Walt Disney S World Of Fantasy

Since the 1930s the Walt Disney Company has produced characters, images, and stories which have captivated audiences around the world. How can we understand the appeal of Disney products? What is it about the Disney phenomenon that attracts so many children as well as adults? In this major new book, Janet Wasko examines the processes by which the Disney company - one of the largest media and entertainment corporations in the world - manufactures the fantasies which enthrall millions. She analyses the historical expansion of the Disney empire, examines the content of Disney's classic films, cartoons and TV programs and shows how they are produced, considering how some of the same techniques have been applied to the Disney theme parks. She also discusses the reception of Disney products by different kinds of audiences. By looking at the Disney phenomenon from a variety of perspectives, she provides a fresh and comprehensive account of one of the most significant media and cultural institutions of our time. This important book by a leading scholar of the entertainment industries will be of great interest to students in media and cultural studies and will appeal to a wide readership.

This insightful biography takes a balanced and thoughtful look at the creative and enigmatic man who has had a greater influence on American culture than almost any other individual: Walt Disney. Walt Disney has been dissected, criticized, and lauded in numerous biographies, most of which try to penetrate the psychology of the man and his motives. Walt Disney: A Biography takes a cultural approach, looking at Disney as both a product of his culture and a cultural innovator who influenced entertainment, education, leisure, and even history. Drawing on many original sources, Walt Disney provides an overview of this genius's remarkable life and family. At the same time, the book places Disney in the context of his times as a way of exploring the roots of and inspiration for his creativity. Because Walt Disney's creations and ideas still affect our movies, play activities, vacation choices, and even our dreams and imagination, his influence is as important today as it was when he was alive, and this thoroughly engaging book shows why.

At the turn of the 20th Century, Japanese ‘villages' and their exotic occupants delighted and mystified visitors to the Great Exhibitions and Worlds' Fairs . At the beginning of the 21st Century, Japanese tourists have reversed the gaze and now may visit a range of European ‘countries', as well as several other cultural worlds, without ever leaving the shores of Japan. This book suggests that these and other exciting Asian theme parks pose a challenge to Western notions of leisure, education, and entertainment. Is this a case of reverse orientalism? Or is it simply a commercial follow-up on the success of Tokyo Disneyland? Is it an appropriation by one rich nation of a whole world of cultural delights from the countries that have influenced its twentieth-century success? Can the parks be seen as political statements about the heritage on which Japan now draws so freely? Or are they new forms of ethnographic museum? Examining Japanese parks in the context of a variety of historical examples of cultural display in Europe, the U.S. and Australia, as well as other Asian examples, the author calls into question the too easy adoption of postmodern theory as an ethnocentrically Western phenomenon and clearly shows that Japan has given theme parks an entirely new mode of interpretation.

The family is perhaps the most important single institution in everyone’s life. What happens in such an intense group? How does it develop over time? What happens when stress is placed upon it, whether generated from inside or outside the family? Originally published in 1975, when the late Tony Manocchio was one of the leading practitioners of family therapy in Britain and Scandinavia, this title, written with his colleague William Petitt, is a lively study of communication within families, revealing the universal problems common to all. The authors demonstrate and illuminate the application of communication principles by analysing healthy and ‘unhealthy’ family systems in six major plays – The Winslow Boy, Riders to the Sea, Hamlet, A Long Day’s Journey into Night, Death of a Salesman and A Delicate Balance. As part of this analysis they examine the difficulties family members have in allowing for differences, in sharing secrets and the ease with which a whole family can scapegoat a single member. They give a number of short case histories and examples from other plays which further illustrate the importance of communicating clearly. The book will still be of value to all those interested in the uses of family therapy, and also to students of literature for the human insight it offers into the texts discussed.

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In this fascinating analysis, Cher Krause Knight peels back the actual and contextual layers of Walt Disney's inspiration and vision for Disney World in central Florida, exploring the reasons why the resort has emerged as such a prominent sociocultural force. Knight investigates every detail, from the scale and design of the buildings to the sidewalk infrastructure to which items could and could not be sold in the shops, discussing how each was carefully configured to shape the experience of every visitor. Expertly weaving themes of pilgrimage, paradise, fantasy, and urbanism, she delves into the unexpected nuances and contradictions of this elaborately conceived playland of the imagination.

The book maps what Leonidas Donskis terms 'the troubled identity', that is, the identity that constantly needs assurance and confirmation. Through an identity-building-and-shifting process, argues Donskis, we can move from political majority to cultural minority, or the other way around.