are estranged from your spouse or from your loved ones, your family, your friends, your children, your parents, your church members, your pastors, your business partners and associates, or from anyone, the author avers the eternal truth that there’s no broken relationship that Christ cannot heal. The author speaks about root causes of present-day divorces amongst Christians: • Affliction of generational curses or spiritual affliction • One’s own inner attitude and mind frame • Personality traits in individuals • Direct attacks and causes by demons He also shows how to tear down these root causes and bring about miracles of restoration for any kind of broken relationships. The parable of the prodigal son in Luke 15:11–31 tells you how the younger son became estranged and suffered a broken relationship with not only his loved ones. His own relationship with God the Father was also broken down. But the prodigal son stopped blaming the devil, others, and God and came to his senses. And thereafter, a miracle of reconciliation took place in his life, and there came a happy ending in his life. A happy ending waits for you too. As you read this book, you too can grasp the revelation of walking out of your room in torn cloth, shriveled hair, and in mud, slime, black eyes, and bruises all over you for the healing of your nightmares of broken relationship, marital separation, and divorce.

Fifth grader Tamaya Dhilwaddi and seventh grader Marshall Walsh have been walking to and from Woodbridge Academy together since elementary school. But their routine is disrupted when bully Chad Wilson challenges Marshall to a fight. To avoid the conflict, Marshall takes a shortcut home through the off-limits woods. Tamaya reluctantly follows. They soon get lost, and they find trouble. Bigger trouble than anyone could ever have imagined. In the days and weeks that follow, the authorities and the government become involved, and what they uncover might affect the future of the world.

In these nine evocative essays, Barbara Hurd explores the seductive allure of bogs, swamps, and wetlands. Hurd's forays into the land of carnivorous plants, swamp gas, and bog men provide fertile ground for rich thoughts about mythology, literature, Eastern spirituality, and human longing. In her observations of these muddy environments, she finds ample metaphor for human creativity, imagination, and fear.

When Sophica was abruptly separated from her father as a toddler, she found a haven in Grandmother Gitté. But one sunny day in July, when she was six years old, gendarmes marching and shouting in the streets stopped her dreamy childhood and her hopes to go to school and to be a big girl like her sister. She was deported together with her mother and the whole of the Jewish community of Mihaileni, Romania. On foot, through icy fields, they arrived in eastern Ukraine, a strip of land called Transnistria. Death, illness, brutality, shame, became her daily scenes. Sophica suffered hunger and fear but kept her hopes and sanity, albeit losing her sister and her father and witnessing her mother being viciously attacked. She survived Typhus and starvation by being strong and quiet. Herman was a jolly little boy who didn’t care much needing to wear the yellow star and being forbidden from school. He continued playing outside with his friends while his father and brother were sent to a labor camp. At the age of 14, when the Second World War ended, he joined a Jewish youth movement and embarked on a ship to the Promised Land. However, their journey was interrupted and they were taken to a British detention camp in Cyprus. Sophica and Herman were given new names, Shulamit and Tzvi. They met and made a home in Israel. Shulamit/Sophica never mentioned her sad childhood, but the essence of the past found its ways out. Sixty-five years after those events, her daughter comes across a family secret and starts asking questions, inducing Shulamit to break her silence and become again the frightened little Sophica. This book tells her moving childhood story.