Walrus Song

Learn about how these captivating creatures flop and plop and call and play their way in and out of the icy waters they call home. What’s the ruckus? What’s that sound? Walrus calls and songs astound— Honk, honkkkk! HOOO, HOOOOT! Diving, feasting, twirling—catch a glimpse of the joy found in a walrus’s icy home. Follow as it plays hide-and-seek with a friend, lounges on an ice floe, and demonstrates an impressive repertoire of sounds. Janet Lawler celebrates the many wonders of being a walrus in a story that’s brought to life through Timothy Basil Ering’s exuberant artwork. Readers curious to learn more will find a glossary at the end, along with some cool walrus facts: Did you know that a walrus can eat more than four thousand clams in a feeding frenzy—and that some walruses weigh more than a car?

A beautiful watercolor celebration of the love between ocean mamas and their babies, big and small. From whales and dolphins, to hermit crabs and jellyfish, the ocean is filled with many different creatures. Join them on this imaginary undersea journey as ocean mamas care for their babies, each in their own special way! Because one thing is universal: there's no other love like that between mamas and their little ones. With bright and beautiful watercolor illustrations comes this tender and heartwarming celebration of all the different mamas and babies you can find, especially those that live under the sea.

(Berklee Press). An essential guide for all songwriters and Beatles fans, this book explores John Lennon's songwriting genius with a guided tour through 25 of his Beatles-era hits. Author John Stevens explains Lennon's intuitive talent from a technical point of view, through the lens of songwriting's three basic elements: melody, harmony and lyric. He shows how Lennon fashioned songs that were at once politically and socially relevant during the '60s, yet remain ageless and timeless today. Features in-depth musical analysis of: A Hard Day's Night * Ticket to Ride * Norwegian Wood * Strawberry Fields Forever * Come Together * and more. John Stevens is a songwriting professor at Berklee College of Music. For more than 20 years, he has taught "The Music of John Lennon," one of the most popular courses in the Berklee curriculum. "You've got the Beatles' records and the John Lennon records; now with this book, you can have the Owner's Manual. This will tell you how the songs are built and how they work. Good stuff." Marshall Crenshaw, Singer/Songwriter

For many years Letterland has led children to skillful reading, accurate spelling and a love of literacy. Now this sequel Step-by-Step Letterland Guide provides fresh support for your children's second school year in their journey to full literacy.

A guide to the hoax that Paul McCartney was killed in an automobile accident in 1966 and replaced by a look-a-like.

Meet the claymates: two balls of clay that can become anything--even best friends! What can you do with two blobs of clay? Create something amazing! But don't leave them alone for too long. Things might get a little crazy. In this photographic friendship adventure, the claymates squish, smash, and sculpt themselves into the funniest shapes imaginable. But can they fix a giant mess before they're caught in the act?

A walrus and a carpenter encounter some oysters during their walk on the beach--an unfortunate meeting for the oysters.

British Rock Modernism, 1967-1977 explains how the definitive British rock performers of this epoch aimed, not at the youthful rebellion for which they are legendary, but at a highly self-conscious project of commenting on the business in which they were engaged. They did so by ironically appropriating the traditional forms of Victorian music hall. Faulk focuses on the mid to late 1960s, when British rock bands who had already achieved commercial prominence began to aspire to aesthetic distinction. The book discusses recordings such as the Beatles' Magical Mystery Tour album, the Kinks' The Village Green Preservation Society, and the Sex Pistols' Never Mind the Bollocks, Here's the Sex Pistols, and television films such as the Beatles' Magical Mystery Tour and the Rolling Stones' Rock and Roll Circus that defined rock's early high art moment. Faulk argues that these 'texts' disclose the primary strategies by which British rock groups, mostly comprised of young working and lower middle-class men, made their bid for aesthetic merit by sampling music hall sounds. The result was a symbolically charged form whose main purpose was to unsettle the hierarchy that set traditional popular culture above the new medium. Rock groups engaged with the music of the past in order both to demonstrate the comparative vitality of the new form and signify rock's new art status, compared to earlier British pop music. The book historicizes punk rock as a later development of earlier British rock, rather than a rupture. Unlike earlier groups, the Sex Pistols did not appropriate music hall form in an ironic way, but the band and their manager Malcolm McLaren were obsessed with the meaning of the past for the present in a distinctly modernist fashion.